Etree - John H - 897 shows
Last Update: Tuesday May 05, 2026

[ DIFFERENCE | WANT LIST (10) | COMMENTS (2) | EMAIL ]


I use wetransfer to send shows. I am always looking for Bryan Adams, Barclay James Harvest, Crosby Stills Nash and Young, Manfred Mann's Earth Band, Kayak and Jackson Browne.



I have over a terrabyte of the Allman Brothers and Grateful Dead and all of the shows I have are not all listed.  If you have a date or show your looking for ask and I will see if I or one of my friends 



has it. I also have a lot of Pink Floyd and cover bands. If I don't get back to you right away the possibility is you wound up in the junk folder.  I will always try to help you out.  


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Ann Wilson  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/04/23 Dublin Coffman Football Stadium - Dublin, OH 8.5 Charles Dewey Cole, IV Location: 20ft back from right stack; mics mounted on baseball hat brim. Source: CA-14 Omni > CA-9200 > Sony PCM-A10 (24 bit @48kHz) > Adobe Audition 3.0 (dithered to 16 bit @44.1kHz) > Cd Wave > FLAC Conversion: Charles Dewey Cole, IV Equipment: Sony PCM-A10 > (USB) @ 48kHz > 44.1kHz > Cd Wave 1 Flac  
2. 08/30/23 Suburban Park Stage @ NYS Fair - Syracuse, NY 8.5 Taped/Tracked: Beatkilla AKG ck61 (x2) > Nbob actives > Baby Nbox > Tascam DR-2d > < USB > PC > Sony Vegas Pro > CD wav editor > TLH > flac 1 Flac  

Buckingham Nicks  
  Date Venue - City, State Sound Rating Notes Media  
1. 01/29/75 Jacksonville State University - Jacksonville, AL B++ FM & Soundboard Recordings Flac 16bit/44,1khz Tracks 01-15 Recorded January 29, 1975 Tracks 16-20 Recorded Circa 1974 Lindsey Buckingham – vocals, guitars, bass guitar, percussion Stevie Nicks – vocals Tom Moncrieff bass Gary "Hoppy" Hodges drums, percussion 1 flac  

The Faces  
  Date Venue - City, State Sound Rating Notes Media  
1. 02/25/75 Providence Civic Center - Providence, RI 7.5 Master audience recording taped by Dan Lampinski Mastered by Carl Morstadt - Speed/Pitch adjustments, etc. by Goody Rod Stewart – lead vocals Ronnie Wood – guitars, backing vocals Ian McLagan – keyboards, backing vocals Tetsu Yamauchi – bass Kenney Jones – drums Sony TC-152SD Tape Recorder Sony ECM-99 Stereo Microphone Maxell cassettes Master Cassette -> Nakamichi CR-3A cassette deck with azimuth correction -> M-Audio Firewire Audiophile 2496 -> CDWAV 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> FLAC Front End (FLAC 8) FLAC files tagged with Foobar2000 Live Show Tagger > Goody's additional lineage: Audition (Pitch Bender, various amounts; levels adjusted) > Voxengo r8brain - convert to 16-bit > TLH (FLAC Level 8; .ffp) > foobar2000 (tags updated) No EQ'ing. 2 Flac  

Fairport Convention http://www.fairportconvention.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 05/27/70 Mandel Hall, University of Chicago - Chicago, IL A Source: FM broadcast (WHPK-FM). Recording process is unknown. 1 flac  
2. 10/25/75 Nottingham University - Nottingham, England A FM master: Radio Trent broadcast>Unknown tuner & casette deck>'Happy Sound' C90 Cassette>Technics RS-B305 cassette deck>Soundforge>iZotope>Flac 1 flac  
3. 08/09/86 Cropredy Festival - Oxfordshire, England A Source: Soundboard > low generation cassettes (courtesy of M.R. archive) Transfer: Zoom H4n (16 bit / 44.1 kHz) (transfer by M.R.) Editing: Soundforge (tracking) > Wav (Eac tested) > TLH (sector boundary aligned) Flac level 8 2 flac  
4. 08/14/91 The Mill (A Cropredy Warmup) - Banbury, England A An amazing sounding show - a dat sdb, I think - and great performances. I've shared this pretty widely, but it deserves an even larger audience. It sounds too good not to be here, and, in fact, imo, should be placed on your shelf along with the Richard Thompson Band Cropredy 91 sdb that davemar uploaded here recently. When I first received this, but before sharing it widely the first time, I sent it to a man in the UK who masters with (imo) a pretty light touch, but I think I recall his saying it needed little or nothing done to it. For this upload: cdr>eac(secure mode)>wav>flac(level 8) 2 flac  
5. 08/12/17 Cropredy Convention - Cropredy, UK A Sonic Studios DSM-6>PA6-XP>M Audio Microtrack> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording Thanks to Brian Miller for setlist info posted on setlist.fm for this set and the 2 warmup shows 3 flac  
6. 02/26/22 Farnham Maltings - Farnham Surrey, UK A+ Sonic Studios DSM-6>PA6-XP>Tascam DR100 MkIII> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording 2 flac  
7. 05/28/22 Acapela Studio - Cardiff, Wales A+ Lineage - Matrix (40/40/20) of: Source 1: Church Audio CA-14 omnis > CA-9200 > Edirol R-07 (@24/96) Source 2: Edirol R-09HR with internal mics (@24/96) Source 3: Edirol R-07 with internal mics (@16/48) Edited in Cool Edit Pro 2 > Movie Magic > CDWave > TLH Recorded 15' back, just inside house left speaker Recording by boombox & mrunhalf Transfer, editing & artwork by boombox (all photos by mrunhalf) 2 flac  
8. 08/09/22 Hook Norton Brewery - Oxfordshire, UK A+ Sonic Studios DSM-6>PA6-XP>Tascam DR100 MkIII> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording 4 flac  
9. 08/11/22 Fairport's Cropredy Convention, Cropredy - Oxfordshire, UK A+ Sonic Studios DSM-6>PA6-XP>Tascam DR100 MkIII> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording 1 flac  
10. 08/04/25 The Mill - Banbury, Oxfordshire, England 9 Core DPA 4060>Core Battery Box>Tascam DR-05X> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording 2 Flac  
11. 08/05/25 The Mill - Banbury, Oxfordshire, England 9 Core DPA 4060>Core Battery Box>Tascam DR-05X> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording 2 Flac  
12. 08/09/25 Cropredy - Village Of Cropredy, England 8.5 Core DPA 4060>Core Battery Box>Tascam DR-05X> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording 2 Flac  
13. 08/09/25 Cropredy - Village Of Cropredy, England 9 Core DPA 4060>Core Battery Box>Tascam DR-05X> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording 2 Flac  

Firefall  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/??/76 Agora Ballroom - Cleveland, OH A FM Broadcast (WMMS-FM), excellent quality 1 flac  
2. 01/01/78 'Live at the Rainbow' - Denver, CO AA   1 flac  
3. 03/06/78 Criteria Studios - Miami, FL A source: sbd cassette Louis Falanga's copy lineage: Rick Roberts>Vinny>Louis nak dragon>hd-p2 24/96>pc> cd wave>adobe audition 2.0 16/44.1>flac transferred & seeded by Rob Berger 3/1/10 1 flac  
4. 04/18/79 Royal Oak Music Theater - Royal Oak, MI AA   1 flac  
5. 04/27/79 Tower Theater - Upper Darby, PA AA source: sbd cassette Louis Falanga's copy lineage: 1st or 2nd gen cassette maxell xlII-90, dolby b nak dragon>hd-p2 24/96>pc> cd wave>adobe audition 2.0 16/44.1>flac transferred & seeded by Rob Berger 3/2/10 1 flac  
6. 04/10/83 University of New Mexico - Albuquerque, NM 8.5 Source : Aiwa HS-J1 Walkman > Aiwa CM-30 mic (Sony EHF) Langdon Master Series Vol. 14 Transfer : Nak BX-300 > Sony PCM M10 (24/48) > AVS Audio Editor > CD Wave Editor > Transferred & tracked by Wes Meyette Uploaded By; "Lucifer Burns" 1 Flac  
7. 11/14/86 Chestnut Cabaret - Philadelphia, PA AA Source- Soundboard (analog cassette master) Lineage- Master tape > Nakamichi CR7A > Korg MR1000 (DSD) > 24/48 WAV Additional Processing- 24/48 WAV > r8brain (16/44) > Audacity > TLH FLAC 5 1 flac  
8. 03/26/22 Riviera Theater - North Tonawanda, NY A A Poignant Pros recording by Binko Lineage: CA14s > Tascam DR-08 (recording to 24-48 .wav) > USB > Adobe Audition 1.5 (EQ, peak limiting, splits & fades) > Xrecode III (conversion to 16/44.1) > TLH (sector alignment, flac 8) 1 flac  

The Firm  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/23/85 Frank Erwin Centre - Austin, TX 8 Tarantura Jan 2007. Copied from Ltd Ed#044/100 (TCDF-1-1 and TCDF-1-2). Soundboard Recording. 1 Flac  

Fish & Chip  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/25/87 The Saloon - San Francisco, CA A analog audience master recording by TB Master Cassettes - CDWave - Adobe Audition 2 flac  
2. 09/03/88 O.T. Price's - Santa Clara, CA A+ analog sbd, unknown gen 2 flac  
3. 10/01/88 Chi Chi Club - San Francisco, CA A 1st gen. analog audience 2 flac  

The Fixx  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/29/91 Electric Ladyland Studios - New York, NY a- lineage: FM broadcast > unknown dolby C recording > 1st gen. Maxell XLII 100 minute cassette copy (copied with dolby C > no dolby) > tascam 112 (dolby off) > flac 8 (sb's aligned) > torrentially yours. a this and that, fixxation production. flac  

Flash  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/??/72 My Father's Place - Old Roslyn, NY A- Lineage: Unknown tape gen copy > Philips stand-alone burner > EAC>WAV > adobe audition > flac [6] 1 flac  

