|
Fleetwood Mac
|
|
| |
Date |
Venue - City, State |
Sound Rating | Notes | Media |
|
| 1. |
04/01/70 |
Koncerthuset - Stockholm,
Sweden |
A | Remastered from 2nd Gen tape, some dropouts on master tape, great show".
My Notes:
I DL'd this from Preclipse in #roio sometime in 2001....no setlist, no distinct lineage, no art...
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2 flac
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|
| 2. |
01/24/72 |
Messehalle - Sindelfingen,
Germany |
a- | ::: VG++ AUD for its vintage. Check samples for folly or fun or feverish frustration mitigation.
::: Warts: Repaired dullspots&dropouts but surely missed a few. Few whistles #07 start&a few other spots reduced. Most clapping&finger-snapping removed/lowered during music. Taper cut off deck 'tween songs (or done at transfer)-gaps after fade-outs removed/shortened. #14 1/2sec gap spliced&almost seamless.
::: COMPARISON CLAUSE: This Mk2 version remastered from '08 "Mk1"402MB upload, no longer on DIME.
::: *Ausstellungshalle location unconfirmed. Sometimes also listed as Messehalle. Do you have an ad/ticket/poster/review?
::: Small file size as only used better quality R channel of mono tape (after patching/remastering).
::: "Future Games, FM's 5th studio album, recorded June-August '71 & was released 1971-09-03.
::: "Bare Trees", FM's 6th studio album, recorded late '71/early '72 & released late March '72.
Recording Information ::: unknown mono reel recorder/mike -> master audience mono reel -> DAT -> CD-Rs -> wav -> "Mk1" master AUD flacs.
Playback 2020-03-xx :::"Mk1" master AUD flacs -> Audacity [normalisation to remove DC offset, channel/phase alignment, fades, manual one-at-a-time glitch, bump, clap, pop, click, dropout & dullspot repairs, volume adjustments, -0.65% averaged pitch (speed) fix with single pass after frequency analysis & with pitchpipe verification, NO equalisation (*except 51kHz notch done to lower hum), no noise reduction, only kept better quality higher frequncy R channel of mono tape after patching/remastering] -> CD Wave (track splits) -> flacs (Trader's Little Helper) -> yr ears. Freed 2020-04-xx.
Line-up ::: "Bob" Robert Lawrence Welch Jr. (†R.I.P.† 2012) - electric guitar, vocals // "Danny" Daniel David Kirwan (†R.I.P.† 2018) - electric guitar, vocals // Christine Anne McVie (née Perfect) - keyboards, vocals // John Graham McVie - electric bass // "Mick" Michael John Kells Fleetwood - drums.
Nothing here ever commercially released to my knowledge. If I'm wrong, please advise & I'll take the offending trax offline.
DimeTravel 622 ::: Thanks to the original taper & uploader! (There was no DIME handle noted in the textfile & the old dimebot is extinct). Thanks to elegymart for checking his files. ::: Corrections welcome ::: EXC version of "Little Child Of Mine". Drum solo -> "Whole Lotta Shakin' Going On" seems sorta pointless overall. The side of Welch it's hard to eat comes out, when he berates the audience for not being as into it as he would like - he may not have realised that's how he comes across, "We're going to give you one last chance, man". However, excepting the encore, the show is exceptional - the guitar interplay spectacular. Christine seems slightly subdued to me, but it may just be song selection or that she's a bit low in the mix. This one rates very highly in the post-Green FM canon - hence all the subtle work to improve the sound. Listen, enjoy, show appreciation, share, give, spread peace. Yrs truly, Knees
ORIGINAL "Mk1" UPLOADER/TRADER NOTES: "About 10 yrs ago I was playing in a band & our drummer's little brother was going to England to study architecture for a semester. The day he left we drove him to the airport & he offered me gas money & I told him instead bring me back something interesting. When he returned he handed me this DAT. He proceeded to tell me about this guy in a music store that he met hooked him up with all kinds of music. Since he knew I was a big Peter Green fan he asked the guy if he had anything special he could give him to bring me. The guy said he would find something. The next time he saw him, the guy told him he couldn't find any Green stuff but he found this. It certainly was interesting :-) Soon after I was able to contact the guy via email & that's how I learned that it was from a master reel he had obtained. For the next few years I did quite a bit of trading with him & then he fell off the face of the earth & I never heard from him again. Anyway, sound-wise I'd say this is a very good recording, performance-wise it's excellent. But the best thing about this is the setlist. If you are into Kirwin/Welch Fleetwood Mac, this is it. Enjoy!"