Fleetwood Mac  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/01/70 Koncerthuset - Stockholm, Sweden A Remastered from 2nd Gen tape, some dropouts on master tape, great show". My Notes: I DL'd this from Preclipse in #roio sometime in 2001....no setlist, no distinct lineage, no art... 2 flac  
2. 01/24/72 Messehalle - Sindelfingen, Germany a- ::: VG++ AUD for its vintage. Check samples for folly or fun or feverish frustration mitigation. ::: Warts: Repaired dullspots&dropouts but surely missed a few. Few whistles #07 start&a few other spots reduced. Most clapping&finger-snapping removed/lowered during music. Taper cut off deck 'tween songs (or done at transfer)-gaps after fade-outs removed/shortened. #14 1/2sec gap spliced&almost seamless. ::: COMPARISON CLAUSE: This Mk2 version remastered from '08 "Mk1"402MB upload, no longer on DIME. ::: *Ausstellungshalle location unconfirmed. Sometimes also listed as Messehalle. Do you have an ad/ticket/poster/review? ::: Small file size as only used better quality R channel of mono tape (after patching/remastering). ::: "Future Games, FM's 5th studio album, recorded June-August '71 & was released 1971-09-03. ::: "Bare Trees", FM's 6th studio album, recorded late '71/early '72 & released late March '72. Recording Information ::: unknown mono reel recorder/mike -> master audience mono reel -> DAT -> CD-Rs -> wav -> "Mk1" master AUD flacs. Playback 2020-03-xx :::"Mk1" master AUD flacs -> Audacity [normalisation to remove DC offset, channel/phase alignment, fades, manual one-at-a-time glitch, bump, clap, pop, click, dropout & dullspot repairs, volume adjustments, -0.65% averaged pitch (speed) fix with single pass after frequency analysis & with pitchpipe verification, NO equalisation (*except 51kHz notch done to lower hum), no noise reduction, only kept better quality higher frequncy R channel of mono tape after patching/remastering] -> CD Wave (track splits) -> flacs (Trader's Little Helper) -> yr ears. Freed 2020-04-xx. Line-up ::: "Bob" Robert Lawrence Welch Jr. (†R.I.P.† 2012) - electric guitar, vocals // "Danny" Daniel David Kirwan (†R.I.P.† 2018) - electric guitar, vocals // Christine Anne McVie (née Perfect) - keyboards, vocals // John Graham McVie - electric bass // "Mick" Michael John Kells Fleetwood - drums. Nothing here ever commercially released to my knowledge. If I'm wrong, please advise & I'll take the offending trax offline. DimeTravel 622 ::: Thanks to the original taper & uploader! (There was no DIME handle noted in the textfile & the old dimebot is extinct). Thanks to elegymart for checking his files. ::: Corrections welcome ::: EXC version of "Little Child Of Mine". Drum solo -> "Whole Lotta Shakin' Going On" seems sorta pointless overall. The side of Welch it's hard to eat comes out, when he berates the audience for not being as into it as he would like - he may not have realised that's how he comes across, "We're going to give you one last chance, man". However, excepting the encore, the show is exceptional - the guitar interplay spectacular. Christine seems slightly subdued to me, but it may just be song selection or that she's a bit low in the mix. This one rates very highly in the post-Green FM canon - hence all the subtle work to improve the sound. Listen, enjoy, show appreciation, share, give, spread peace. Yrs truly, Knees ORIGINAL "Mk1" UPLOADER/TRADER NOTES: "About 10 yrs ago I was playing in a band & our drummer's little brother was going to England to study architecture for a semester. The day he left we drove him to the airport & he offered me gas money & I told him instead bring me back something interesting. When he returned he handed me this DAT. He proceeded to tell me about this guy in a music store that he met hooked him up with all kinds of music. Since he knew I was a big Peter Green fan he asked the guy if he had anything special he could give him to bring me. The guy said he would find something. The next time he saw him, the guy told him he couldn't find any Green stuff but he found this. It certainly was interesting :-) Soon after I was able to contact the guy via email & that's how I learned that it was from a master reel he had obtained. For the next few years I did quite a bit of trading with him & then he fell off the face of the earth & I never heard from him again. Anyway, sound-wise I'd say this is a very good recording, performance-wise it's excellent. But the best thing about this is the setlist. If you are into Kirwin/Welch Fleetwood Mac, this is it. Enjoy!" 2 flac  
3. 05/15/72 Fox West Coast Theatre - Long Beach, CA AA Lineage ::: unknown stereo recorder & mikes -> stereo master tape -> 1st generation tape (reel?) -> 2nd generation analog tape (reel?) -> unknown digital transfer process -> 44.1 Hz wave files. Remastering 2018-07-xx ::: waves -> Audacity [normalisation to remove DC offset, channel/phase alignment, fades, meticulous manual one-at-a-time glitch, bump, clap, pop, click, dropout & dullspot repairs, volume adjustments, x3 averaged pitch (speed) fixes with single pass per segment after frequency analysis & with pitchpipe verification, both differential equalisation & noise reduction applied] -> CD Wave (track splits) -> flacs (Trader's Little Helper) -> yr ears. First uploaded 2018-07-21. 2 flac  
4. 08/31/72 Gaelic Park - Bronx, NY a- Recording Information ::: unknown stereo recording equipment -> master stereo tape -> 1st generation reel. Playback 2018-10-07 :::1st generation reel -> unknown digital transfer method -> 44.1 wav -> flac. Remastering 2018/2019 ::: flac -> wav -> Audacity [normalisation to remove DC offset, channel/phase alignment, fades, literally 1000s of manual one-at-a-time glitch, bump, pop, click, clap, dropout & dullspot repairs, volume adjustments, speed seemed fine, differential equalisation applied separately to each channel, NO noise reduction. 10 cents offset added to L channel on this Mk4 EQ version to improve sound (echo compensation)] -> CD Wave (track splits) -> flacs (Trader's Little Helper) -> yr ears. Freed 2019-11-xx. 1 flac  
5. 09/02/72 Long Island Arena - Commack, NY A- Recording Information ::: $35 Lafayette monaural cassette recorder with adjustable recording level & Sony monaural microphone (came with the 7' TC-200 reel recorder) -> master Lebotone normal bias mono cassette, no noise reduction. Playback (circa 2003) ::: master normal bias mono cassette -> Kenwood KX-W896 cassette deck (azimuth adjusted) -> Marantz Compact Disc Recorder CDR630 -> CD-R -> wavs. Remastering 2018-07-xx ::: wav files -> Audacity [normalisation to remove DC offset, channel/phase alignment, fades, volume adjustments, no pitch (speed) fixes needed after frequency analysis & with pitchpipe verification, NO EQ on this version, NO noise reduction, both channels from mono tape still intact on this version] -> CD Wave (track splits) -> flacs (Trader's Little Helper) -> Mk2 tagged in foobar -> yr ears. First uploaded 2018-07-xx. 2 flac  
6. 10/08/74 Ultrasonic Studios - Hempstead, NY A Source: 'Hypnotized' CD > ? > Long flac file > Audacity for split > DIME > Goody's additional lineage: foobar2000 (WAV) > Audition (Adjust DC Bias; Pitch Bender - various amounts; Gaps removed; Tracking adjusted; New track splits created; transitions smoothed) > TLH (FLAC Level 8; Align sector boundaries; .ffp) > foobar2000 (tags) 2 flac  
7. 10/19/74 Auditorium Theater - Chicago, IL a- Lineage: Audience > ? > CDR > Flac 1 flac  
8. 10/24/74 Riverside Theater - Milwaukee, WI a- Source: from trade cdrs Transfer: DBPoweramp Rip / Accurate extraction with ID3 Tag Editing > TLH checksums & torrent. 2 flac  
9. 11/30/74 Shrine Auditorium - Los Angeles, CA A   2 flac  
10. 11/20/75 Yale Coliseum - New Haven, CT 8 Lineage: AUD --> ? --> FLAC --> Audacity --> TLH (fix SBE's) 1 Flac  
11. 07/23/76 Richfield Coliseum - Cleveland, OH 8 Source: Aud Recording Lineage: Trade>CDR>EAC>WAV>SHN>Torrent>Dime (2007)->WAV->FLAC(2014)p 2 Flac  
12. 04/14/77 Le Zenith - Paris, France A   1 flac  
13. 06/29/77 Madison Square Garden - New York, NY 8.5 Remaster Lineage: Trader's Little Helper (decode to wav) > MVSep (crowd noise removal using Ensemble MDX23C + Mel Roformer model) > GoldWave (restore applause, editing, further crowd noise removal/reduction, re-split some tracks) > Trader's Little Helper (flac level 6) Original Lineage: Audience Stereo 2nd gen reel > DAT > CDR > EAC > FLAC Teac X-1000R > Tascam DA-20 > Tascam CD-RW900 Total Time - 92:28 2nd gen reel to DAT from Steve Hopkins Remaster Notes: Great show, very good recording particularly given the year and venue. As with many audience recordings of Fleetwood Mac concerts from this tour, there is a healthy amount of clapping and whistling during the songs (check out the whistling during Oh Daddy in the comments). MVSep worked quite well and really improved the sound. The fade out at the end of I'm So Afraid and fade in at start of Dreams have been combined (eliminating repetitive portions at the end of Afraid and the start of Dreams) so there's no break between songs. Some encore applause was presumably cut between Second Hand News and Songbird, as the level of applause dropped noticeably at what was the very start of Songbird. I applied a cross fade where the volume changed to make it less apparent. Before and after samples of Landslide and Songbird in the comments, along with Go Your Own Way samples and samples of removed crowd noise. Cover art included in file. Many thanks to the original taper. 2 Flac  
14. 07/07/77 Providence Civic Center - Providence, RI A a little bit of talking around taper but a fine performance all around Audience Stereo 2nd gen reel > DAT > CDR > EAC > FLAC Teac X-1000R > Tascam DA-20 > Tascam CD-RW900 Total Time - 93:19 2 flac  
15. 08/25/77 Aladdin Theater - Las Vegas, NV A Lineage: LPs->Sound Forge->Speed correction on turntable (pitch down slightly)->Click and Crackle removal->FLAC via TLH, level 6, sectors aligned and verified, FLAC integrity checked. 1 flac  
16. 08/30/77 The Forum - Inglewood, CA AA Mike Millard Original Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 21 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Master Cassettes > Yamaha KX-W592 Cassette Deck > Sony R-500 DAT > Analog Master DAT Clone > Focusrite Scarlett 6i6 > Sound Forge Audio Studio 13.0 capture > iZotope RX6 > iZotope Ozone 6 > Audacity > xACT 2.39 > FLAC 2 flac  
17. 12/04/77 Festival Hall - Osaka, Japan 8.5 Has hiss but pretty good 2 Flac  
18. 12/05/77 Budokan - Tokyo, Japan 8.5 Not as bright but still pretty good 2 Flac  
19. 11/06/79 Checker Dome - St. Louis, MO A Lineage:SBD -> ??? -> CD -> EAC -> TLH Rhiannon has a few glitches, songs fade between tracks. Sound Quality: A (Soundboard) 2 flac  
20. 12/06/79 The Forum - Inglewood, CA A+ Mike Millard First Generation Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 129 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard First-Generation Cassettes made for Jim R > Nakamichi CR-7A (azimuth adjustment) > Sound Devices USBPre 2 > Audacity 2.0 capture 2496 > iZotope RX8 > iZotope Ozone 8 > MBIT+ resample to 1644 > Audacity > TLH > FLAC 2 flac  
21. 02/08/80 Kaikan - Kyoto, Japan 9 Wardour Records 2 Flac  
22. 02/13/80 Kenmin Hall - Yokohama, Japan a-   2 flac  
23. 05/20/80 Cleveland Coliseum - Richfield, OH A Source: Audience Lineage: Marantz Superscope tape deck & Realistic Stereo condessor mic & TDK SA 90 cassette > CDR > eac > wav > FLAC Quality: Outstanding, better than the Millard recording from the Hollywood Bowl. Comments by taper: "[Recorded] on the side of the stage right in front of the overhead pa system. Ran out of tape ( I was a broke college student at the time and tapes were pricey then). That`s why GYOW is cut off." Notes: ^ 02:34 splice 2 flac  
24. 09/01/80 Hollywood Bowl - Hollywood, CA A Mike Millard Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 80 1644 Edition Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Master Cassettes > Nakamichi RX-505 (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX8 > iZotope Ozone 8 > MBIT+ resample to 1644 > Audacity > TLH > FLAC 2 flac  
25. 09/05/82 Devore Field-Glen Helen Regional Park - Devore, CA a- Lineage : Cdr Trade -> EAC -> Traders' little helper (checksum & flac conversion (6)) 2 flac  
26. 09/12/82 Mid South Coliseum - Memphis, TN AA Linage: Soundboard -> ??? -> cassette -> CDR -> EAC - > TLH 2 flac  
27. 09/14/82 Brendan Byrne Arena - East Rutherford, NJ B+   2 flac  
28. 09/15/82 The Centrum - Worcester, MA a-   2 flac  
29. 09/22/82 Alpine Valley Music Center - East Troy, WI AA Mics: Sony ECM-33F (9V round battery) Recorder: 1981 TC-D5M Sony Cassette Pro Portable Location: 25th row a few seats right of center Cassettes: Fuji Metal 90: Dolby on but left off for this playback Playback: Sony TC-D5M unit calibrated to this era (not same identical unit). Tape speed and head alignment Chord Company Interconnect Cable (Naim Co.) Run through the Naim Audio NAC-52 preamp to the Sound Devices-722 @ 24b/192kHz Sony Sound Forge just to track. NO OTHER BULLSHIT! ********************************************************************************************** FLAC >WAV >Audacity (Down Sample To 16bit/44.1kHz, Combine Tracks To A One-Track File, Amplify By 3.67db, Re-Track On Similar Index Points Getting Rid Of 'Talk' Index Points) >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr ********************************************************************************************** 2 flac  
30. 09/28/82 Reunion Arena - Dallas, TX B++ This is one I kept because there just are not any good ones from this tour. 2 Flac  
31. 10/10/82 Alpine Valley Music Theatre - East Troy, WI A   2 flac  
32. 10/12/82 Mid South Coliseum - Memphis, TN A Linage: Soundboard -> ??? -> cassette -> CDR -> EAC - > TLH 2 flac  
33. 10/13/82 Assembly Center - Baton Rouge, LA A   2 Flac  
34. 10/15/82 McNichols Sports Arena - Denver, CO A CD-R TRADE > EAC > WAVE > TLH > FLAC 8 2 flac  
35. 10/18/82 Irvine Meadows - Irvine, CA A source: Nakamichi CM 300 CP-1 Cardioids >) Sony TC-D5M transfer from master cassettes taper: Mark ************************************************************************* FLAC Tags Via xACT 2.50 By OldNeumanntapr 2 flac  
36. 10/20/82 Oakland Coliseum Arena - Oakland, CA A Unknown Audience (Listed As A Soundboard) ************************************************************************************************ FLAC >WAV >Audacity (Remove And Repair 2-Second TAO [Track At Once] Gaps, Remove And Or De-Amplify Countless Loud Close-Proximity Hand Claps, Remove 'Talk' Index Points) >Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr ************************************************************************************************ 2 flac  
37. 10/21/82 The Forum - Inglewood, Ca AA Superstar Concert series 97-18 2 flac  
38. 10/31/82 Frank Erwin Center - Austin, TX B++   2 flac  
39. 10/01/87 Hilton Coliseum - Ames, IA B+ for the diehards 2 flac  
40. 10/23/87 Hartford Civic Center - Hartford, CT a-   2 flac  
41. 11/01/87 Civic Center - Providence, RI A 2nd Gen audience cassette tape>Harmon Kardon tape deck>Pioneer stand alone burner> >wav>Trader's Little Helper level 8>flac16 Good recording, a rare one on tape sitting on my shelf for years, time to share it around. 2 flac  
42. 11/12/87 The Summit - Houston, TX A   2 flac  
43. 12/04/87 unknown - Las Vegas, NV A   2 flac  
44. 12/07/87 Great Western Forum - Inglewood, CA a-   2 flac  
45. 12/17/87 Coliseum - Portland, OR AA   2 flac  
46. 05/12/88 NEC Arena - Birmingham, England 8 first generation - incomplete show Master Cassette>Roland R-07>HD>Audacity>Dime Checked SBE's with Trader's Little Helper 1 Flac  
47. 06/05/88 Open Air Rock am Ring - Nuerburgring, Germany a- FM broadcast(SWR3 radio station) > master tape>wave(Philips CDR570)> track split(CD wave Editor)>fade in/fade out(Nero wave Editor)>flac(8)TLH aligne on sector boundaries Quality is exc.(+), listen to the two MP3 samples 2 flac  
48. 06/15/88 Ahoy Hall - Rotterdam, Holland A MvdV Masters Sony WMD6 - Sennheiser MKE 40's 2 flac  
49. 03/26/90 Festivall Hall - Melbourne, Australia B++   2 flac  
50. 06/01/90 California Expo Amphitheatre - Sacramento, CA a-   1 flac  
51. 06/13/90 Red Rocks Amphitheatre - Denver, CO A Mid point recordings on DAT: Sony TDC-D8 with Sonic Studios DSM-6P Dimensional Stereo Microphones 2 flac  
52. 07/27/90 Great Woods Center for the Performing Arts - Mansfield, MA A- Source: ME-80s > TCD-5M (no Dolby) by Dr. B. Fried Transfer: MC (MX 90; MX 100) > Nak Dragon > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 12 (tracking, levels, fades, resample, Lin dither) > FLAC 1644 Thanks to Doc. Fried for lending his tape to be digitized and shared, and to Dan Rogosa for facilitating 2 Flac  
53. 08/25/90 Maine Road Theatre - Manchester, England a- Recorder edited on the fly at concert still sounds pretty good just no flow 2 flac  
54. 10/29/97 McNichols sports Arena - Denver, CO A Lineage>unknown recorder>wavs>flacs6>you  
55. 11/15/97 Lakewood Amphitheater - Atlanta, GA A   2 flac  
56. 11/27/97 Madison Square Garden - New York, NY a- Source: Audience Lineage: Nakamichi CM300 > SONY D8 (15th row, left center floor) > TASCAM DA-20 MK II > Sound Forge > FLAC Quality: 9 (8.5+) 2 flac  
57. 05/15/03 HSBC Arena - Buffalo, NY A SBD>?>CD>EAC>CD>EAC>FLAC 2 flac  
58. 06/08/03 St. Pete Times Forum - Tampa, FL A   2 flac  
59. 07/16/03 Arrowhead Pond - Anaheim, CA A   2 flac  
60. 08/15/03 Savvis Center - St. Louis, MO 8 Unknown Recorder>Trade>You 2 Flac  
61. 09/07/03 The Arena At Gwinnett Center - Duluth, GA A+ White Dragon Records - WDR0190/0191 Source: Audience DAT master Recording Equipment: (2) Audio Technica 933 cardioid mics > (2) Audio Technica 8532 Power Modules > Sony PCM-M1 DAT recorder Location: Section F4 Row K DFC (around 20-25 rows from stage, Dead F'n Center) Taper: kinglerxst Mastering: siriusjoe Artwork: kinglerxst 2 flac  
62. 09/10/03 Greensboro Coliseum - Greensboro, NC 8 Unknown Recorder>Trade>You 2 Flac  
63. 09/12/03 Thompson-Boling Arena - Knoxville, TN 8 Unknown Recorder>Trade>You 2 Flac  
64. 03/01/09 Mellon Arena - Pittsburgh, PA A Equipment: CA-14 Cardioids ~> CA Ugly Pre [+20] > Edirol R-09 Location: Igloo 4, Row B, Seat 5, Lindsey side Taper: ninjadave Mastering: SiriusJoe 16 BIT VERSION 2 flac  
65. 03/13/09 Nassau Coliseum - Uniondale, NY A edirol R09-HR -> audacity to split tracks -> dbPowerAmp conversion to FLAC level 8 - 2 flac  
66. 03/26/09 Air Canada Centre - Toronto, ON a- Source: Audience Lineage: Core Sound H.E.B.(DPA 4061) > Edirol R-09 > PC > Soundforge > CDWave > TLH > FLAC Quality: 9 2 flac  
67. 04/22/09 St. Pete Times Forum - Tampa, FL 9 stc-11 -> stc-9000 -> r-09hr 24/96 -> soundforge 16/44.1 -> flac 2 Flac  
68. 04/23/09 BankAtlantic Center - Sunrise, FL A Taped By Dolphinsmile Schoeps MK4/Nbox/SonyPCM10 24/48 Master files tracked in Goldwave>TLH8 Producer Dolphinsmile Taper Dolphinsmile 2 flac  
69. 04/23/09 BankAtlantic Center - Sunrise, FL 9 Source: Church Audio Cards > CA-9100 > Edirol R-09HR (16/44.1) Lineage: Kingston 16G > CD Wave Editor > FLAC 8 > WinAmp > CD Taper: SUITES 2 Flac  
70. 05/31/09 Sports Arena - San Diego, CA A Taper: Tom Riddle (darkwizardtaper@gmail.com) Source: Schoeps MK4 > active cables > Nbox+ > Edirol R-09HR (24/48) Location: Sec C row 15 Transfer: Edirol R-09HR > SDHC > PC Edit: wav > Sony Soundforge 7.0b > wav > CD Wave > wav Dithered/resampled in Sony Soundforge 7.0b Conversion: wav > Trader's Little Helper 2.4.1 > .flac Compiled on 06.02.09 2 flac  
71. 04/04/13 Nationwide Arena - Columbus, OH A Lineage: Audio Reality Microphone ARMIC 1 > Battery Box > Zoom H2N 16/44.1 > PC > GoldWave > Flac 2 flac  
72. 04/08/13 Madison Square Garden - New York, NY a- Source: Aud (4 channels rendered down to 2 channel) Lineage: CA-14 omni's (binaural) -> CA9100 -> 6" GAKables Mini starquad cable -> Tascam DR-2d (Line In, 24/96) CA-14 cardioids (XY, tight) -> CA-UBB -> Tascam DR-2d (Mic In, 24/96) Transfer: Kingston 16GB Class 10 SDHC -> HDD Audio software: REAPER v4.2 (rendering 4 channels to 2 channels only) -> wav's (24/96) -> CDWAV -> TLH -> Flac24 * Dioxit Gold used on all connectors and gold tipped terminals before recording. Recorded and transferred by Drgiggles1 Recorded from the sweet spot. Section E, Row 8, Seat 11 (dead center) 2 flac  
73. 04/16/13 Air Canada Center - Toronto, ON A Either Core Sound HEB or SP-CMC-8 (Cards) > Iriver H120 (Rockboxed) (Records all lost) 2 flac  
74. 04/20/13 Arena @ Mohegan Sun Casino - Uncasville, CT A Sennheiser ME-104's>Tascam DR-07 (16/44.1, 40hz bass rolloff) >USB> PC> GoldWave v5.56 (invert, balance levels)> CDWaveEditor v1.96 (track split)> TLH> Flac (6) Taper: Ringfedder Location: Section 20 Sound Quality: Excellent 2 flac  
75. 04/24/13 Prudential Center - Newark, NJ A Source: Sony ECM-909a stereo mic > Edirol R-09HR @ 16 bit/44.1 kHz Mastering: .WAV > iZotope RX10 Advanced v10.0.0.1705 (De-click) > Sound Forge Pro 14.0 Build 140 [minor edits, normalize, & fades, Boz Digital Labs T-Bone2 plug-in (tilt EQ)] > CDWav (tracking) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.1.16 (tagging) Recorded by: ManOfStealth Mastered by: Dennis Orr 2 flac  
76. 04/28/13 Xcel Energy Center - St. Paul, MN AA Source - Olympus LS-10 (16 bit - 44 kHz) -> SD card -> Wave Pad -> CD Wave Editor -> Traders Little Helper -> Flac 2 flac  
77. 05/12/13 MTS Centre - Winnipeg, MB a- Source: Audience Lineage: CA-14(cards) > CA9100 > Zoom H4n > SD 24/48 > iZotope Rx (join,ozone vst,resample,dither 16/44) > CDWav (tracks) > FLAC Quality: 9 (8.5+) 2 flac  
78. 06/14/13 Rosemont Horizon - Rosemont, IL a- Source: Audience Lineage: Sound Professionals CMC-08s > SP-SB11(no bass roll-off) > Edirol R09HR> CoolEditPro > CDWave > TLH > FLAC Quality: 8 (8.5) 2 flac  
79. 06/22/13 Nikon At Jones Beach Theater - Wantagh, NY A 16 Bit 44.1kHz version Taped from section E, right side of stage, about 50' (?) back SP-CMC-8 -> Battery Box -> Edirol R-09HR -> PC -> Audacity for track splits, +3dB Boost -> dbPowerAmp to FLAC level 8 and to 16bit/44.1kHz -> Uploaded 2 flac  
80. 09/20/13 The O2 Arena - Dublin, Ireland a- Source: Audience Lineage: Sony ECM-CS10 > Edirol R09-HR > Sound Forge > FLAC Quality: 8 (8.5) Comments: Would be more like a 9 with more bottom end 2 flac  
81. 10/06/13 Lanxess Arena - Cologne, Germany a- Equipment: CA 14 cardioids => Church Preamp CA-9100 => Sony TCD D8 Lineage: Sony DTC-790 DAT Deck => Creative SB ZxR (optical in) => HD => WAV => WaveLab 6.0 => TLH (level 8) => you Recorded from the seats on the left side, quite close to the stage (about 15 meters I guess) and in line with the PA. Fortunately no annoying whistlers around me, just some clapping here and there which I partially managed to remove. The older the audience, the better for your recording..........looking at the audience around me I felt really young that night :-) ! This is probably the best sounding show I've recorded so far in that arena which usually has a sh*t sound but then, I also had very good seats so that might also be a reason. Some volume balancing and some mastering done (according to my personal taste) but all in all I tried to keep this recording as close to the original as possible. Please be sure to check out the samples before downloading. Encoding/Checksums/Fingerprints created with Traders Little Helper All mastering / track splitting / fades / down sampling done with WaveLab 6.0 2 flac  
82. 10/07/13 Ziggo Dome - Amsterdam, Netherlands A+ Source: Audience Lineage: Factory-matched pair of Schoeps CCM 41V microphones (DINa mounted) > Marantz PMD661 recorder with Oade Concert Mod (-18 dB gain/44.1 kHz/24 bit WAV) > Audition > FLAC Quality: 10 2 flac  
83. 10/11/13 Bercy POPB - Paris, France a- [Recorded by hanoi - c. 25 yards from the stage, LHS, level with the p.a.] Core sound binaurals** > battery box (flat response) > Roland R05 (16 bit/44.1 khz) **Hats off to Duncan Master > Adobe Audition (fade in/out, increased acoustic songs by 2 db, normalise) > CD wave > foobar/FL8 > TLH First shared on 14th November 2015 in community with our brothers and sisters in France. 2 flac  
84. 10/14/13 Hans-Martin Schleyerhalle - Stuttgart, Germany A Lineage: CA-14 cards > Sony PCM-M10 24bit/48kHz wav > Peak (de-amplified the loudest handclaps, EQ, Sqweez, flac) > TLH > You 2 flac  
85. 10/06/14 Madison Square Garden - New York, NY A Recorded by: Mr. Railing Source: AT943cards>SP-SPSB-10>MM-AT-1>H2n(24/48) Transfer: wavelab>r8b>cdwav>TLH(8)>flac Location: First row upper level in line with left speaker stack. Mics split 2 feet placed over plexiglass barrier onto signage below 2 flac  
86. 10/07/14 Madison Square Garden - New York, NY a- A LARS M RECORDING --- Rec. Info: Sony ECM 719 mic -> Sony PCM D50 (at WAV 16/44) -> HD -> USB Stick received via Mail -> my HD -> Audacity (edit/remaster) -> WAV 16/44 -> TLH8 -> FLAC -> DIME -> YOUR EARS AND MIND... Recorded by dear taper brother Lars at Section C, Row 26, seat # 5, about 30 meters from stage left side. 2 flac  
87. 11/28/14 The Fabulous Forum - Inglewood, CA a- Source: Audience Lineage: AT853 cards(3-wire) > Naiant Tinybox > Sony PCM-M10 (24/96) > Audition (normalize, 16/44.1) > CDWave Editor > TLH > FLAC Quality: 8 (8.5) 2 flac  
88. 03/01/15 Frank Erwin Center - Austin, TX 9 Audience->Schoeps MK4-Tinybox-Sony PCM-M10-cdwav->Traders Little Helper->mp3tag for tagging->recorded by seedy Recording location - section 81 row 9 - almost nosebleed 2 Flac  
89. 03/24/15 Phillips Arena - Atlanta, GA 8 Core-Sound cardioids> Custom PreAmpMZ-RH910>24bit/48hz>sd card> harddisk> audacity > 16bit/44.1hz > flac level8 2 Flac  
90. 04/04/15 Rogers Arena - Vancouver, BC 9 Aud 149.21 mins, Master, Quality A Recording: Church Audio CA-11's (cardioids) > Church Audio CA-9200 > Sony PCM-M10 > SD Memory Card @ 24/48 Mastering: Wav 24/48 > Asus ST Soundcard 24/192 > Soundforge Pro 11 incl. Waves plug ins> TLH Flac with SBA > You DGB comments: This show was recorded in section 104 right hand side of stage in direct line with the left speaker stacks. Boguspomp comments: Another good Fleetwood Mac show from Vancouver by DGB. Very nice sound. 2 Flac  
91. 06/30/15 First Direct Arena - Leeds, UK 9 Recording details; Audience recorded by hanoi, lower/100 tier on the far left side. Lineage; CA14 cardiods > UBB > Roland R05 (16 bit/44.1 khz) >Audition (fade in/out, mild EQ, amp +8/10db and hard limiting of applause)>CD wave>FLAC 8> 2 Flac  
92. 07/08/15 Hydro - Glasgow, Scotland 8 Recorded from block 324.....very high up to left of stage. Recorded using ZOOM H2 - Memory Card - PC - Adobe - Audacity - TLH Despite being quite far from stage and main PA in thie enormo-dome the audio quality is not too bad save for some intrusive idiots who talked during the less well known songs. This is becoming more and more annoying....not just because I was recording but just the general ignorance! Once on my PC I put the raw file through Adobe Audition. I then tracked using Audacity before converting to FLAC using TLH. No fade out between CD 1 and CD 2 but I tracked so that the suggested split crowd chatter right by recorder 2 Flac  
93. 10/22/15 Allphones Arena - Sydney, Australia a- Source: Audience Lineage: CA14 cards > CA9100 > Roland-R05 (24/48) > Audition (track splits, 16/44.1) > TLH > FLAC Quality: 8 (8.5) 2 flac  
94. 11/19/18 Moda Center - Portland, OR AA Fileset: 24 bit/48 KHz. Source: Schoeps mk4s > Schoeps KCY 250/0 lg > Naiant IPA > Roland R-07 (24/48) Location: FOB DFC @ 6' Transfer: R-07 > Apple Mac Mini > Audacity (trimming, normalizing, tracking, tagging, flac) > Tag Editor > xAct (ffp). Recording and mastering by dino.taper. Strictly for non-commercial use. 2 flac  
95. 12/08/18 Viejas Arena - San Diego, CA AA ource : AT853 (UL shotguns)> CA Ugly2 > Sony PCM-M10 taper : markp 2 flac  
96. 09/04/19 Rod Laver Arena - Melbourne, Australia 8.5 Source: Audience Lineage: Nokia Lumia 930 (called Lumia Icon in North America) w/built-in HAAC mics > Audio Recorder Pro app > 16bit/48 KHz PCM/WAV > TLH > FLAC 2 Flac  
97. 10/28/19 TD Garden - Boston, MA A Taper : Farve4 Lineage: SP-CMC-8c > SP-SPSB-11 > Sony PCM-A10 > internal memory > WAV 48kHz/24-bit 2 flac  