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2 flac
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|
| 3. |
05/15/72 |
Fox West Coast Theatre - Long Beach,
CA |
AA | Lineage ::: unknown stereo recorder & mikes -> stereo master tape -> 1st generation tape (reel?) -> 2nd generation analog tape (reel?) -> unknown digital transfer process -> 44.1 Hz wave files.
Remastering 2018-07-xx ::: waves -> Audacity [normalisation to remove DC offset, channel/phase alignment, fades, meticulous manual one-at-a-time glitch, bump, clap, pop, click, dropout & dullspot repairs, volume adjustments, x3 averaged pitch (speed) fixes with single pass per segment after frequency analysis & with pitchpipe verification, both differential equalisation & noise reduction applied] -> CD Wave (track splits) -> flacs (Trader's Little Helper) -> yr ears. First uploaded 2018-07-21.
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2 flac
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|
| 4. |
08/31/72 |
Gaelic Park - Bronx,
NY |
a- | Recording Information ::: unknown stereo recording equipment -> master stereo tape -> 1st generation reel.
Playback 2018-10-07 :::1st generation reel -> unknown digital transfer method -> 44.1 wav -> flac.
Remastering 2018/2019 ::: flac -> wav -> Audacity [normalisation to remove DC offset, channel/phase alignment, fades, literally 1000s of manual one-at-a-time glitch, bump, pop, click, clap, dropout & dullspot repairs, volume adjustments, speed seemed fine, differential equalisation applied separately to each channel, NO noise reduction. 10 cents offset added to L channel on this Mk4 EQ version to improve sound (echo compensation)] -> CD Wave (track splits) -> flacs (Trader's Little Helper) -> yr ears. Freed 2019-11-xx.
|
1 flac
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|
| 5. |
09/02/72 |
Long Island Arena - Commack,
NY |
A- | Recording Information ::: $35 Lafayette monaural cassette recorder with adjustable recording level & Sony monaural microphone (came with the 7' TC-200 reel recorder) -> master Lebotone normal bias mono cassette, no noise reduction.
Playback (circa 2003) ::: master normal bias mono cassette -> Kenwood KX-W896 cassette deck (azimuth adjusted) -> Marantz Compact Disc Recorder CDR630 -> CD-R -> wavs.
Remastering 2018-07-xx ::: wav files -> Audacity [normalisation to remove DC offset, channel/phase alignment, fades, volume adjustments, no pitch (speed) fixes needed after frequency analysis & with pitchpipe verification, NO EQ on this version, NO noise reduction, both channels from mono tape still intact on this version] -> CD Wave (track splits) -> flacs (Trader's Little Helper) -> Mk2 tagged in foobar -> yr ears. First uploaded 2018-07-xx.
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2 flac
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|
| 6. |
10/08/74 |
Ultrasonic Studios - Hempstead,
NY |
A | Source:
'Hypnotized' CD > ? > Long flac file > Audacity for split > DIME >
Goody's additional lineage:
foobar2000 (WAV) > Audition (Adjust DC Bias; Pitch Bender - various amounts; Gaps removed; Tracking adjusted; New track splits created; transitions smoothed) > TLH (FLAC Level 8; Align sector boundaries; .ffp) > foobar2000 (tags)
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2 flac
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|
| 7. |
10/19/74 |
Auditorium Theater - Chicago,
IL |
a- | Lineage: Audience > ? > CDR > Flac |
1 flac
|
|
| 8. |
10/24/74 |
Riverside Theater - Milwaukee,
WI |
a- | Source: from trade cdrs
Transfer: DBPoweramp Rip / Accurate extraction with ID3 Tag Editing > TLH checksums & torrent.
|
2 flac
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|
| 9. |
11/30/74 |
Shrine Auditorium - Los Angeles,
CA |
A | |
2 flac
|
|
| 10. |
11/20/75 |
Yale Coliseum - New Haven,
CT |
8 | Lineage: AUD --> ? --> FLAC --> Audacity --> TLH (fix SBE's) |
1 Flac
|
|
| 11. |
07/23/76 |
Richfield Coliseum - Cleveland,
OH |
8 | Source: Aud Recording
Lineage: Trade>CDR>EAC>WAV>SHN>Torrent>Dime (2007)->WAV->FLAC(2014)p |
2 Flac
|
|
| 12. |
04/14/77 |
Le Zenith - Paris,
France |
A | |
1 flac
|
|
| 13. |
06/29/77 |
Madison Square Garden - New York,
NY |
8.5 | Remaster Lineage:
Trader's Little Helper (decode to wav) > MVSep (crowd noise removal using Ensemble MDX23C + Mel Roformer model) > GoldWave (restore applause, editing, further crowd noise removal/reduction, re-split some tracks) > Trader's Little Helper (flac level 6)
Original Lineage:
Audience Stereo
2nd gen reel > DAT > CDR > EAC > FLAC
Teac X-1000R > Tascam DA-20 > Tascam CD-RW900
Total Time - 92:28
2nd gen reel to DAT from Steve Hopkins
Remaster Notes:
Great show, very good recording particularly given the year and venue. As with many audience recordings of Fleetwood Mac concerts from this tour, there is a healthy amount of clapping and whistling during the songs (check out the whistling during Oh Daddy in the comments). MVSep worked quite well and really improved the sound. The fade out at the end of I'm So Afraid and fade in at start of Dreams have been combined (eliminating repetitive portions at the end of Afraid and the start of Dreams) so there's no break between songs. Some encore applause was presumably cut between Second Hand News and Songbird, as the level of applause dropped noticeably at what was the very start of Songbird. I applied a cross fade where the volume changed to make it less apparent.