Flo & Eddie  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/26/76 Roxy Night Club - Los Angeles, CA a- (KMET-FM ) I received this Broadcast recording in a cassette trade in 1977. The sound quality is Excellent. Lineage: TDK-D C90 tape > Tascam 302 > Sony PCM M-10 at 96/24 Wave files > Audacity for volume adjustment & splice > CD Wave Editor V. 1.98 for tracking > 96/24 and converted to FLAC 8 using Trader's Little Helper V2.8.3.182. Tape copy, conversion and editing by Michael Cariola. 1 flac  
2. 01/22/81 Saltlageret - Copenhagen, Denmark a- talker right by the taper Source: Sony ECM-150 -> Sony TCD-D5 Transfer: Master Casette -> B&O Beocord 9000 -> Sony pcm-a1 (96/24) -> audition -> cdwav -> flac Taper: G. [2021-03-31 transfer by W.- No EQ - Only downsampled to 44,1/16] 1 flac  

The Floyd Project  
  Date Venue - City, State Sound Rating Notes Media  
1. 01/27/22 Tralf Music Hall - Buffalo, NY A+ A Poignant Pros recording by Binko Lineage: CA14s > Tascam DR-08 (recording to 24-48 .wav) > USB > Adobe Audition 1.5 (EQ, peak limiting, splits & fades) > Xrecode III (conversion to 16/44.1) > TLH (sector alignment, flac 8) 2 flac  

FM  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/05/78 El Mocambo - Toronto, ON A Lineage: FM Radio Broadcast > recorded onto unknown tape deck > Maxell XLII 90 > Playback on Yamaha KX-W392 tape deck > Audacity 1.2.3 > PC > CD Wave 1.94.5 (for splitting tracks) > Flac Frontend 1.7.1 (Level 8, align on Sector Boundary checked) 1 flac  
2. 04/15/79 Stage One - Buffalo, NY A- Lineage: Master AUD recording onto unknown tape deck > Master unknown tape brand > recorded onto 1st Gen tape using unknown tape deck > 1st Gen Maxell XLII 90 min > Playback on Yamaha KXW392 tape deck > Audacity 1.2.3 > PC > CD Wave 1.94.5 (for splitting tracks) > Flac Frontend 1.7.1 (Level 8, align on Sector Boundary checked) 1 flac  
3. 12/??/79 Park West - Chicago, IL A LINEAGE: SBD>FM>probably 1st gen TDK D60 trade cassette>Nakamichi BX-100 cassette deck (no nr)>AUDACITY track splitting/level setting (no processing)>TLH Flac8 with ffp>YOU QUALITY: A+ 9-1/2+ A superb band, superb concert, and great sound. 1 flac  