Before and after samples of Landslide and Songbird in the comments, along with Go Your Own Way samples and samples of removed crowd noise. Cover art included in file. Many thanks to the original taper.
|
2 Flac
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|
| 14. |
07/07/77 |
Providence Civic Center - Providence,
RI |
A | a little bit of talking around taper but a fine performance all around
Audience Stereo
2nd gen reel > DAT > CDR > EAC > FLAC
Teac X-1000R > Tascam DA-20 > Tascam CD-RW900
Total Time - 93:19 |
2 flac
|
|
| 15. |
08/25/77 |
Aladdin Theater - Las Vegas,
NV |
A | Lineage: LPs->Sound Forge->Speed correction on turntable (pitch down slightly)->Click and Crackle removal->FLAC via TLH, level 6, sectors aligned and verified, FLAC integrity checked.
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1 flac
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|
| 16. |
08/30/77 |
The Forum - Inglewood,
CA |
AA | Mike Millard Original Master Tapes via JEMS
The Lost and Found Mike the MICrophone Tapes Volume 21
Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder
Transfer: Mike Millard Master Cassettes > Yamaha KX-W592 Cassette Deck > Sony R-500 DAT > Analog Master DAT Clone > Focusrite Scarlett 6i6 > Sound Forge Audio Studio 13.0 capture > iZotope RX6 > iZotope Ozone 6 > Audacity > xACT 2.39 > FLAC
|
2 flac
|
|
| 17. |
12/04/77 |
Festival Hall - Osaka,
Japan |
8.5 | Has hiss but pretty good |
2 Flac
|
|
| 18. |
12/05/77 |
Budokan - Tokyo,
Japan |
8.5 | Not as bright but still pretty good |
2 Flac
|
|
| 19. |
11/06/79 |
Checker Dome - St. Louis,
MO |
A | Lineage:SBD -> ??? -> CD -> EAC -> TLH
Rhiannon has a few glitches, songs fade between tracks.
Sound Quality:
A (Soundboard) |
2 flac
|
|
| 20. |
12/06/79 |
The Forum - Inglewood,
CA |
A+ | Mike Millard First Generation Tapes via JEMS
The Lost and Found Mike the MICrophone Tapes Volume 129
Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder
Transfer: Mike Millard First-Generation Cassettes made for Jim R > Nakamichi CR-7A (azimuth adjustment) > Sound Devices USBPre 2 > Audacity 2.0 capture 2496 > iZotope RX8 > iZotope Ozone 8 > MBIT+ resample to 1644 > Audacity > TLH > FLAC
|
2 flac
|
|
| 21. |
02/08/80 |
Kaikan - Kyoto,
Japan |
9 | Wardour Records |
2 Flac
|
|
| 22. |
02/13/80 |
Kenmin Hall - Yokohama,
Japan |
a- | |
2 flac
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|
| 23. |
05/20/80 |
Cleveland Coliseum - Richfield,
OH |
A | Source: Audience
Lineage: Marantz Superscope tape deck & Realistic Stereo condessor mic & TDK SA 90 cassette > CDR > eac > wav > FLAC
Quality: Outstanding, better than the Millard recording from the Hollywood Bowl.
Comments by taper: "[Recorded] on the side of the stage right in front of the overhead pa system. Ran out of tape ( I was a broke college student at the time and tapes were pricey then). That`s why GYOW is cut off."