Focus  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/12/72 BBC Studios - London, UK A Liner Notes: On to England…… 1972 was a good year for the band Focus. The world was beginning to take notice of the 4 musicians from Holland, particularly those in the British music scene. The band was named the best new talent by the influential New Musical Express (NME) and 'brightest hope' by Melody Maker. With these endorsements, Focus began an initial summer tour of England. The trip would prove significant for the band and provided a great opportunity for them to expand their fan base. At the time, England was having a power crisis. Electricity was inconsistently provided to the people of the country and so most bands had a difficult time performing. The amount of power needed to put on a show was just not available. But Focus came to the island country with all the necessary equipment, including a generator. As Jan Akkerman recalls, "Nobody was able to play in London or England at all because of the power strike. We had a generator with us and played the universities that memorable week all round London. The gigs were packed probably because it was the only thing going on. We got a lot of airplay because the people must have phoned the BBC about us.” And phoned they did. Over the next few months the popularity of the band gradually increased, as did the call for more performances. Focus returned to England to perform as the Melody Maker's Poll winner at Oval Cricket Ground in London on September 30th. They then performed almost daily for over four weeks, starting in mid-October. With the British music scene turning its attention to the band, the BBC decided to invite Focus to return in December and appear on its influential television show, the Old Grey Whistle Test. At the time, many thought this was going to be just another performance for Focus, but in the opinion of the show's host, Bob Harris, this was a major event for both Focus and the music program. “The guys in Focus were jamming in a small BBC studio in the heart of Television Centre, rehearsing for their first appearance on the Old Grey Whistle Test. I was there, the new host of the program... rookie broadcaster and music fan, three months into the job, enjoying the camaraderie. It was 12th December 1972 and we were all about to make a big discovery. The atmosphere was great, very light-hearted and enjoyable as the band rehearsed its set. They decided to play 'Sylvia', 'Anonymous II' and ...er... 'Hocus Pocus', with a seasonal slant. Instead of following the usual pattern of the vocal breaks, Thijs launched into a mock-serious yodelling version of 'we wish you a merry Christmas...' building up to that top falsetto with a heart-rending 'and a happy new yeeeeeaaaaarrr...', tailing off into Jan's million miles an hour guitar playing. The performance was an absolute sensation. People had never seen anything quite like them before. Whistle test had been on air for just over a year when, the bang first appeared. Although we knew that we had a loyal following, there were no recent viewing figures available and we were guessing that the audience for the show was probably fairly small. It was Focus who made us realize that we'd guessed wrong. Their performance generated incredible reaction and suddenly everything seemed to be happening very fast. We were inundated with calls, letters and enquiries about this amazing band. 'Hocus Pocus' broke into the U.K. singles chart, then 'Sylvia' the following week, climbing into the top 5. Moving Waves and Focus 3 stormed into the top 10 of the album chart. For a time, the demand for their recordings was so great that Polydor had to switch the resources of its entire pressing plant to the production of Focus vinyl. The UK press followed up with great support and soon they were winning reader polls, collectively and individually. As I write, almost thirty years have passed since Focus made that ground breaking Whistle Test appearance but I still look back on that moment with massive warmth and affection. It wasn't just because the band was so great to work with and the day so enjoyable, it was special for more than that. On the 12th December 1972, we discovered something that was to change our lives. We discovered that we had an audience out there... and it numbered in millions.” Bob Harris, October 2002 The show presented on this CD is thought to have occurred about one month later, in January 1973 as part of a 'In Concert' radio broadcast. Sadly, the exact date is unknown. Notes from the Re-Master: The exact date of this performance is unclear. Initially, it was thought to be December 12, 1972 but subsequent investigation has placed this in question. To our knowledge, the only known written record of the Focus tour schedule available to the public is found in Jan Akkerman's book The Music of Jan Akkerman and Focus. This was our source for the Bob Harris quote found in the liner notes of the artwork. Sadly, that source does not list the December 12 BBC performance or any other BBC performance during 1972 or 1973. PRRP is very fortunate to have active participants within our Yahoo group. After release of this remastered show, we were contracted by one of our members and presented information suggesting that the December 12, 1972 date was incorrect. The person who sent us the show, and provided the Bob Harris quote, also started to doubt the date. Below, we reproduce some of the email correspondence that led to our decisions regarding this show: My understanding was that Focus really took off after the OGWT (Old Grey Whistle Test) appearance before Christmas (December 12) 1972. Album sales rose quite sharply, and caught the record company asleep. The Netherlands is a short ferry or plane journey (no Tunnel in those days) from the south-east of England and London, and Focus' early success was very much in the UK. It would not have been inconceivable for them to make regular visits over to the UK. I sensed that the OGWT appearance was their UK breakthrough, so I would suggest the PRRP027 recording is afterwards, as the BBC were quite selective giving one-hour concert slots on the radio. Bob Harris presented the OGWT TV show, his own late night radio show, and shared presentation of the Saturday evening 'In Concert' radio programme with John Peel and other BBC Radio 1 DJs. He championed Focus after the OGWT appearance. I have the OGWT DVD with Focus doing 'Hocus Pocus'. OGWT was presented in a TV studio, with no audience, a studio session format. The 'christmas-y' 'Hocus Pocus' is well known, and the PRRP027 version has no festive overtones. The PRRP027 recording is just under one-hour, which fits the 'In Concert' timings, the auditorium acoustics sound very similar to other BBC Paris Theatre or BBC Golders Green Hippodrome recordings of the time, and crucially there is an audience, something never seen at the OGWT in those days. I'll add that the longest OGWT single in-studio performance I know of is Chick Corea's Return To Forever, logging in at 45 minutes. All other OGWT specials were outside broadcast videos. In summary, if the OGWT appearance is 12-12-1972, and this is widely considered to be their breakthrough, then I would assert that the PRRP027 recording happened afterwards, and not before. Another Yahoo member runs a Focus appreciation group called Eruptions. When asked about the issue, this is what he had to say….. …from what I can gather and from what it says in the Jan Akkerman book it's very likely that the Paris Theatre (PRRP027 is thought to have occurred at the Paris Theater in London) gig took place in November 1972. There are several group members (The Focus Yahoo group) that seem to conclude the same thing so that's what I would go with. I am always looking for that info and if I come across it I will surely let you know. Prior to that, there was this correspondence: …The only thing I can think of in regards to the 12/12/72 date is that the band did the OGWT performance and the Paris Theatre gig on the same day. To add to the confusion there is another cd which is the same show but a different mix. This one has been circulating as 17/1/73 and 30/1/73. There is vague information in Jan's book that suggests it may have actually happened in 7/11. The January 17, 1973 would not be correct according to the Jan Akkerman book as it lists a performance at St. Mathews in Ipswich on that date. There is no listing in his book for January 30. Based on all this information, we have decided that the show probably did occur in January 1973. In particular, during the introduction of the show heard on this CD, Bob Harris says, "welcome to another concert program" not something like, "this is the OGWT and we have another good show for you...." and he said, “it is the time of the season to say about various bands that this is going to be their year". Clearly something commonly said in the month of January, not December (or November). From this information we would tend to agree with the January 1973 date but the exact date is still unknown. We will certainly make corrections in the future if we come across new information that resolves the ambiguities, but for now, this is as accurate as we can be. This soundboard recording comes to us as a second generation source. Still, the quality was outstanding. The main problem with the recording was the frequent clicks and pops heard throughout. These were eliminated using both automatic and manual techniques. The tonality also needed adjustment. The bass and sub-bass components were quite deficient and needed a boost. A small correction to the upper treble region was also made. Because this was an in-studio live recording from the soundboard, the sound lacked ambience. Some have described this type of sound as “dry”. To make the recording sound a bit more “Live” a small amount of echo was added. This helps to give the auditory perception of a concert hall or theater. A few other small flaws such as track gaps and bumps were found and removed. - PRRP Staff 1 flac  
2. 01/17/73 Paris Theatre - London, England A- FM > Cassette > Audacity - track split & conversion to FLAC Level 8 > TTD A bit of interference present on the broadcast in a few of places, and some hiss during the quiet bits, otherwise a decent recording. There are also a couple of minor dropouts in places during this recording which were inherent in the broadcast. Recorded by harryh using a Phillips cassette recorder. The setlist does not match but I would have to get into to it to correct it 1 flac  
3. 05/09/73 National Stadium - Dublin, Ireland B++ Lineage is largely unknown. nth generation cassette dub > Pioneer CT-W310 > Zoom H1n line input > WAV > audacity (normalizing, tracking) > FLAC 2 flac  
4. 10/18/14 Lindenkeller - Freising, Germany A lineage: Tascam DR-5 (16 bit, 44.1 kHz) digital recording > WAV > Audacity (bass frequency and volume adjustments) > FLAC 2 flac  
5. 08/20/22 Mount Ephraim Gardens - Faversham, England A Sonic Studios DSM-6>PA6-XP>Tascam DR100 MkIII> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording 1 flac  
6. 04/19/23 Earl Haig Club - Cardiff, Wales A Matrix Lineage: Source 1: Sound Professionals SP-CMC-9 cardioids > CA-9200 > Edirol R-07 (@24/96) Source 2: Church Audio CA-14 omnis > Edirol R-09HR (@24/96) Recorded ~40' from house right speakers Edited in Cool Edit Pro 2 > CDWave > TLH Recording, transfer and artwork by boombox 2 flac  
7. 04/20/23 Bush Hall - London, UK A Lineage: Church Audio 14 Mic Stereo - Church Audio 9200 Pre Amp - Zoom H4N Recorder in Wave Stereo 44.100 Hz/16 Bit - Edited and Converted to Flac Level 8, 44.000 Hz/16 Bit with Sound Forge Audio Studio 14 - Metadata Edition with Winamp Comentes: This show represented a historic and very special occasion for me, as it was my first international recording, as my four-day stay in London luckily coincided with this show. This must have been the fifth or sixth time I've watched Focus which is always a pleasure. It is always important to observe the systematic repetition of the setlist, which is a problem for any band in the 50s, but, in my opinion, with a little good will, beautiful songs like Janis, Love Remembering or even Focus II, among others, could be on the set, even replacing some excessively long solos, but this is my opinion, which nobody asked for. I even believe that this justifies a low attendance of the public, which in the case of this show, was unable to fill up even Bush Hall, a beautiful old event venue with capacity for just a few hundred people. Even so, the band was fantastic. Van Leer's voice is very good - of course not in the seventies standard - but much better than the last few times I've seen him. And Van Der Linden, on his way to turning 80, remains formidable on sticks. Some photographs are included in the torrent. A simple tribute to the late bassist Bert Ruiter was provided by the band in the song "For Bert". The acoustic of the house is excellent, and the audience is very well behaved, with absolute silence in the low parts of the show, which is the detail that most reminded me that I was watching a show outside my country. I hope it pleases the fans of the band. 2 flac  
8. 02/28/26 P60 - Amstelveen, The Netherlands 9 Recorded & Edited by Grigio: DPA 4060s Soft Boost Grid -> Riot Box -> TASCAM DR-2d iZotope RX11 Advanced Audio Editor (64-bit) v11.1.0.3941 -> Wavelab Pro v12.0.51 (build 15) -> Adobe Audition CC Build 24.0.0.46 2 Flac  

Foghat  
  Date Venue - City, State Sound Rating Notes Media  
1. 01/11/74 WPLR Studios - Dallas, TX A ?>CDR>FLAC(dbpoweramp) 2 flac  
2. 08/11/74 Orpheum Theater - Boston, MA a-   1 flac  
3. 03/05/75 The Forum - Ingelewood, CA A Mike Millard Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 218 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Master Cassettes > Yamaha KX-W592 Cassette Deck > Sony R-500 DAT > Analog Master DAT Clone > Sound Devices USBPre2 > Audacity 3.1 capture > iZotope RX > iZotope RX9 Advanced and Ozone 9 > FLAC 1 flac  
4. 05/03/75 The Forum - Inglewood, CA a- LINEAGE FM BROADCAST ANALOG MASTER>NAKAMICHI DR-1>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/48KHZ)>MAGIX AUDIO CLEANING LAB FOR TRACK MARKS WAV 24/48> TLH FLAC (LEVEL 8) 1 flac  
5. 06/07/75 Richmond Coliseum - Richmond, VA A George's notes are in the section below: **************************************************************************************************************** "This cassette, virtually left to its own devices since it was recorded more than 45 years ago (at the time of writing), recently caught my eye. Oh yeah, FOGHAT! Great live band (to this day) and often on shows with B.O.C. (to this day, I believe). My writing on the tape, no idea if I mixed this show back then, or got it from their guy. Memory, once again, does not serve. I put everything I post through the "process" but, I can't tell if this is my Front-Of-House mix, since I have no recollection of how I came by the cassette other than it's my writing on the case and tape. This was a show where B.O.C. and Foghat played together, so I was there. Maybe I asked their sound man for that nights' tape or maybe I subbed. It's too far in the past for me to recall. There were other nights I DO remember stepping in: Mott, Bob Seeger, Ted Nugent, Pavlov's Dog. The first 5 minutes of the tape are un-recorded." George Geranios (longtime B.O.C. sound engineer) **************************************************************************************************************** There is some tape hiss, but this is one of the best '70s Foghat boots. Stunning sound and performance. The only thing I did was to split tracks in Audacity. Exported as flac level 8, 16-44. I added some artwork from George's photo archive. 1 flac  
6. 11/26/76 unknown - Milwaukee, WI B+ Had to have it 2 flac  
7. 12/18/76 The Spectrum - Philadelphia, PA A LINEAGE KBFH/WXCD CD 94.7 FM BROADCAST DAT MASTER(48KHZ)>SONY PCM R-500 DAT> FIBER OPTIC>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (16/48KHZ)> MAGIX AUDIO CLEANING LAB FOR TRACK MARKS WAV 16/48> TLH FLAC (LEVEL 8) King biscuit Flower Hour 1 flac  
8. 06/27/77 The Kingdome - Seattle, WA B+ JEMS Full-Track Tandberg Mono Master Recording Gear: Sony ECM-22P Microphone > Tandberg Model 11 Portable Reel to Reel JEMS 2018 Transfer: Master reel > Tandberg Model 11 > Sound Devices USBPre 2 capture (24/96) > iZotope RX and Ozone > MBIT+ convert to 16/44.1 > Audacity > TLH > FLAC 1 flac  
9. 04/11/78 Selland Arena - Fresno, CA A+ Source : Pro-Shot Video > 1st generation cassette (TDK-SA90) (courtesy of Robert Diebert) Transfer : Sony TC-WE475 (azimuth adjusted) > PC (Line In-Creative SB Audigy Fx) Editing : Audacity (tracking) > Sound Forge (volume) > Wave > TLH (sbe aligned) > Flac 8 Traders Den - May 22, 2020 posted by kingrue upload #2533 1 flac  
10. 06/03/78 The Spectrum - Philadelphia, PA B++ Source : Audience Recording > 2nd gen cassette (Maxell XL-II) (courtesy of Wes Meyette archive) Transfer : Nakamichi Dragon > Sony PCM-M10 > CD Wave Editor (tracking) > Wave > TLH (sbe aligned) Flac 8 Traders Den - January 29, 2019 Transferred & Tracked by Wes Meyette posted by kingrue upload #2318 1 flac  
11. 07/12/80 International Amphitheater - Chicago, IL A- WRUP Chicago broadcast SOURCE: EX 2nd gen stereo FM tape given to me by a trader in the 80's. LINEAGE : unknown tuner and recorder -> 2nd gen Fuji FR-II cassette -> Nakamichi CR1 azimuth manually adjusted Dolby off. -> Zoom H2 -> Goldwave v.5.08 for edits, fades, tracks, channel balance, -> TLH 2.4.1 (build 160)-> FLAC level 8 align on sector boundaries, md5s 1 flac  
12. 07/07/81 International Ampitheater - Chicago, IL   Source: FM Broadcast. Lineage: Traded cd > EAC > .Wav > Flac Frontend (Level 7). 1 flac  
13. 12/30/81 Nassau Coliseum - Uniondale, NY a- A luvsufo Analog Master Transferred and Presented By Krw_co LINEAGE AUDIENCE ANALOG MASTER>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT) CREATIVE SOUNDBLASTER X FI HD MODEL #SB1240 WAV (24/96KHZ)>AUDACITY FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 16/44.1>TLH FLAC (LEVEL 8) 1 flac  
14. 05/09/84 Agora Ballroom - Cleveland, OH A-   1 flac  
15. 10/01/93 Chestnut Cabaret - Philadelphia, PA a- Source : Sony WM-D3 > Master Cassette > Standalone CD Burner Editing : Sound Forge (editing) > Wave > TLH (sbe aligned) > Flac 8 Traders Den - May 24, 2023 1 flac  
16. 11/07/94 Toy Tiger - Louisville, KY 8 Master Recording! Radio Shack 33-1065 Stereo Mic/Sony D-3 Recorder> Playback On Jvc Td-W505> Aiwa Xc-Rw700 Stanalone Burner> Eac> Flac> Dime 1 Flac  
17. 11/24/01 Casper Events Center - Casper, WV a- Soundboard Master From The Krw_co Collection Transferred and Presented By Krw_co LINEAGE SOUNDBOARD MASTER UNTRACKED CDR TO EAC SECURE MODE TO WAV 16/44.1 TO MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS WAV(16/44.1KHZ)>TRADERS LITTLE HELPER FLAC LEVEL 8 1 flac  
18. 05/31/10 Rib America Festival, Soldier's Memorial - St. Louis, MO 7.5 GEAR USED: Edirol R-09 Portable recorder > Built-in mics > Sound Forge 9.0 > CDWav > TLH > .flac files 1 Flac  
19. 08/05/23 GSR's Main Stage - Reno, NV a- Lineage: Audio Technica AT831 Cardioid microphones > Sony PCM M10 24/96 recording by Wes Meyette and tracking using CD Wave Editor 2 flac  
20. 11/18/25 Band On The Wall - Manchester, UK 9 CA11s > Diety PR-2 > Audition > CD Wave - Split Tracks > TLH 1 Flac  

Foreigner  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/01/77 Mantra Studios - Chicago, IL A- Chicago WKQX Radio Broadcast Media: 1 CDR Audio Time: 58:07 Source: FM Stereo Broadcast Date: July 01, 1977 Location: Mantra Recording Studios, Chicago, Illinois, USA Quality: Very Good (A-/A); minor signal drift during first track, but otherwise no major problems Lineage: FM > ?? > CDr > EAC (secure/offset corrected) > .WAV > FLAC (L5/Sector boundaries aligned) 1 flac  
2. 04/27/78 Rainbow Theater - London, UK A LINEAGE KBFH FM BROADCAST MASTER TO DAT (44.1KHZ)>SONY PCM R-500 DAT> FIBER OPTIC>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (16/44.1KHZ)> MAGIX AUDIO CLEANING LAB FOR TRACK MARKS AND EDITS WAV 16/44.1> TLH FLAC (LEVEL 8) 1 flac  
3. 12/01/78 The Spectrum - Philadelphia, PA 9 SOURCE: Supergroups In Concert #0CG-203, pre-FM vinyl rip. Unfortunately, the source info did not say very much about the rip. The rip was provided in 16/44 FLAC which appeared to be truly lossless by frequency analysis. According to the source info, "The original needle drops from the 6 LP sides were done years ago, and while done well, they are not up to my current standards of LP playback. I felt that this show is such a nice example of the original band in fine form, that I would up this anyway. This 3LP box set originally featured four additional songs. But after a close listen it was determined that these four songs were the studio album versions with audience cross-faded into the intros and fade outs. So I cut these fake live tracks, and then cross-faded the audience sections where they were removed to create perfect seamless splices, so that there is no sign that these obstructions were ever inserted to begin with. the removed songs are: Love Has Taken Its Toll Back Where You Belong Lonely Children Tramontane" 1 Flac  
4. 11/15/79 The Omni - Atlanta, GA A LINEAGE FM BROADCAST (WBCN) 10.5" REEL MASTER> @ 7.5 ips>TEAC A-7300 REEL TO REEL> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8) 1 flac  
5. 05/28/82 County Stadium - Milwaukee, WI B++ Source: Audience capture on Cassette Transfer: cassette in Tascam CC-222 MK II > analog out > to SONY- ICD-SX750 PCM / wav recorder 16/44 > USB to desktop > CDWAV (track split) > Stamp ID3 Tag Editor > TLH checksums & torrent. note: stadium recording, quality is just ok for it's time. I would call this a collectors offering. 1 flac  
6. 06/06/85 Le Zénith - Paris, France A Rip from the Six Westwood One Disks Superstar Concert Series Show SS86-7 Air Date May 24, 1986 Commercials Removed and Tracks Faded Before and After Commercials Lineage: Six Vinyl Disks > Turntable > MAudio I/O > Goldwave (RIAA EQ volume Boost Fades and Tracking) Media Monkey (Flac Conversion) Taper Notes: This is a fresh rip from my collection of Westwood One disks. Vinyl is still in great shape, although there was clipping for some of the radio announcements prior to commercials. The commercials (Coke, Sprite, JC Penny) were removed. Standard 4s fades prior to commercials and 2s fades for the lead in were added. No EQ or compression, other than the standard RIAA EQ for records. Cover in Torrent. --Regards, Scooter123, December 20, 2010 2 flac  
7. 09/14/88 Budokan - Tokyo, Japan A Westwood One Superstar Concert Series Show # 92-41, 2-cd set For broadcast the weekend of October 10, 1992 (This show was also broadcast as 89-07 and 89-25 on 3-LPs; both had one additional track "That Was Yesterday" that was not on the CD version). Pre-FM Soundboard > silver cd > EAC (secure) > FLAC 1 flac  
8. 04/29/89 Nippon Budokan - Tokyo, Japan A Westwood One Superstar Concert Series Show # 92-41, 2-cd set For broadcast the weekend of October 10, 1992 (This show was also broadcast as 89-07 and 89-25 on 3-LPs; both had one additional track "That Was Yesterday" that was not on the CD version). Pre-FM Soundboard > silver cd > EAC (secure) > FLAC 2 flac  