Notes: ^ 02:34 splice |
2 flac
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|
| 24. |
09/01/80 |
Hollywood Bowl - Hollywood,
CA |
A | Mike Millard Master Tapes via JEMS
The Lost and Found Mike the MICrophone Tapes Volume 80
1644 Edition
Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder
Transfer: Mike Millard Master Cassettes > Nakamichi RX-505 (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX8 > iZotope Ozone 8 > MBIT+ resample to 1644 > Audacity > TLH > FLAC
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2 flac
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|
| 25. |
09/05/82 |
Devore Field-Glen Helen Regional Park - Devore,
CA |
a- | Lineage :
Cdr Trade -> EAC -> Traders' little helper (checksum & flac conversion (6))
|
2 flac
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|
| 26. |
09/12/82 |
Mid South Coliseum - Memphis,
TN |
AA | Linage: Soundboard -> ??? -> cassette -> CDR -> EAC - > TLH |
2 flac
|
|
| 27. |
09/14/82 |
Brendan Byrne Arena - East Rutherford,
NJ |
B+ | |
2 flac
|
|
| 28. |
09/15/82 |
The Centrum - Worcester,
MA |
a- | |
2 flac
|
|
| 29. |
09/22/82 |
Alpine Valley Music Center - East Troy,
WI |
AA | Mics: Sony ECM-33F (9V round battery)
Recorder: 1981 TC-D5M Sony Cassette Pro Portable
Location: 25th row a few seats right of center
Cassettes: Fuji Metal 90: Dolby on but left off for this playback
Playback: Sony TC-D5M unit calibrated to this era (not same identical unit). Tape speed and head alignment
Chord Company Interconnect Cable (Naim Co.)
Run through the Naim Audio NAC-52 preamp to the Sound Devices-722 @ 24b/192kHz
Sony Sound Forge just to track. NO OTHER BULLSHIT!
**********************************************************************************************
FLAC >WAV >Audacity (Down Sample To 16bit/44.1kHz, Combine Tracks To A One-Track File, Amplify By 3.67db, Re-Track On Similar Index Points Getting Rid Of 'Talk' Index Points) >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr
********************************************************************************************** |
2 flac
|
|
| 30. |
09/28/82 |
Reunion Arena - Dallas,
TX |
B++ | This is one I kept because there just are not any good ones from this tour. |
2 Flac
|
|
| 31. |
10/10/82 |
Alpine Valley Music Theatre - East Troy,
WI |
A | |
2 flac
|
|
| 32. |
10/12/82 |
Mid South Coliseum - Memphis,
TN |
A | Linage: Soundboard -> ??? -> cassette -> CDR -> EAC - > TLH |
2 flac
|
|
| 33. |
10/13/82 |
Assembly Center - Baton Rouge,
LA |
A | |
2 Flac
|
|
| 34. |
10/15/82 |
McNichols Sports Arena - Denver,
CO |
A | CD-R TRADE > EAC > WAVE > TLH > FLAC 8 |
2 flac
|
|
| 35. |
10/18/82 |
Irvine Meadows - Irvine,
CA |
A | source: Nakamichi CM 300 CP-1 Cardioids >) Sony TC-D5M
transfer from master cassettes
taper: Mark
*************************************************************************
FLAC Tags Via xACT 2.50 By OldNeumanntapr |
2 flac
|
|
| 36. |
10/20/82 |
Oakland Coliseum Arena - Oakland,
CA |
A | Unknown Audience (Listed As A Soundboard)
************************************************************************************************
FLAC >WAV >Audacity (Remove And Repair 2-Second TAO [Track At Once] Gaps, Remove And Or De-Amplify Countless Loud Close-Proximity Hand Claps, Remove 'Talk' Index Points) >Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr
************************************************************************************************ |
2 flac
|
|
| 37. |
10/21/82 |
The Forum - Inglewood,
Ca |
AA | Superstar Concert series 97-18 |
2 flac
|
|
| 38. |
10/31/82 |
Frank Erwin Center - Austin,
TX |
B++ | |
2 flac
|
|
| 39. |
10/01/87 |
Hilton Coliseum - Ames,
IA |
B+ | for the diehards |
2 flac
|
|
| 40. |
10/23/87 |
Hartford Civic Center - Hartford,
CT |
a- | |
2 flac
|
|
| 41. |
11/01/87 |
Civic Center - Providence,
RI |
A | 2nd Gen audience cassette tape>Harmon Kardon tape deck>Pioneer stand alone burner>
>wav>Trader's Little Helper level 8>flac16
Good recording, a rare one on tape sitting on my shelf for years, time to share it around. |
2 flac
|
|
| 42. |
11/12/87 |
The Summit - Houston,
TX |
A | |
2 flac
|
|
| 43. |
12/04/87 |
unknown - Las Vegas,
NV |
A | |
2 flac
|
|
| 44. |
12/07/87 |
Great Western Forum - Inglewood,
CA |
a- | |
2 flac
|
|
| 45. |
12/17/87 |
Coliseum - Portland,
OR |
AA | |
2 flac
|
|
| 46. |
05/12/88 |
NEC Arena - Birmingham,
England |
8 | first generation - incomplete show
Master Cassette>Roland R-07>HD>Audacity>Dime
Checked SBE's with Trader's Little Helper |
1 Flac
|
|
| 47. |
06/05/88 |
Open Air Rock am Ring - Nuerburgring,
Germany |
a- | FM broadcast(SWR3 radio station) > master tape>wave(Philips CDR570)>
track split(CD wave Editor)>fade in/fade out(Nero wave Editor)>flac(8)TLH
aligne on sector boundaries
Quality is exc.(+), listen to the two MP3 samples
|
2 flac
|
|
| 48. |
06/15/88 |
Ahoy Hall - Rotterdam,
Holland |
A | MvdV Masters Sony WMD6 - Sennheiser MKE 40's
|
2 flac
|
|
| 49. |
03/26/90 |
Festivall Hall - Melbourne,
Australia |
B++ | |
2 flac
|
|
| 50. |
06/01/90 |
California Expo Amphitheatre - Sacramento,
CA |
a- | |
1 flac
|
|
| 51. |
06/13/90 |
Red Rocks Amphitheatre - Denver,
CO |
A | Mid point recordings on DAT:
Sony TDC-D8 with Sonic Studios DSM-6P Dimensional Stereo Microphones |
2 flac
|
|
| 52. |
07/27/90 |
Great Woods Center for the Performing Arts - Mansfield,
MA |
A- | Source: ME-80s > TCD-5M (no Dolby) by Dr. B. Fried
Transfer: MC (MX 90; MX 100) > Nak Dragon > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496
Master: Wavelab 12 (tracking, levels, fades, resample, Lin dither) > FLAC 1644
Thanks to Doc. Fried for lending his tape to be digitized and shared, and to Dan Rogosa for facilitating |
2 Flac
|
|
| 53. |
08/25/90 |
Maine Road Theatre - Manchester,
England |
a- | Recorder edited on the fly at concert still sounds pretty good just no flow |
2 flac
|
|
| 54. |
10/29/97 |
McNichols sports Arena - Denver,
CO |
A | Lineage>unknown recorder>wavs>flacs6>you
|
|
|
| 55. |
11/15/97 |
Lakewood Amphitheater - Atlanta,
GA |
A | |
2 flac
|
|
| 56. |
11/27/97 |
Madison Square Garden - New York,
NY |
a- | Source: Audience
Lineage: Nakamichi CM300 > SONY D8 (15th row, left center floor) > TASCAM DA-20 MK II > Sound Forge > FLAC
Quality: 9 (8.5+) |
2 flac
|
|
| 57. |
05/15/03 |
HSBC Arena - Buffalo,
NY |
A | SBD>?>CD>EAC>CD>EAC>FLAC |
2 flac
|
|
| 58. |
06/08/03 |
St. Pete Times Forum - Tampa,
FL |
A | |
2 flac
|
|
| 59. |
07/16/03 |
Arrowhead Pond - Anaheim,
CA |
A | |
2 flac
|
|
| 60. |
08/15/03 |
Savvis Center - St. Louis,
MO |
8 | Unknown Recorder>Trade>You |
2 Flac
|
|
| 61. |
09/07/03 |
The Arena At Gwinnett Center - Duluth,
GA |
A+ | White Dragon Records - WDR0190/0191
Source: Audience DAT master
Recording Equipment: (2) Audio Technica 933 cardioid mics >
(2) Audio Technica 8532 Power Modules >
Sony PCM-M1 DAT recorder
Location: Section F4 Row K DFC (around 20-25 rows from stage, Dead F'n Center)
Taper: kinglerxst
Mastering: siriusjoe
Artwork: kinglerxst
|
2 flac
|
|
| 62. |
09/10/03 |
Greensboro Coliseum - Greensboro,
NC |
8 | Unknown Recorder>Trade>You |
2 Flac
|
|
| 63. |
09/12/03 |
Thompson-Boling Arena - Knoxville,
TN |
8 | Unknown Recorder>Trade>You |
2 Flac
|
|
| 64. |
03/01/09 |
Mellon Arena - Pittsburgh,
PA |
A | Equipment: CA-14 Cardioids ~> CA Ugly Pre [+20] > Edirol R-09
Location: Igloo 4, Row B, Seat 5, Lindsey side
Taper: ninjadave
Mastering: SiriusJoe
16 BIT VERSION |
2 flac
|
|
| 65. |
03/13/09 |
Nassau Coliseum - Uniondale,
NY |
A | edirol R09-HR -> audacity to split tracks -> dbPowerAmp conversion to FLAC level 8 -