Frank Marino & Mahogany Rush  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/29/83 Hammermsith Odeon - London, England A- Source:Soundboard quality:Excellent Generation:unknown Lineage:Analog Cassette>DAT>CD-R>EAC WAV>TLH FLAC8>TTD Transfered from cassette and uploaded by:winterlandblizzard 1 flac  

Frankly Scarlet  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/17/22 Smith's Old Bar - Atlanta, GA a- Source: Schoeps CCM4V'S>Sound Devices 722 (24/44.1) FOB/DFC/KFC/ZFC/AARP 18' From Stage, 7 1/2' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man A Team Dirty South Recording 3 flac  

Gamma  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/17/79 Rainbow Music Hall - Denver, CO A+ 1ST Generation FM/Soundboard From The Krw_co Collection Lineage Soundboard/FM Broadcast Traded as a First Generation to Untracked CDR to EAC Secure mode to Audio Cleaning Lab for Track Marks and Edits to TLH Flac Level 8 1 flac  
2. 11/09/80 Bijou - Dallas, TX A Lineage: FM broadcast > ? > cdr trade circa 2000 Transfer: EAC > Flac (level 8) > you ! whotrader-0534-gamma-80-11-09-96 1 flac  
3. 11/13/80 Old Waldorf - San Francisco, CA A   1 flac  

Gary Clark, Jr. Band  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/25/11 Stephen Talkhouse - Amagansett, NY A Source : Microphone Madness Cardioids with Sennheiser Capsules > 3 wire mod by Chris Church > custom CA9200 > Edirol R09 Locattion : mics under the brim of a ballcap, DFC, 25' from stage. Editing : Audacity (tracking) > Soundforge (volume boost) > Wave > TLH (SBE aligned) Flac 8 Traders Den - August 11, 2019 Recorded and tracked by John Contovasilis. posted by kingrue upload #2055 1 flac  

Gary Wright  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/17/75 Unknown - Long Island, NY a- FM Broadcast - Live in Studio Quality: A- Lineage: SHN files from Trader's Den (can't find the original poster to thank him) > dbPoweramp WAV Conversion> Cool Edit 2000> Speed correction> FLAC encode> Dime > YOU! I don't have anything specific on the date. I'm hoping you old-timers in NY might recognize the DJ and be able to piece this together some. There's an interview in the middle of the performance. This was recorded after the Dream Weaver album came out and before the followup. It's a cool listen, and the quality for a 1975 recording is pretty effing great. There's another 1977 KBFH Gary Wright show on the tracker @ Trader's Den. I've corrected the sped on that one too and that'll come up here shortly. I'm hoping that Wolfgang's Vault'll post the 1977 show sometime. 1 flac  
2. 10/11/75 Boston Music Hall - Boston, MA AA Sony TC-152SD Tape Recorder Sony ECM-99 Stereo Microphone Maxell cassettes 1 flac  
3. 07/18/76 Balboa Stadium - San Diego, CA B++ HeavyBass distortion Source : Realistic Minisette – 18 recorder > Cassette Master (Maxell LN C120) Taper: Michael Cariola Transfer : Sony TC-WE475 (azimuth adjusted) > PC (Line In Creative SB Audigy Fx) Editing : Audacity (tracking) > Wave (16/44) > TLH (sbe aligned) > Flac 8 1 flac  
4. 10/25/76 Apollo Theatre - Glasgow, Scotland a-   1 flac  
5. 03/02/77 Civic Center Auditorium - Atlanta, GA 8 LINEAGE PRE FM LP'S TO REEL TO REEL @ 7.5 IPS TEAC A-7300 REEL TO REEL>W/MANUAL AZIMUTH ADJUSTMENT> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(16/44.1KHZ)TRADERS LITTLE HELPER FLAC LEVEL 8 R.J.P. did the lp to reel transfer many many years ago 1 Flac  
6. 04/01/77 The Paladium - New York, NY B++ Lineage>unknown recorder>flac>cdr>you 1 flac  
7. 04/02/77 Music Hall - Boston, MA A Hezekiahx2 Analog Master to 1st Gen Reel to Reel at 7.5 ips Transferred and Presented By Krw_co LINEAGE HEZEKIAHX2 MASTER CASSETTE TO REEL TO REEL 1ST GENERATION AT 7.5 IPS > TEAC A-7300 REEL TO REEL>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)> MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 16/44.1>TLH FLAC 8 Sony TC 153ECM-99 1 point stereo mic on a cane Analog masters no longer exist (recycled after transfer to reel). 1 flac  

George Harrison  
  Date Venue - City, State Sound Rating Notes Media  
1. 11/04/74 Seattle Center Coliseum - Seattle, WA A Recording Gear: Sony ECM-22P Microphone > Tandberg Model 11 Portable Reel to Reel JEMS 2019 Transfer: Master reels > Otari MX-5050 w/full track mono head stack > Sound Devices USBPre 2 capture (24/96) > iZotope RX and Ozone > Peak Pro 6 (post production) > xACT > FLAC 2 flac  
2. 11/06/74 Cow Palace - Daly City, CA B++ Audience unknown recorder. I can hear wind like the mic was being moved. I can say that the tape seems to sounds like its dragging. Its still a good recording because I would not keep it otherwise and there are few from the 1974 tour that are good as of this writing. 1 Flac  
3. 11/12/74 The Forum - Inglewood, CA A- Soundboard recording Hi George fans, i did phase, level & volume correction and new EQ. Also worked with spectral repair. Enjoy Remastered by Captain Acid, October 2023 Artwork by Mr. D 2 Flac  
4. 11/21/74 Tulsa Assembly Center - Tulsa, OK 7.5 unknown audience an individual next to the recorder said George sounded terrible if he only knew that this recording would be one of the better ones. Again if it wasn't a decent recording I wouldn't have kept it 2 Flac  
5. 11/22/74 Tarrant County Convention Center - Fort Worth, TX 8   2 Flac  
6. 11/26/74 LSU Assembly Center - Baton Rouge, LA a- lineage: silver CDs>EAC>FLAC from "Baton Rouge 1974" Taken from the Master Tape Source Voxx-0008-01/02 According to the liner notes, "this concert was recorded from the first row in the balcony in front of one of the massive speakers using a state of the line Sony recording deck and two very expensive high quality stereo microphones." 2 flac  
7. 12/06/74 Maple Leaf Garden - Toronto, ON 8 unknown audience 2 Flac  
8. 12/15/74 Nassau Coliseum - Uniondale, NY a- Source: Nassau Coliseum 1974 Off Master (Idol Mind) 2009 Japanese 4 × Silver CD liberated boot 2 flac  
9. 12/16/74 Spectrum - Philadelphia, PA a- LINEAGE AUDIENCE MASTER>REEL TO REEL 1G>TEAC A-7300 REEL TO REEL>W/MANUAL AZIMUTH ADJUSTMENT> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(16/44.1KHZ)TRADERS LITTLE HELPER FLAC LEVEL 8 2 flac  
10. 12/19/74 Madison Square Garden (Evening Show) - New York, NY A-   2 Flac  
11. 12/01/91 Yokohama Arena - Yokohama, Japan AA   2 flac  
12. 12/05/91 Nagoya International Showcase Hall - Nagoya, Japan AA Russian bootleg (2003) /probably straight copy of earier edited Platypus Records/ Lineage: silverCDs > EAC > FLAC > tracker > HD > Easy CD-DA Extractor > WAV > WAV Cutter /spliting into separate tracks/ > Easy CD-DA Extractor > FLAC7 2 flac  
13. 12/15/91 Tokyo Dome - Tokyo, Japan AA "Last Friend" Main Stream CD - MAST 005/006 Lineage: Silvers > CD-R > EAC v. 0.99 Prebeta 5 (Secure, Offset correct) > FLACQualitybootz>my pc>you 2 flac  

George Harrison & Eric Clapton  
  Date Venue - City, State Sound Rating Notes Media  
1. 11/29/91 Press Conference - Tokyo, Japan AA Lineage: radio broadcast>unknown cassette>cassette>my cassette>polderbits>tlh>flac8>you 1 flac  
2. 12/06/91 Hiroshima Sunplaza Hall - Hiroshima, Japan A Lineage: Aud cassette>unknown cassette> Sony ES-IV>Polderbits> WAV>TLH>Flac6>You Quality vg/vg- aud rec. Another 2nd gen tape is from one of my sources in Japan. A nice recording, although not as nice as the night before in Nagoya. I think the quality improves as we go along although that could just be my ears adjusting. The crowd is quite present in this recording while not being overwhelming. 2 flac  
3. 12/09/91 Fukuoka International Center Hall - Fukuoka, Japan B++ Lineage: Tarantura (TCDGHEC-3-1/3-2/4-1/4-2/5-1/5-2) BOX-6CD > EAC > FLAC 2 flac  
4. 12/10/91 Osaka Jo Hall - Osaka, Japan AA Lineage: Unknown cassette>Maxell XLII>Maxell XLII>Polderbits>Wav>TLH>Flac6>You 2 flac  
5. 12/11/91 Osaka Castle Hall - Osaka, Japan A Lineage: Unknown cassette>Maxell XLII>Maxell XLII>Polderbits>Wav>TLH>Flac6>You 2 flac  
6. 12/12/91 Osaka-jo Hall - Tokyo, Japan AA Lineage: Dat Master>DAT Copy>That's as:II>Polderbits>Wav>TLH>Flac6>You 2 flac  
7. 12/14/91 Tokyo Dome - Tokyo, Japan a- Lineage: Unknown cassette x4> Maxell UDXII>Polderbits>WAV>TLH>FLAC6>You 2 flac  
8. 12/17/91 Tokyo Dome - Tokyo, Japan A- Lineage: Unknown cassette x2> Maxell UDXII>Polderbits>WAV>TLH>FLAC6>You 2 flac  

George Harrison Tribute  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/14/26 The Hamilton - Washington, DC 9.5 Source: Microtech Gefell MV400L/M41 > Sound Devices MixPre-6 (24/48) Transfer: MP6 > iMac. Tracked via Sound Studio, FLAC via xACT Recorded by Alex Leary 2 Flac  

George Thorogood https://www.georgethorogood.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 11/29/94 House of Blues - New Orleans, LA a- Live From The House Of Blues Presented By Pontiac Sunfire Broadcast: 95-04 2/18/1995 Broadcast: 95-12 4/15/1995 Hosted by Pat St. John Composite of 2 broadcasts to complete the show Lineage: pre-FM DAT > 24bit/48kHz wav > flac duration: 100mins 2 flac  

George Thorogood & The Destroyers  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/06/78 Buffalo State College - Buffalo, NY a- Source: Soundboard > 2nd generation cassette (Maxell XL-II) Transfer: Sony TC-WE 475 > gold tipped cables > JVC XL-R2010 CD-RW (44.1) Editing: Soundforge (tracking) > Wav > TLH [SB's aligned] Flac Level 8 0  
2. 01/16/79 The Bottom Line - New York, NY A FM broadcast recording. 102.7 WNEW FM 1 flac  
3. 01/23/79 5th Floor Studios - Cincinnati, OH a- FM broadcast recording. WEBN FM 2 flac  
4. 04/15/79 Aquarius Tavern - Seattle, WA A Source: Soundboard > CD Trade Editing: Soundforge (tracking) > Wav (eac tested) > TLH (SB's aligned) Flac Level 8 2 flac  
5. 04/12/80 Rosie's Cantina - Atlanta, GA a- Source: FM > Cassette Master > GoldWave > WAV > CDR > CD Trade Editing: Soundforge (tracking) > Wav (eac tested) > TLH (SB's aligned) Flac Level 8 1 flac  
6. 11/17/81 Bradford Ballroom - Boston, MA A FM Broadcast 2 flac  
7. 10/10/82 The Palladium - Los Angeles, CA a- FM Broadcast on a show called "In Concert" 1 flac  
8. 11/10/82 Kulttuuritalo Concert Hall - Helsinki, Finland a- FLAC master, 19 August 2020, by elegymart: Analog audience recording (stereo): unknown mics/recorder > analog audio master cassettes > three 1985-87 European BASF Chromdioxid Super CR-S II "big window" (Type II CrO2) 60-minute analog audio master cassettes {from the Stonecutter Archives} > Sony TC-WE435 (azimuth adjustment) > Roland R05 (24/96) > Cool Edit Pro 2.0 (audio cleanup, convert to 16/44) > SHNtool (fixed SBE) > CD Wave (track splits) > TLH (WAV > FLAC8). Created this text file. 2 flac  
9. 11/15/82 Le Palace - Paris, France a- From the Palace balcony with Sony TCD5 & a couple of Beyer Dynamic M201 N mics. Cassettes - MarantZ SD4051 deck - Zoom H5 - SD card on PC - Audacity (slight trebles eq, volume, tracks, FLAC export) md5 with TLH. 2 flac  
10. 01/14/83 Oregon State Penitentiary - Salem, OR A   2 flac  
11. 03/04/88 Meadowlands Arena - East Rutherford, NJ A Source: WNEW-FM > Cassette Master (Maxell XL-II) Transfer: Sony TC-WE 475 > gold tipped cables > JVC XL-R2010 CD-RW (44.1 Hz) Editing: Adobe Audition (phase correction) > Soundforge (editing & tracking) > Wav > TLH (SB's aligned) Flac Level 8 2 flac  
12. 08/27/92 Concord Pavillion - Concord, CA A FM broadcast recording 1 flac  
13. 06/19/03 Vandenberg Air Force Base - Lompoc, CA a-   2 flac  
14. 12/05/03 House of Blues - Anaheim, CA A Westwood One 2 flac  

Gerry Rafferty  
  Date Venue - City, State Sound Rating Notes Media  
1. 02/12/93 Music Hall - Hamburg, Germany A+ Files from trade DVD source, SBD. Having previously working with Billy Connolly in the Humblebums, then Joe Egan in Stealers Wheel, Gerry only toured three times as a solo artist. In 1978, 1980 and 1993. The Glasgow concert on this tour was recorded for BBC Radio Scotland, this is from Hamburg and by all accounts is a better recording. I can find no official or unofficial live recordings of Gerry Rafferty solo. This is it. 1 flac  

Glenn Frey  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/03/82 Paradise Theater - Boston, MA A+ Peaceful Easy Feeling has issues 2 flac  
2. 10/18/82 Irvine Meadows - Laguna Hills, CA A- source: nakamichi cm300 (cp1) > sony tcd-5m transfer from master cassette taper: markp 2 Flac  
3. 08/02/86 Open Air Theater East - Tokyo, Japan A+ Original lineage: cdr trade>EAC>wav>flac 1 flac  

Glenn Hughes http://www.glennhughes.com
  Date Venue - City, State Sound Rating Notes Media  
1. 07/17/19 Tollhaus - Karlsruhe, Germany a- Recorded with iPhone 7 and Rode i-XY Light­ning 2 flac  
2. 07/21/19 Open Air Pratteln - Pratteln, Switzerland A Recorded with iPhone 7 and Rode i-XY Light­ning. 2 flac  

The Godz  
  Date Venue - City, State Sound Rating Notes Media  
1. 02/05/79 The Agora - Cleveland, OH 8 WMMS-FM 1 Flac  