|
2 flac
|
|
| 66. |
03/26/09 |
Air Canada Centre - Toronto,
ON |
a- | Source: Audience
Lineage: Core Sound H.E.B.(DPA 4061) > Edirol R-09 > PC > Soundforge > CDWave > TLH > FLAC
Quality: 9 |
2 flac
|
|
| 67. |
04/22/09 |
St. Pete Times Forum - Tampa,
FL |
9 | stc-11 -> stc-9000 -> r-09hr 24/96 -> soundforge 16/44.1 -> flac |
2 Flac
|
|
| 68. |
04/23/09 |
BankAtlantic Center - Sunrise,
FL |
A | Taped By Dolphinsmile
Schoeps MK4/Nbox/SonyPCM10
24/48 Master files tracked in Goldwave>TLH8
Producer Dolphinsmile
Taper Dolphinsmile |
2 flac
|
|
| 69. |
04/23/09 |
BankAtlantic Center - Sunrise,
FL |
9 | Source: Church Audio Cards > CA-9100 > Edirol R-09HR (16/44.1)
Lineage: Kingston 16G > CD Wave Editor > FLAC 8 > WinAmp > CD
Taper: SUITES |
2 Flac
|
|
| 70. |
05/31/09 |
Sports Arena - San Diego,
CA |
A | Taper: Tom Riddle (darkwizardtaper@gmail.com)
Source: Schoeps MK4 > active cables > Nbox+ > Edirol R-09HR (24/48)
Location: Sec C row 15
Transfer: Edirol R-09HR > SDHC > PC
Edit: wav > Sony Soundforge 7.0b > wav > CD Wave > wav
Dithered/resampled in Sony Soundforge 7.0b
Conversion: wav > Trader's Little Helper 2.4.1 > .flac
Compiled on 06.02.09 |
2 flac
|
|
| 71. |
04/04/13 |
Nationwide Arena - Columbus,
OH |
A | Lineage:
Audio Reality Microphone ARMIC 1 > Battery Box > Zoom H2N 16/44.1 > PC >
GoldWave > Flac
|
2 flac
|
|
| 72. |
04/08/13 |
Madison Square Garden - New York,
NY |
a- | Source: Aud (4 channels rendered down to 2 channel)
Lineage:
CA-14 omni's (binaural) -> CA9100 -> 6" GAKables Mini starquad cable -> Tascam DR-2d (Line In, 24/96)
CA-14 cardioids (XY, tight) -> CA-UBB -> Tascam DR-2d (Mic In, 24/96)
Transfer: Kingston 16GB Class 10 SDHC -> HDD
Audio software: REAPER v4.2 (rendering 4 channels to 2 channels only) -> wav's (24/96) -> CDWAV -> TLH -> Flac24
* Dioxit Gold used on all connectors and gold tipped terminals before recording.
Recorded and transferred by Drgiggles1
Recorded from the sweet spot. Section E, Row 8, Seat 11 (dead center) |
2 flac
|
|
| 73. |
04/16/13 |
Air Canada Center - Toronto,
ON |
A | Either Core Sound HEB or SP-CMC-8 (Cards) > Iriver H120 (Rockboxed)
(Records all lost) |
2 flac
|
|
| 74. |
04/20/13 |
Arena @ Mohegan Sun Casino - Uncasville,
CT |
A | Sennheiser ME-104's>Tascam DR-07 (16/44.1, 40hz bass rolloff)
>USB> PC> GoldWave v5.56 (invert, balance levels)> CDWaveEditor v1.96 (track split)> TLH> Flac (6)
Taper: Ringfedder
Location: Section 20
Sound Quality: Excellent |
2 flac
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|
| 75. |
04/24/13 |
Prudential Center - Newark,
NJ |
A | Source: Sony ECM-909a stereo mic > Edirol R-09HR @ 16 bit/44.1 kHz
Mastering: .WAV > iZotope RX10 Advanced v10.0.0.1705 (De-click) > Sound Forge Pro 14.0 Build 140 [minor edits, normalize, & fades, Boz Digital Labs T-Bone2 plug-in (tilt EQ)] >
CDWav (tracking) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.1.16 (tagging)
Recorded by: ManOfStealth
Mastered by: Dennis Orr |
2 flac
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|
| 76. |
04/28/13 |
Xcel Energy Center - St. Paul,
MN |
AA | Source - Olympus LS-10 (16 bit - 44 kHz) -> SD card -> Wave Pad -> CD Wave Editor -> Traders Little Helper -> Flac
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2 flac
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|
| 77. |
05/12/13 |
MTS Centre - Winnipeg,
MB |
a- | Source: Audience
Lineage: CA-14(cards) > CA9100 > Zoom H4n > SD 24/48 > iZotope Rx (join,ozone vst,resample,dither 16/44) > CDWav (tracks) > FLAC
Quality: 9 (8.5+) |
2 flac
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|
| 78. |
06/14/13 |
Rosemont Horizon - Rosemont,
IL |
a- | Source: Audience
Lineage: Sound Professionals CMC-08s > SP-SB11(no bass roll-off) > Edirol R09HR> CoolEditPro > CDWave > TLH > FLAC