Golden Earring  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/09/74 Don Kirshner's Rock Concert - Los Angeles, CA B++ Taper: bpthree Taping Gear: TV broadcast> "Black Box" > Akai GX-220 reel @ 3 3/4 IPS w/ Teac AN-60 Dolby Lineage: Maxell UD master reel> Akai GX-220 reel playback w/ Teac AN-60 dolby> TASCAM CDRW-700> Trade CD-R> (wav) EAC (secure mode)> (flac) Trader's Little Helper level 6 (align on sector boundaries) Quality: vg/vg+ Length: 38:53 minutes 1 flac  
2. 04/25/75 Winterland - San Francisco, CA 9   1 Flac  
3. 12/28/75 Rhein-Neckarhalle - Eppelheim, Germany B++ source: analog audience recording gen: 1st cassette gen off reel master recorded by HB provided by: HB transfer: cassette tape -> Technics RS-BX747 -> Adobe Audition -> CDWave -> TLH (flac) digital transfer/edit by mossa 2022-09 (24-48) 1 flac  
4. 01/02/77 De Meerpaal - Dronten, The Netherlands A   flac  
5. 02/01/77 De Meerpaal - Dronten, Netherlands A   1 flac  
6. 03/25/77 Rainbow Theatre - London, UK B++   2 flac  
7. 06/05/82 Rockpalast - Cologne, Germany A cdr>trade 2 flac  
8. 09/01/82 RAI - Amsterdam, The Netherlands A- cdr>trade 1 flac  
9. 03/14/83 Breakaway Club - Akron, OH AA   1 flac  
10. 03/19/83 Curtis Hixon Hall - Tampa Bay, FL AA Recorded for King Biscuit 1 flac  
11. 03/17/84 McGravy's Club - Chicago, IL 8.5   1 Flac  
12. 03/20/84 Richfield Coliseum - Cleveland, OH A   1 flac  
13. 04/15/84 Civic Auditorium - San Francisco, CA 8.5 lineage: master tape > wav 16/44 > soundforge (tracking and loud clap reduction) > flac 8 (sb's aligned with TLH) recorded by Kirit Kapadia transferred by Joe Burns with Nak. Bx300/Marantz pmd570 prepped and flac'ed by glasnostrd19 and thanks to TA for getting it together to make this project possible. 1 Flac  
14. 07/18/86 Strand Beach - Scheveningen, The Netherlands 9 recording info: FM broadcast Radio Veronica trade CD-Rs > EAC > wav > TLH > flac (level 6 with align on sector boundaries) 2 Flac  
15. 07/01/89 Open Air - Huizen, The Netherlands a- Source: SB Lineage: ? >> CDR >> EAC >> SHN 2 flac  
16. 12/22/90 X-Mas Festival - Pforzheim, Germany 9   1  
17. 11/22/91 Leunen - De Steeg, The Netherlands 8.5   2 Flac  
18. 10/04/97 Unknown - Den Haag, Holland A   2 flac  
19. 03/24/01 De Bonte Wever - Slagharen, The Netherlands A cdr>trade 2 flac  
20. 09/16/09 Stadsgehoorzaal - Vlaardingen, Netherlands A Recorded by: Dutch Masters' Apprentice Recorded with the Edirol R09 (WAV 44.1kHz/16 bit) and a Vivanco EM35 stereo miccrophone with battery pack. 2 flac  
21. 12/12/15 Ziggo Dome - Amsterdam, The Netherlands A Audience recording audio recorder sony pcm-d100 microphone homemaden model 2025 flac level 8 2 flac  
22. 03/12/16 World Forum Theater - Den Haag, The Netherlands A Lineage: Tascam iM2 -> iPhone 4 -> Audacity -> CDWave -> TLH 2 flac  
23. 04/26/16 Castellum Theater - Alphen aan den Rijn, The Netherlands A Taper: ONE8UNG Lineage: CA-11 -> Edirol R-09 (24/48) -> Adobe Audition CC -> CDWave -> TLH 2 flac  
24. 11/16/19 Rotterdam Ahoy - Rotterdam, The Netherlands B++ The Last Blast --- This is an audience recording and you can hear that! Not the very best sound but I think the only one that surfaced so far! It is for sure and gem and an historic recording! Nobody at that time could ever imagine that this would be the last gig Golden Earring ever performed, nor the members theirsleves, nor anyone in the audience! The illness of George Kooymans decided it... 2 flac  
25. 01/29/26 Ahoy - Rotterdam, The Netherlands 9 One Last Night Taper: ONE8UNG Lineage: DPA 4061 -> Deity PR-2 (24/48) -> Adobe Audition 2023 -> CD Wave Editor -> TLH 2 Flac  
26. 01/30/26 Ahoy - Rotterdam, The Netherlands 9   2 Flac  

Good Rats  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/31/80 My Father's Place - Roslyn, NY 8 (1st gen pre-fm) The Recording: Master - remote truck mix for broadcast > unknown cassette deck Copy - cassette master > Nakamichi cr-7a > DAT recorder Clone - DAT > HHB CDR recorder 2 Flac  

Gordon Lightfoot  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/12/75 Red Rocks Ampitheatre - Morrison, CO 7.5 CD-R DbPowerAmp-Wav-Adobe Audition-SHN-FLAC 2 Flac  
2. 08/??/80 Universal Amphitheater - Studio City, CA A Recorded by John Musgrave with an unknown helper Source: Sennheiser MKH 404-tu microphone > Sony D5 w/ Dolby Copy (1981) Akaii GX570 D2 w/ Dolby > TEAC AN-180 Dolby > Revox B77 Transfer (2015) Revox B77 > TEAC AN-60 Dolby > Korg mr2000-2 @ 1 bit 5.6 MHz DSDIFF Mastering (2015) AudioGate (24-96) > Adobe Audition 3.0 and iZotope RX4 Advanced (prep) > AudioGate Aqua (16-44) > TLH (flac level 8) Song information embedded with Stamp ID3 tag editor 1 flac  
3. 06/28/98 Mountain Stage - Cherleston, WV A+ Lineage: FM > ? > CDR received in trade > EAC (wav) > Audacity 3.1.3 (re-tracking) > TLH (FLAC 8) > Dime 1 flac  
4. 07/09/98 Cal Poly Univ. Performing Arts Center - San Luis Obispo, CA a- Nyquist Omnis >SBM-1 >Sony TCD-D7 
Digital Audience Master; 2nd Row, Center (Set II only) 
DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
CD Master Extracted To One Track With xACT 2.36, >Audacity (Track Splits, Normalize -1.8db >FLAC (Level 8) Via xACT 2.36 Recorded By Dave Schaechtel With OldNeumanntapr's Gear Transferred, Audacity, And FLAC’d By OldNeumanntapr 1 flac  
5. 07/09/98 Cal Poly Univ. Performing Arts Center - San Luis Obispo, CA A Nyquist Omnis >SBM-1 >Sony TCD-D7 
Digital Audience Master; 2nd Row, Center (Set II only) 
DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
CD Master Extracted To One Track With xACT 2.36, >Audacity (Track Splits, Normalize -1.8db >FLAC (Level 8) Via xACT 2.36 Recorded By Dave Schaechtel With OldNeumanntapr's Gear Transferred, Audacity, FLAC, Tags, & Front Cover Artwork By OldNeumanntapr 1 flac  
6. 05/19/05 Massey Hall - Toronto, ON 8 CDR - Pro Tools - CDR - EAC - WAV - flac Thanks to Marcel for sending me the discs originally, I have done pretty much what I did to the Vegas show...brought the music volume up and the audience down to even it out, and EQ'ed a bit. 2 Flac  
7. 03/04/16 Wild Horse Pass Casino - Chandler, AZ a- 333 MB 16 Bit 44.1kHz Sony M10 > Audacity > xAct > SBE >FLAC An MFNToonces audience master recording. 1 flac  
8. 09/19/16 Paramount Theater - Rutland, VT A+ Recording Info: Beyerdynamic MC930 -> PS-2 -> PCM-M10 (24/96) Transfer Info: Audacity (Normalize, Tracking) -> TLH (flac level 8) Recorded and mastered by seremetcc 2 flac  
9. 03/15/19 International Showroom - Las Vegas, NV A Source: Zoom H1 (44.1 WAV) > USB > PC > Sound Forge 2 flac  
10. 12/06/21 Kleinhans Music Hall - Buffalo, NY A+ 24 bit version A Poignant Pros recording by Binko Gear / Lineage: CA11s > Tascam DR-08 (recording to 24/48 .wav) > Adobe Audition 1.5 (EQ, clap reduction, normalization, splits & fades) > Xrecode III (flac 8) Being that Kleinhans is an acoustically built orchestra hall artists who play there tend to play very quietly. Sure we can all hear you, but when there's applause it is so loud! This tape took a lot of work to get the volume of the applause to not be 10x louder than the music. The show was barely audible on the master. 1 flac  

Gordon Lightfoot and Gord Downie  
  Date Venue - City, State Sound Rating Notes Media  
1. 02/04/10 Unknown - Toronto, ON A+ Lineage: FM > Headphone Out > Line-In > CD SpinDoctor > Audacity > Adobe Audition > CD Wave > Flac Frontend 1 flac  

Gov't Mule http://www.mule.net
  Date Venue - City, State Sound Rating Notes Media  
1. 03/26/98 Catalyst - Santa Cruz, CA A Gov't Mule The Catalyst Santa Cruz, CA 03.26.98 Source: Neumann KM184's > Lunatec 316 > Zefiro inBox @ 44.1kHz > DA-P1 > D7 master Dan Sisler’s rig. (Patched) D7 master recorded & Transferred by OldNeumanntapr Left balcony, third table back from stage. DAT Master transferred: Tascam DA-30 >HHb CDR 800 PRO, CD Masters >FLAC (Level 8) Via xACT 2.35 FLAC Tags Via xACT 2.48 Disc 1 (Electric) 1. John The Revelator > 2. Thelonius Beck 3. Thorazine Shuffle 4. Don't Step On The Grass, Sam 5. Painted Silver Light > 6. Birth Of The Mule 7. Larger Than Life 8. Towering Fool > 9. She Said > Tomorrow Never Knows Jam Disc 2 (Acoustic) 1. Raven Black Night 2. I Shall Return 3. The Eleven +# > Afro Blue + > (Electric) Pygmy Twylyte > 4.. Blind Man In The Dark 5. Smokestack Lighting Encore: 6. Red House + = w/ Tim Reynolds # = 1st time played Taper Notes- This was my first Gov't Mule show. My mic stand broke and I was able to patch into Dan's KM-184's. The etree listing is wrong however. They list a Lunatec V2 mic preamp when it was actually a Lunatec 316 studio model that Dan had rigged to run off of a car battery. He brought a hand truck into the show with all of his gear in anvil cases. Wow! I patched my D7 into Dan's DA-P1. I was so impressed with the sound of the Neumanns that I sold my Nakamichis and bought a set of Neumanns later that year! We were up in the left balcony and Dan had his KM-184s spread about a foot and a half in an OFTF pattern. This recording SHINES, especially during the acoustic opening set with Tim Reynolds and Warren. I think the balconies sound much better than the floor does at the Catalyst. This is the show that my buddy Jack, the dwarf, left the show with some girl he met and I never saw him again for the rest of the night. I waited until 3 am in Santa Cruz and he never showed up, so I left. At 6 am when I had just gotten home my phone rang and it was him, drunk, saying, "Where are you?" He took a bus home and was mad at me but hey, I waited until 3 am. What was I going to do? Do NOT Convert To MP3. Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. ;) 2 flac  
2. 10/18/06 Commodore Ballroom - Vancouver, BC A Source: SP-CMC-8 cardioids > SP battery box > Archos Gmini 420 @ 16 bit/44.1 kHz Mastering: .WAV > iZotope RX7 Advanced v7.01.315 (De-click) > Sound Forge Pro 14.0 Build 130 [minor edits, normalize, & fades, Boz Digital Labs T-Bone plug-in (slant EQ)] > CDWav (tracking) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.35 (tagging) Recorded by: Chris Bold Mastered by: Dennis Orr 2 flac  
3. 10/25/13 Commodore Ballroom - Vancouver, BC A Source: SP-CMC-8 cardioids > SP battery box > Edirol R-09HR @ 24 bit/48 kHz Mastering: .WAV > iZotope RX7 Advanced v7.01.315 (De-click) > Sound Forge Pro 14.0 Build 130 [minor edits, normalize, & fades, Boz Digital Labs T-Bone plug-in (slant EQ)] > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.35 (tagging) Recorded by: Chris Bold Mastered by: Dennis Orr 2 flac  
4. 12/31/15 Beacon Theatre - New York, NY A Source: Schoeps MK4's > Whirlwind black box phantom power > Sony M10 Location: Orchestra left row L stand at 6' 6" Set 1(Grateful Mule: Gov't Mule w/ Steve Kimock, Lincoln Schleifer, Machan Taylor & Elaine Caswell): 3 flac  
5. 09/01/16 Cuthbert Ampitheater - Eugene, OR A+ Source: SP-CMC-8 cardioids > SP battery box > Roland R-05 @ 24 bit/48 kHz Mastering: .WAV > iZotope RX7 Advanced v7.01.315 (De-click) > Sound Forge Pro 14.0 Build 130 [minor edits, normalize, & fades, Boz Digital Labs T-Bone plug-in (slant EQ)] > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.35 (tagging) Recorded by: Chris Bold Mastered by: Dennis Orr 2 flac  
6. 10/29/16 Palace Theatre - Albany, NY A Source: AKG CK61 >Niaint PFA >Tascam HDP2 Oade T-Mod (24/48) >CF Transfer: CF >Audacity(16/44.1) >CD WAV Editor >TLH >FLAC 2 flac  
7. 07/21/18 Peach Music Festival - Scranton, PA AA Source: Schoeps CCM4V's>Lunatec V2>Sound Devices 722 (24/44) FOB/DFC/KFC/ZFC/AARP Section 102, Row T, Between Seats 6 & 7, 7' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man 2 flac  
8. 08/23/18 Ruoff Home Mortgage Music Center - Noblesville, IN A AKGCK1>SD Mixpre 3@24/48 Mixed and Normalized -3 In Audacity Flacked to Tracked in CDWave So I Uploaded this shortly after the show.It was matrixed with the AT 853 source. recently going through hard drives I was playing the CK1 only source and realized jut because I Can mix them doesnt mean it alway should be so after giving it some gain and balacing the channles here it is The first 2 tracks are intro. 2 flac  
9. 09/14/18 Red Rocks Amphitheater - Morrison, CO A SOURCE: Beyerdynamic CK930 > Naiant IPA > Sound Devices MixPre-6 (@ 24/48) 2 flac  
10. 07/03/19 The Meadow, Highland Brewing - Asheville, NC A   2 wav  
11. 04/30/21 Westville Music Bowl - New Haven, CT A Source: Aud > Nakamichi CM700's W 701's > GAKable's > Lunatec V3 > Sound Devices 722 @ 24/96 Lineage: CF 24/96 > Sound Forge Pro 12.0 - Tracking & Editing > Traders Little Helper - Convert to Flac Recorded By: JT/NY Uploaded By: JT/NY 2 flac  
12. 05/01/21 Westville Music Bowl - New Haven, CT A Source: Aud > Nakamichi CM700's W 701's > GAKable's > Lunatec V3 > Sound Devices 722 @ 24/96 Lineage: CF 24/96 > Sound Forge Pro 12.0 - Tracking & Editing > Traders Little Helper - Convert to Flac Recorded By: JT/NY Uploaded By: JT/NY 2 flac  
13. 05/02/21 Westville Music Bowl - New Haven, CT A Source: Aud > Nakamichi CM700's W 701's > GAKable's > Lunatec V3 > Sound Devices 722 @ 24/96 Lineage: CF 24/96 > Sound Forge Pro 12.0 - Tracking & Editing > Traders Little Helper - Convert to Flac Recorded By: JT/NY Uploaded By: JT/NY 2 flac  
14. 08/30/21 Canterbury Park - Shakopee, MN A Neumann SKM 150 (Hypercardioid)>Zoom F6,3/4 (32bit float,48kHz) Format: 32bit Float 48kHz> R8Brain>16-bit, 44.1 kHz, Soundforge (dither, resample to 24Bit/48kHz & 16Bit/44.1kHz) Taped and transferred by Cliff Morse 2 flac  
15. 09/03/21 Freeman Arts Pavillion - Selbeyville, DE A+   2 flac  
16. 09/09/21 Leader Bank Pavilion - Boston, MA A mics were fob dfc 6’ 16th row (row P) Schoeps mk41v>cmc1k>Sonosax SX-R4+ (~70degrees @ 21cm PAS) Sonosax SX-R4+>sd-xc card>Imac>Audacity(tracking,normalize,fades)>Sony Soundforge Convrt(resample(izotope,highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe) Recorded,transferred and seeded by Andy Murray 2 flac  
17. 10/30/21 The Tabernacle - Atlanta, GA A+   2 flac  
18. 09/17/22 Fox Theater - Boulder, CO A Taper : Royboy Editing : Joe D'Amico ''aka'' Joebeacon Core Sound Mics > Battery Box > Edirol R07 @ 24/44 Edirol R07 > Computer > Adobe Audition > Ozone > Traders Little Helper 2 flac  
19. 09/21/22 The Paegent - St. Louis, MO A lineage>unknown recorder>wavs>flac6>you 2 flac  
20. 07/22/23 Hard Rock Hotel Etess Arena - Atlantic City, NJ A Source: Sound Pro AT853 Cardiods -> Sound Pro P/S -> Edirol R09HR Location: Taped to seats section 207 row F Transfer: SD Card -> PC (CD Wave cut crowed before/after sets. No other modifications made.) Reaper(fades,tracking,normalize,fab filter pro L2)>XAct(FLAC 8,ffp,tagging) Taper: G.Jordan (musicman224) Tracked, transferred and seeded by Andy Murray 2 flac  
21. 07/23/23 Great South Bay Music Festival - Patchogue, NY A Shine On You Crazy Diamond (I-V) (w/ Machan Taylor, Sophia Ramos, Jackie Greene & Ron Holloway) Have A Cigar (Matt Abts on vocals, w/ Ron Holloway, Jackie Greene) Speak To Me (w/ Jackie Greene) Breathe (w/ Machan Taylor , Sophia Ramos, & Jackie Greene) On The Run (w/ Jackie Greene) Time > (w/ Jackie Greene) Breathe Reprise (w/ Machan Taylor , Sophia Ramos, & Jackie Greene) The Great Gig In The Sky (w/ Machan Taylor , Sophia Ramos, & Jackie Greene) Money (w/ Machan Taylor, Sophia Ramos, Jackie Greene & Ron Holloway) Echoes (Part 2) (w/ Machan Taylor, Sophia Ramos, Jackie Greene & Ron Holloway) Encore: Comfortably Numb (w/ Machan Taylor, Sophia Ramos, Jackie Greene & Ron Holloway) 2 flac  
22. 07/25/23 Stage AE - Pittsburgh, PA A Echoes (Part 1) (w/ Machan Taylor , Sophia Ramos, & Jackie Greene) One Of The Days (w/ Jackie Greene) Fearless (w/ Jackie Greene) Have A Cigar (Matt Abts on vocals, w/ Ron Holloway, Jackie Greene) Breathe (w/ Machan Taylor , Sophia Ramos, & Jackie Greene) On The Run (w/ Jackie Greene) Time > (w/ Jackie Greene) Breathe Reprise (w/ Machan Taylor , Sophia Ramos, & Jackie Greene) The Great Gig In The Sky (w/ Machan Taylor , Sophia Ramos, & Jackie Greene) Money (w/ Machan Taylor, Sophia Ramos, Jackie Greene & Ron Holloway) Shine On You Crazy Diamond (Parts I-V) (w/ Machan Taylor, Sophia Ramos, Jackie Greene & Ron Holloway) The Nile Song (w/ Jackie Greene) Echoes (Part 2) (w/ Machan Taylor, Sophia Ramos, Jackie Greene & Ron Holloway) Encore: Comfortably Numb (w/ Machan Taylor, Sophia Ramos, Jackie Greene & Ron Holloway) 2 flac  
23. 07/26/23 Kemba - Columbus, OH A   2 flac  
24. 07/28/23 Saratoga Springs Performing Arts Center - New York, NY A recording information: MDAUD microphones: ch1/2= akgck63 hypercardioid PAS > Grace V2 ch3/4= akgc426 subcardioid X-Y 90' > sonosax sxm2d2 recorder: Tascam DR-680|SD recorded by: Kyle Holbrook, MIke Deary transfer: Kyle Holbrook 2 flac  
25. 08/04/23 Credit Union 1 Ampitheater - Tinley Park, IL A Source: Sennheiser e914's (FOB, 3' ROC) > Sound Devices 722 (24/48, 40 Hz HPF @ 12 dB/oct.) Transfer: CF card > Audiogate (+4 dB, fades, tracking) > xACT (flac 8 w/ tags) Recorded & transferred by taperjoe 2 flac  
26. 08/05/23 Harrah"s Stir Cove - Council Bluffs, IA a- DPA 4011ES (ORTF/front left corner of FOH/65ft Away/8.5ft High) > ZOOM F3 @32/48 > Amadeus Pro (tracking, fades, FLAC8) 2 flac  
27. 08/07/23 Red Rocks Ampitheater - Morrisson, CO A   2 flac  