Quality: 8 (8.5) |
2 flac
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|
| 79. |
06/22/13 |
Nikon At Jones Beach Theater - Wantagh,
NY |
A | 16 Bit 44.1kHz version
Taped from section E, right side of stage, about 50' (?) back
SP-CMC-8 -> Battery Box -> Edirol R-09HR -> PC -> Audacity for track splits, +3dB Boost -> dbPowerAmp to FLAC level 8 and to 16bit/44.1kHz -> Uploaded
|
2 flac
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|
| 80. |
09/20/13 |
The O2 Arena - Dublin,
Ireland |
a- | Source: Audience
Lineage: Sony ECM-CS10 > Edirol R09-HR > Sound Forge > FLAC
Quality: 8 (8.5)
Comments: Would be more like a 9 with more bottom end |
2 flac
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|
| 81. |
10/06/13 |
Lanxess Arena - Cologne,
Germany |
a- | Equipment: CA 14 cardioids => Church Preamp CA-9100 => Sony TCD D8
Lineage: Sony DTC-790 DAT Deck => Creative SB ZxR (optical in) => HD => WAV => WaveLab 6.0 => TLH (level 8) => you
Recorded from the seats on the left side, quite close to the stage (about 15 meters I guess) and in line with the PA. Fortunately no annoying whistlers around me, just some clapping here and there which I partially managed to remove. The older the audience, the better for your recording..........looking at the audience around me I felt really young that night :-) ! This is probably the best sounding show I've recorded so far in that arena which usually has a sh*t sound but then, I also had very good seats so that might also be a reason.
Some volume balancing and some mastering done (according to my personal taste) but all in all I tried to keep this recording as close to the original as possible. Please be sure to check out the samples before downloading.
Encoding/Checksums/Fingerprints created with Traders Little Helper
All mastering / track splitting / fades / down sampling done with WaveLab 6.0
|
2 flac
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|
| 82. |
10/07/13 |
Ziggo Dome - Amsterdam,
Netherlands |
A+ | Source: Audience
Lineage: Factory-matched pair of Schoeps CCM 41V microphones (DINa mounted) > Marantz PMD661 recorder with Oade Concert Mod (-18 dB gain/44.1 kHz/24 bit WAV) > Audition > FLAC
Quality: 10 |
2 flac
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|
| 83. |
10/11/13 |
Bercy POPB - Paris,
France |
a- | [Recorded by hanoi - c. 25 yards from the stage, LHS, level with the p.a.]
Core sound binaurals** > battery box (flat response) > Roland R05 (16 bit/44.1 khz)
**Hats off to Duncan
Master > Adobe Audition (fade in/out, increased acoustic songs by 2 db, normalise) > CD wave > foobar/FL8 > TLH
First shared on 14th November 2015 in community with our brothers and sisters in France.
|
2 flac
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|
| 84. |
10/14/13 |
Hans-Martin Schleyerhalle - Stuttgart,
Germany |
A |
Lineage: CA-14 cards > Sony PCM-M10 24bit/48kHz wav > Peak (de-amplified the loudest handclaps, EQ, Sqweez, flac) > TLH > You
|
2 flac
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|
| 85. |
10/06/14 |
Madison Square Garden - New York,
NY |
A | Recorded by: Mr. Railing
Source: AT943cards>SP-SPSB-10>MM-AT-1>H2n(24/48)
Transfer: wavelab>r8b>cdwav>TLH(8)>flac
Location: First row upper level in line with left speaker stack. Mics split 2 feet placed over plexiglass barrier onto signage below
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2 flac
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|
| 86. |
10/07/14 |
Madison Square Garden - New York,
NY |
a- | A LARS M RECORDING
---
Rec. Info:
Sony ECM 719 mic -> Sony PCM D50 (at WAV 16/44) -> HD -> USB Stick received via Mail -> my HD -> Audacity (edit/remaster) -> WAV 16/44 -> TLH8 -> FLAC -> DIME -> YOUR EARS AND MIND...
Recorded by dear taper brother Lars at Section C, Row 26, seat # 5, about 30 meters from stage left side. |
2 flac
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|
| 87. |
11/28/14 |
The Fabulous Forum - Inglewood,
CA |
a- | Source: Audience
Lineage: AT853 cards(3-wire) > Naiant Tinybox > Sony PCM-M10 (24/96) > Audition (normalize, 16/44.1) > CDWave Editor > TLH > FLAC
Quality: 8 (8.5) |
2 flac
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|
| 88. |
03/01/15 |
Frank Erwin Center - Austin,
TX |
9 | Audience->Schoeps MK4-Tinybox-Sony PCM-M10-cdwav->Traders Little Helper->mp3tag for tagging->recorded by seedy
Recording location - section 81 row 9 - almost nosebleed |
2 Flac
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|
| 89. |
03/24/15 |
Phillips Arena - Atlanta,
GA |
8 | Core-Sound cardioids> Custom PreAmpMZ-RH910>24bit/48hz>sd card> harddisk> audacity > 16bit/44.1hz > flac level8
|
2 Flac
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|
| 90. |
04/04/15 |
Rogers Arena - Vancouver,
BC |
9 | Aud 149.21 mins, Master, Quality A
Recording: Church Audio CA-11's (cardioids) > Church Audio CA-9200 > Sony PCM-M10 > SD Memory Card @ 24/48
Mastering: Wav 24/48 > Asus ST Soundcard 24/192 > Soundforge Pro 11 incl. Waves plug ins> TLH Flac with SBA > You
DGB comments:
This show was recorded in section 104 right hand side of stage in direct line with the left speaker stacks.
Boguspomp comments:
Another good Fleetwood Mac show from Vancouver by DGB. Very nice sound.
|
2 Flac
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|
| 91. |
06/30/15 |
First Direct Arena - Leeds,
UK |
9 | Recording details; Audience recorded by hanoi, lower/100 tier on the far left side.
Lineage;
CA14 cardiods > UBB > Roland R05 (16 bit/44.1 khz) >Audition (fade in/out, mild EQ, amp +8/10db and hard limiting of applause)>CD wave>FLAC 8>
|
2 Flac
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| 92. |
07/08/15 |
Hydro - Glasgow,
Scotland |
8 | Recorded from block 324.....very high up to left of stage.
Recorded using ZOOM H2 - Memory Card - PC - Adobe - Audacity - TLH
Despite being quite far from stage and main PA in thie enormo-dome the audio quality is not too bad save for some intrusive idiots who talked during the less well known songs.
This is becoming more and more annoying....not just because I was recording but just the general ignorance!
Once on my PC I put the raw file through Adobe Audition.
I then tracked using Audacity before converting to FLAC using TLH.
No fade out between CD 1 and CD 2 but I tracked so that the suggested split
crowd chatter right by recorder |
2 Flac
|
|
| 93. |
10/22/15 |
Allphones Arena - Sydney,
Australia |
a- | Source: Audience
Lineage: CA14 cards > CA9100 > Roland-R05 (24/48) > Audition (track splits, 16/44.1) > TLH > FLAC
Quality: 8 (8.5) |
2 flac
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|
| 94. |
11/19/18 |
Moda Center - Portland,
OR |
AA | Fileset: 24 bit/48 KHz.
Source: Schoeps mk4s > Schoeps KCY 250/0 lg > Naiant IPA > Roland R-07 (24/48)
Location: FOB DFC @ 6'
Transfer: R-07 > Apple Mac Mini > Audacity (trimming, normalizing, tracking, tagging, flac) > Tag Editor > xAct (ffp).
Recording and mastering by dino.taper. Strictly for non-commercial use.
|
2 flac
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|
| 95. |
12/08/18 |
Viejas Arena - San Diego,
CA |
AA | ource : AT853 (UL shotguns)> CA Ugly2 > Sony PCM-M10
taper : markp |
2 flac
|
|
| 96. |
09/04/19 |
Rod Laver Arena - Melbourne,
Australia |
8.5 | Source: Audience
Lineage: Nokia Lumia 930 (called Lumia Icon in North America) w/built-in HAAC mics > Audio Recorder Pro app > 16bit/48 KHz PCM/WAV > TLH > FLAC |
2 Flac
|
|
| 97. |
10/28/19 |
TD Garden - Boston,
MA |
A | Taper : Farve4
Lineage: SP-CMC-8c > SP-SPSB-11 > Sony PCM-A10 >
internal memory > WAV 48kHz/24-bit
|
2 flac
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