Graham Parker & The Rumour  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/26/85 Center Coliseum - Seattle, WA A From the JEMS archives Lineage: ANA(M)>WAV [96kHz/24bit]>WAV [44.1kHz/16bit]>Flac Transfer: Nakamichi CR-7A>PreSonus FireStudio Project>Adobe Audition 3.0 Taping Gear: Sony ECM-939 > Sony WM-D6C Transferred By: Mike Ziegler Taped By: JEMS Thanks to JEMS for providing the WAV file. I used Audacity to split it into tracks and apply fades to the first second of track 1 and the last five seconds of the crowd outro. Additional lineage: WAV > Audacity (splits, fades) > TLH > FLAC 6 (align on SB) > Foobar2000 (flac tags). 1 flac  

Grand Funk Railroad http://www.grandfunkrailroad.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 11/01/82 Agora Ballroom - Cleveland, OH a- linage: CDR>EAC>wav>Flac Frontend>FLAC 1 flac  

Grass Roots  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/04/09 Erie County Fairgrounds - Hamburg, NY A untouched master This is the original master with no signal processing. It is an older recording and was transfered to CD-R years ago. No high resolution master exists. The cuts are all as Bigdady made them when he tracked it for CD. Taped, transfered and split by: Bigdaddybflo Gear: DSM6 > Sony D8 1 flac  

Greg Kihn  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/10/76 Paul's Mall - Boston, MA A FOB Audience Stereo Sony ECM-99A > Sony TC-152SD Nakamichi MR-1 > Tascam DA-20 MKII > Philips CDR-775 Master Cassette > DAT > CD > EAC secure > FLAC Dolby B decoded, no processing or EQ Recorded and transferred by Steve Hopkins early and late shows 2 flac  
2. 06/01/78 My Father's Place - Old Roslyn, NY a- Source : WLIR-FM broadcast > low gen cassette (courtesy of M.R. archives) Transfer : Zoom H4n (16/44) > Sound Forge (volume & tracking) > Wave > TLH (sbe aligned) Flac 8 Traders Den - May 14, 2020 Tracked & posted by kingrue upload #2519 1 flac  
3. 09/18/78 The Paradise - Boston, MA A+ FM broadcast > Sansui 8 receiver with wire antenna > unknown average quality cassette recorder (dolby off) > TDK- AD 90 min. cassette > Tascam 112 > soundforge (16 bit/ 44.1 khz wav) > flac (sb's aligned) 1 flac  
4. 07/18/79 Justin Herman Plaza - San Francisco, CA a- Chinatown very rare recording 1 flac  
5. 08/05/81 The West Orange Ampitheater - West Orange, NY AA WNEW-FM broadcast Lineage: FM > cassette tape (1st gen.?) > Audacity > Wav > Flac 1 flac  
6. 08/25/81 Agora Theater - Atlanta, GA AA BBC Rock Hour #315, Version A London Wavelength's Broadcast Week of April 11, 1982 Original pre-FM vinyls > Audacity > Wav > Flac 1 flac  
7. 03/19/83 Six Flags Magic Mountain Stage - Valenica, CA AA Pre-FM Vinyl > CD-R > EAC (secure) > Goldwave v.5.04 > TLH > flac (L9, align on sector boundaries) 1 flac  
8. 04/16/83 The Channel - Boston, Ma AA BBC Rock Hour #420, Version B London Wavelength's Broadcast Week of May 15, 1983 Lineage: Original pre-FM vinyls > Audacity > Wav > Flac 1 flac  

Greg Lake  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/30/81 Hammersmith Odeon - London, England A- I received this Audience recording in a cassette trade from someone in England prior to 1982. The quality is very good and it should be a first generation copy of the master tape. Lineage: TDK-D C90 tape > Tascam 302 > Sony PCM M-10 at 96/24 Wave files > Audacity for volume adjustment > CD Wave Editor V. 1.98 for tracking > 96/24 and converted to FLAC using Trader's Little Helper V2.8.3.182. > Audacity to Flac 16. Tape and conversion and editing by Michael Cariola. 1 flac  
2. 04/19/12 Keswick Theater - Glenside, PA 8.5 LINEAGE AUDIENCE HDR MASTER SANS DISC SD CARD WAV @ 16/44.1 TO AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS TO WAV 16/44.1 TO TLH FLAC LEVEL 8 2 Flac  
3. 05/09/12 Potawatomi Casino - Milwaukee, WI A+ Taper: Belexes Lineage: CA-14 (Cardioid) > CA-9100 > Sony M10 (line-in 24/44) > PRRP Guy Remaster (see below) > FLAC 2 flac  
4. 11/24/12 Southampton Guildhall - Guildhall, UK 9 Lineage Roland R-09> Soundprofessionals TFB-2 >> WavePad (top and tail) Audacity>The Trader's Den. Checked SBE's with Trader's Little Helper 1 Flac  
5. 12/03/12 Teatro Camploy - Verona, Italy a- Recording: Sony ECM717 > Sony MZ-R700 Transfer: MZ-R700 Minidisc Maser > .wav file transfer > iZotope RX / Ozone 5 (pre-production / mastered) > Peak Pro 6 (post production) > xACT 2.37 > FLAC 2 flac  

Grinderswitch http://www.grinderswitch.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 04/27/75 Shippensburg University - Shippensburg, PA A-   1 flac  
2. 01/13/79 Municipal Auditorium - Nashville, TN A   1 flac  
3. 04/??/79 Four Acres - Utica, NY A+ Source: WOUR FM>Teac Cassette Deck>Sound Devices 722 (24/48) FOR (Front Of Radio) DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16) Recorded By: Z-Man Seeded By: Z-Man 1 flac  
4. 05/07/80 My Father's Place - Old Roslyn, NY A   1 flac  

Groundhogs  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/08/72 Ardent Recording Studio - Memphis, TN A+   1 flac  
2. 06/??/72 Record Plant - Sausalito, CA A Lineage: TDK-D C60 tape > Tascam 302 > Sony PCM M-10 at 96/24 Wave files > Audacity for volume adjustment > CD Wave Editor V. 1.98 for tracking > 96/24 and converted to FLAC using Trader's Little Helper V2.8.3.182. Tape and conversion and editing by Michael Cariola. 1 flac  
3. ??/??/74 Liberty Hall - Houston, TX A+ I received this radio broadcast from Gordon Stewart around 1978 on a Maxell UD Cassette tape. The recording is excellent quality. Lineage: Maxell UD C90 tape > Tascam 302 > Sony PCM M-10 at 96/24 Wave files > Audacity for volume adjustment > CD Wave Editor V. 1.98 for tracking > 96/24 and converted to FLAC using Trader's Little Helper V2.8.3.182. Tape and conversion and editing by Michael Cariola. 1 flac  
4. 04/18/83 The Wedgewood Rooms - Portsmouth, UK A Length - ca. 90 mins This is my own audience recording of the 'Hogs in a small club, with a sparse audience. Recording was made non-dolby, on TDK Metal tape, and it came out extremely well. It sounds just like the PA sounded that night. There is a brief piece missing at the start of track 6 due to tape turn-over, and the tape ran out just as the last number was finishing. Master tape (played on Nakamichi deck) via hi-fi lead > Adobe Audition > Flac frontend > you. I have not had to process the recording in any way. 2 flac  
5. 11/13/86 unknown - trondheim, Norway AA   2 flac  
6. 12/02/86 Titanic City - Munich, Germany AA Sennheiser KD 2002 Microphones > Sony TCD-M5 > Maxell MX C-90 tape Master recording encoded Dolby B Transfer: Master tape machine > Fostex Pro CDR Burner > EAC > CDWave > Flac 2 flac  
7. 08/07/89 Kaleidescope - Birmingham, UK A Fostex X15 1 flac  
8. 04/21/93 Marquee Theater - London, UK AA   2 flac  
9. 10/11/08 Regent Center - Christchurch, UK A Lineage; Sony ECM-717>Sony MD MZ-N710>Phillips CD Recorder>Soundforge>dBPoweramp. No eq used though volume was significantly boosted causing a little hiss. 1 flac  
10. 06/23/19 Eridge Park Turnbridge Wells - Kent, UK A Recorded by DH from app. 4 meters back @ stage center Schoeps CCM5s (set to Cardioid) > Sound Device MixPre6 > WAV (24/48)-> HD mastering hanwaker 2019-07 some level balances - No EQ! converted to 16-44 1 flac  

GTR  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/28/86 Tower Theatre - Upper Darby, PA a- PRRP033 2 flac  

The Guess Who  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/01/74 Civic Auditorium Arena - Omaha, NE a- Conversion = 1st gen cassette>Pioneer Stand Alone Burner PDR-609>EAC> Soundforge 9.0>CD Architect 5.2>Wav>Flac Sound Quality about 8 out of 10 azimuth aligned 1 flac  
2. 08/25/01 State Fairgrounds - Syracuse, NY a- Source:Sony Stereo Mic>Sony D8 Dat Deck>Master Dat Tape>Sony PCM R-300 Home Dat Deck(Playback)>Harmon Kardon CDR 20 Home CD Burner>Wav Files>Flac Files>Exact Audio Copy>CD.Taped By Boeditaper.Sector Boundaries Aligned using Traders Little 2 flac  
3. 09/21/01 Wachovia Center - Philadelphia, PA A+ Recorded By Nicky C & Flying Gonz Source: Schoeps MK4V's>Nbox>Sony SBM-1>Sony TCD-D100 Sony TCD-D10ProII>SD702>Wavelab 5>CDwav>Flac from Floor Section 2 Row 14 seat 17 2 flac  

Gun  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/07/17 Ironworks - Inverness, Scotland A   1 flac  

Gun, The http://www.planetalien.co.uk/
  Date Venue - City, State Sound Rating Notes Media  
1. 10/22/70 Grugahalle - Essen, Germany A   1 flac  
2. 12/06/12 P J Malloys - Dunfermline, UK A+   1 flac  

Happy the Man  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/??/74 WGTB - Washington, DC A   1 flac  

Harry Chapin  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/13/73 Harper College - Palatine, IL 9   1 Flac  
2. 08/23/78 Central Park - New York, NY AA FM Broadcast WNEW cassette – Sony CD Burner – CD WAV Editor – FLAC 2 flac  

Head East  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/12/79 Milwaukee Auditorium - Milwaukee, WI A- Source: Audience capture on Cassette Transfer: cassette in Tascam CC-222 MK II > analog out > to SONY- ICD-SX750 PCM / wav recorder 16/44 > USB to desktop > CDWAV (track split) > Stamp ID3 Tag Editor > TLH checksums & torrent. 2 flac  
2. 03/13/80 Great Northern - Grand Rapids, MI A SOURCE : EX 1st gen tape, probably from pre-FM station reel ; no commercials - no talking - full applause. LINEAGE : my 1st gen TDK D Type I cassette tape -> Nakamichi Dragon dolby off -> Pioneer PDR 609 stand alone CD burner -> wav -> EAC -> Goldwave for tracks splitting, editing, stereo maxmatching -> Flac Frontend level 8 align on sector boundaries -> FLAC 2 flac  
3. 07/27/07 Central Wisconsin State Fairgrounds - Marshfield, WI A   2 flac  
4. 08/11/07 Addison Festival - Addison, IL A Equipment - Zoom H4- Pioneer PDR 509 Burner Tapers - DigitalDremz,Shake4 2 flac  
5. 09/05/08 Three Clans Ballroom - Green Bay, WI A- Source: MM-HLSC-1 (Church mod) > CA-9100 > Sony D-50 (24/48) > USB > Cool Edit Pro (fades) > r8brain (16/44) > CDWAV > FLAC 1 flac  
6. 08/19/12 Trails West | Festival - St. Joseph, MO 8.5 Edirol R09 > Audacity > CD Wave 1 Flac  
7. 02/03/18 Riviera theater - North Tonawanda, NY A Taper: Binko Gear: AT831s > Tascam DR-08 Mastered by }{eywood Lineage: DR-08 (recording to .wav @ 24/96) > USB > Adobe Audition 1.5 (clip restoration, EQ, crackle filtering, peak limiting, splits & fades) > Xrecode II (conversion to 16/44.1) > TLH (sector alignment, flac 8) The clip restoration and crackle filtering in the lineage are because this recorder decided a while ago to record really loud. We turn the record level down as far as it can go and it still oversaturates the recordings. I've told Binko to used the (brand new) DR-05 he has, but he thinks it's too big to smuggle in (it's the size of 2 packs of cigarettes, whereas the DR-08 is the size of a pair of cigars). Sorry for his stubborness. I think I'm getting through to him, tho, so this will change by the summer concert season. 2 flac  
8. 09/07/19 Riviera Theater - North Tonawanda, NY a- 16 bit version Taper: Poignant Pros (binko) Gear: CA14s > Tascam DR-08 Mastered by }{eywood Lineage: DR-08 (recording to 24/48 .wav) > USAB > Adobe Audition 1.5 (EQ, peak limiting, splits & fades) > xrecode II (conversion to 16/44.1) TLH (sector alignment, flac 8) 2 flac  
9. 02/27/20 Independence of the Seas - Ft. Lauderdale, FL a- Rock Legends Cruise VIII The second of a few shows from fellow taper yeolderocker posted by me. Recorder Sony PCMM110~Church Audio Ca-14 cardiod mics~CA Ugly2 battery box Alternate recorder (for track 13) Roland R-07~internal mics 16/44.1 Section 2 center stage. Not the floor but the first row of the next section of seats facing center stage. **note a technical issue with the recorder required the use of the backup source from the same show/venue for track 13, just different equipment. Track 13 had processing to try to match the sound of the rest of the show. EQ matching using iZotope RX6, and Sheppi Spatial enhancer to give a wider stereo pan. Better, but not exact. 1 flac  
10. 07/04/21 Ozark Ampitheater - Camdenton, MO A recorded near the soundboard (34th row); outdoor amphitheater recorder: Ed Broll lineage: SP-CMC-9 (Audio Technica 898) > Roland R-07 (24bit/48kHz Wav) > CoolEditPro/GoldWave/CDWave > FLAC duration: 62mins 1 flac  

Heart https://www.heart-music.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 08/26/76 Night Gallery - Waukegan, IL A+ sbd > ? > cdr(x) > eac > wav > flac 1 flac  
2. 12/31/78 Seattle Center Coliseum - Seattle, WA A SB/FM 16/44 liberated bootleg disc Incomplete concert 1 Flac  
3. 01/27/79 Music Hall - Boston, MA AA Nakamichi 550 Tape Recorder Two Nakamichi CM-300 Microphones Maxell cassettes Mastered and FLAC'ed by Carl Morstadt (dantalion8@yahoo.com) Master Cassette -> Nakamichi CR-3A cassette deck with azimuth correction -> M-Audio Firewire Audiophile 2496 -> CDWAV 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to 16-bit/44.1 KHz wav files) -> FLAC Front End (FLAC 8 with sector boundary alignment) FLAC files tagged with Foobar2000 Live Show Tagger No EQ'ing. A 24-bit/96-KHz flac24 version of this recording is also available. 2 flac  
4. 11/13/83 Memorial Coliseum - Greenville, SC A LINEAGE PRE FM LP MASTERS NEWMARK TURNTABLE TO CDR NO IDS TO PLEXTOOLS PRO/WAV 16/44.1 TO AUDIO CLEANING LAB FOR TRACK MARKS AND EDITS/WAV 16/44.1 TO TLH FLAC LEVEL 8 ALL ADS HAVE BEEN EDITED OUT ALL LP FLIPS HAVE BEEN EDITED TOGETHER 1 flac  
5. 06/17/03 Fiddlers Green - Denver, CO 7.5 Schoeps MK4 > NBox > Sony M1 DAT(1) 16.48 (6th row center) Recorded by Bill Tatina. Transfer by Bryan Rayburn (aka TaperB) on 03-08-2025 Sony R500 > coax spdif > optical converter > usb-c > MacBook 16 Pro > Audacity Flac files with XLD. Checksum files with xACT. 2 Flac  
6. 08/18/12 Pacific National Exhibition - Vancouver, BC 8 Source: Church-Audio STC-11 stereo cardioid mics (in collar) > Naiant Tinybox V1.5 pre-amp (+18 db) > Edirol R-09HR > .WAV @ 24 bit/48 kHz Mastering: .WAV > Sound Forge Pro 10.0a (minor edits, normalize) > CDWav (tracking) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.1.17 (tagging) Location: DFC, 100' from the stage, 40' FOB Recorded & mastered by: Dennis Orr (project #295) 2 Flac  
7. 07/03/15 Grand Theater - Mashantucket, CT 8 Lineage: SP-CMC-2 > SP-SPSB-8 > Sony PCM-M10 > USB > Wavelab 6.1 > CDWAV > dbPowerAmp > FLAC Recorded by: Relayer35 2 Flac  
8. 07/16/19 Centre Bell - Montreal, QC A OKM (mics)--> Roland R-05 (44.1kHz/16bit)--> Audacity (track splits, FLAC level 8) Taped by Yul234. This is now a cdr lost original files 2 flac  
9. 07/26/19 Darien Lake Performing Arts Center - Darien Center, NY A Taped and mastered by Poignant Pros (}{eywood) Lineage: AT831s > Teac VR-20 (recording to 24/48 .wav) > USB > Adobe Audition 1.5 (EQ, peak limiting, splits & fades, conversion to 16/44.1) > TLH (sector alignment, flac 8) 2 flac  
10. 09/28/19 Huntington Center - Toledo, OH A+ Taper: Charles Dewey Cole, IV Location: Section F3, Row R - Seat 9 (see chart here: http://www.ticketmaster.com/seatingchart/180868/23229) Source: AT853U Cardioids (4.7k mod) > SP-SPSB-11 (@69Hz) > Sony PCM-A10 (24 bit @48kHz) > Adobe Audition 3.0 (dithered to 16 bit @44.1kHz) > Cd Wave > FLAC Conversion: Charles Dewey Cole, IV Equipment: Sony PCM-A10 > (USB) @ 48kHz > 44.1kHz > Cd Wave 2 flac  
11. 05/15/24 Schottenstein Center - Columbus, OH 9 Charles Dewey Cole, IV Location: Section 221/222, Row C - Seat 14 (see chart here: http://www.ticketmaster.com/seatingchart/41424/26899) Source: SP-CMC-8 Cardioids (4.7k mod) > SP-SPSB-11 (@16Hz) > Sony PCM-A10 (24 bit @48kHz) > Adobe Audition 3.0 (dithered to 16 bit @44.1kHz) > Cd Wave > FLAC Conversion: Charles Dewey Cole, IV Equipment: Sony PCM-A10 > (USB) @ 48kHz > 44.1kHz > Cd Wave 2 Flac  
12. 05/17/24 Allstate Arena - Rosemont, IL A LINEAGE ROLAND R-09 SANS DISC 32 GIG SD CARD WAV (24/48KHZ) TO AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS WAV(16/44.1KHZ)TRADERS LITTLE HELPER FLAC LEVEL 8 2 flac  
13. 05/21/24 Little Ceasers Arena - Detroit, MI 8.5 Master recording from row 11, just left of center. Sure MV88 Mic - iPod Touch/Motiv-Audio app (24/48) - ProTools (mastered/EQ/Widen) - SoundForge (Splits, fades, FLAC). 2 Flac  
14. 03/13/25 Pacific National Exhibition Coliseum - Vancouver, BC 8.5 Source: Schoeps MK4 (cardioids) CMC 1 U > CHL cables > Zoom H4n Pro @ 32 bit/192 kHz Mastering: .WAV (downsampled to 24 bit/48 kHz) > iZotope RX11 Advanced v11.0.1.3871 (De-Click) > Sound Forge Pro 14.0 Build 140 [minor edits, normalize, & fades, Boz Digital Labs T-Bone2 plug-in (tilt EQ), VEGAS (reverb)] > CDWav (tracking) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.1.17 (tagging) Recorded by: Chris Bold Mastered by: Dennis Orr 2 Flac  
15. 12/14/25 Giant Center - Hershey, PA 9 Recorded by bcironmaiden Recorded w/ Schoeps MK4's > Actives > Baby NBox > Sony A-10 > HD > Sony Sound Forge 96khz/24bit > 44khz/16bit > CD Wave Editor Track Split > TLH ( Flac 8 ) > You 2 Flac  
16. 03/09/26 Broadmoor World Arena - Colorado Springs, CO 9.5 Source: SP-BMC-12 binaurals > battery box > Edirol R-07 @ 24 bit/48 kHz Mastering: .WAV's > iZotope RX11 Advanced v11.0.1.3871 (De-Click) > Sound Forge Pro 14.0 Build 140 [minor edits, normalize, & fades, Boz Digital Labs T-Bone2 plug-in (tilt EQ)] > CDWav (tracking) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.1.20 (tagging) Recorded by: boyroy Mastered by: Dennis Orr 2 Flac  

Heart & Friends  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/13/13 Queen Elizabeth Theater - Vancouver, BC A+ Source: SP-CMC-8 cardioids > SP-SPSB-7 battery box > Edirol R-09HR @ 24 bit/48 kHz Mastering: .WAV > iZotope RX7 Advanced v7.01.315 (De-click) > Sound Forge Pro 14.0 Build 138 [minor edits, normalize, & fades, Boz Digital Labs T-Bone plug-in (slant EQ)] > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.35 (tagging) Location: Centre Orchestra, Row 12, Seat 55 Recorded by: Chris Bold Mastered by: Dennis Orr 2 flac  

Heartsfield  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/28/77 Ivanhoe Theater - Chicago, IL A   1 wav  

Heaven & Hell  
  Date Venue - City, State Sound Rating Notes Media  
1. 11/04/07 MetroArena - Newcastle, England A SP-CMC-2>Edirol R-09>Adobe Audition3/GoldWave>TLH_8 2 flac  
2. 08/28/09 Bank of America Pavillion - Boston, MA AA   2 flac  
3. 07/24/10 High Voltage Festival Victoria Park - London, England B+ Core Sound Stealths -> MicroTrack II (wav) -> Audacity (track splitting, normalization) -> xACT (FLAC8) -> you 2 flac  

Hensley-Lawton Band  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/19/01 Der Boederij - Zoetemeer, Netherlands A LINEAGE>UNKNOWN RECORDER>WAVS>CDRS>FLACS>TRADE>YOU 2 flac  
2. 04/30/01 Clubhaus - Nordhausen, Germany A+ LINEAGE>SOUNDBOARD>CDRS>FLACS>TRADE>YOU 2 flac  
3. 05/12/01 Hamburger Hafen - Hamburg, Germany A LINEAGE>UNKNOWN RECORDER>WAVS>CDRS>FLACS>TRADE>YOU 2 flac  

Horslips  
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/78 Sigma Sound Studios - Philadelphia, PA 9.5 Sigma Sound Studios WMMR-FM 1978 FM broadcast 1st gen Sound quality: A- (re-seeder's rating) 1 Flac  
2. 03/17/11 unknown - Belfast, Ireland A+   2 flac  
3. 08/13/11 Cropredy Festival - Cropredy, UK A+   2 flac  

Hot Tuna http://www.hottuna.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 04/05/75 Civic Center - San Francisco, CA A+ Notes on Seed Lineage/Quality The reported lineage of the tree seeds is SBD master reel > unknown number of DAT gens > unknown number of CD gens. There is a buzz from the PA system present throughout the recording, and noticeable mostly between songs. I am told that this is common for Tuna SBD's from this era. There are significant digi-drops beginning at around 1:15 in d2t6 (Hamar Promenade) and continuing until d2t7 (Walkin' Blues) 2:20. These are the only digi-flaws of any kind that I noted in the seed discs. All tree branches are EAC users, so I expect that no additional digi-problems will be introduced on the tree. The volume drops off at around 6:40 of the last track (Feel So Good) and remains low for the rest of the song. Despite the flaws described above, this is a very listenable recording of an excellent show. I have retracked the seed discs (using Cool Edit 2000 to combine .wav's and CD Wave to re-split on sector boundaries) in order to place track breaks at the beginning of songs or song introductions. (Original discs had most of the track breaks at the end of songs.) 2 flac  
2. 07/24/75 WQIV Studios - New York, NY AA   1 flac  
3. 08/23/76 Falkoner Teatret - Copenhagen, Denmark a-   2 wav  
4. 11/26/76 The Palladium - New York, NY a-   2 wav  
5. 01/30/88 Rockfish Palace - Athens, GA AA Soundboard recording, taper and equipment unknown, received as trade CD-R. Lineage: trade CD-R, extracted using Nero 7, slowest speed, wav files rejoined, overlaps eliminated and retracked with wavepad, flac level 8 and checksums created with traderslittlehelper. FLAC >WAV >Audacity (Combine Tracks To A One-Track File, Amplify 4.3 db, Re-Track Along Original Index Points) >FLAC (Level 8) + Tags Via xACT 2.47 By OldNeumanntapr 2 flac  
6. 02/25/88 Commodore Ballroom - Vancouver, BC AA Master Soundboard Cassette >1st Gen Cassette >CDR >EAC >.WAV >TLH >.FLAC FLAC >WAV >Audacity (Combine Tracks To A One-Track File, De-Amplify By .5db, Run Entire Recording Though Audacity 'Clip Fix', Re-Track On Original Index Points) >FLAC (Level 8) + Tags Via xACT 2.47 By OldNeumanntapr 2 flac  
7. 03/04/88 The Fillmore - San Francisco, CA AA SBD > Master Cassette (recorded by Mike Scotellaro) > DAT transfer & additional sound mastering by BRUNO ----------------------------------------------------------------- Trade FLACs Tagged Via xACT 2.39 By OldNeumanntapr 2 flac  
8. 12/30/88 Fillmore - San Francisco, CA AA Digital Soundboard Trade DATs Transfer 2 flac  
9. 10/05/19 Hardly Strictly Bluegrass Festival - San Francisco, CA AA   1 flac  
10. 12/07/21 Carnegie of Homestead Music Hall - Homestead, PA A+   2 flac  
11. 12/28/21 Freight & Salvage - Berkeley, CA A   2 flac  

Human Rights Now! Benefit Concert  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/15/88 Estadio River Plate - Buenos Aires, Argentina A- Highlights broadcast on BBC Radio 1 on 17 October 1988 20:30-22:30 - Music & Interviews Lineage: FM > Aiwa AD-F450 Cassette Deck > Cassette > Aiwa AD-F450 Cassette Deck > WAV> Audacity (boost volume, edit and track) > TLH (Encode aligining on sector boundaries) > FLAC 8 Recorded by GW (TT 1:59:22) 2 flac  

Humble Pie  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/16/83 Haymakers - Palatine, IL B++   1 flac  

Ian Hunter https://ianhunter.com/main/
  Date Venue - City, State Sound Rating Notes Media  
1. 06/22/79 Park West - Chicago, IL a- Lineage: Unknown audience recording > cassette Transfer: Cassette > Harmon Kardon TD 302, heads aligned to tape > M-Audio Audiophile 2496 PCI soundcard > Audacity @ 24/48 for edits and tracking > Flac level 8 and checksums with traderslittlehelper > tagged with LiveShowTagger > 24/48 conversion to 16/44.1 with dBpoweramp. March 2020 - arfarf 2 flac  
2. 09/11/81 Central Park Wolman Rink - New York, NY a- Source: FM broadcast Lineage: FM > cass (low gen) > ? > trade CDR > EAC > FLAC 2 flac  
3. 12/16/89 The Cabaret - San Jose, CA A Lineage - FLAC Download - Don't remember where perhaps soundaboard... Attributed to FM in some places, but more likely: "1st gen SBD Maxell XL-IIs > Philips CDR775 > EAC > AUDACITY > FLAC8" 2 flac  

Ian Hunter & The Rant Band  
  Date Venue - City, State Sound Rating Notes Media  
1. 01/31/13 Canyon Clob - Agoura Hills, CA 9 ** 24 BIT ** Source: Core Sound Binaurals > battery box > Edirol R-09 @ 24 bit/44.1 kHz Mastering: .WAV's > iZotope RX11 Advanced v11.0.1.3871 (De-Click) > Sound Forge Pro 14.0 Build 140 [minor edits, normalize, & fades, Boz Digital Labs T-Bone2 plug-in (tilt EQ)] > CDWav (tracking) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.1.20 (tagging) Recorded by: boyroy Mastered by: Dennis Orr 2 Flac  

Ian Moore  
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/94 Rockefellers - Houston, TX AA   1 flac  

Icehouse  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/12/88 The Metro - Boston, MA A   1 Flac  

Imperial Messenger Service  
  Date Venue - City, State Sound Rating Notes Media  
1. 01/20/13 Rrazz Room - San Francisco, CA A+ Recordings 1. Mono soundboard > Olympus LS11 16bit@44.1 kHz 2. Audio Technica AT822 stereo mic 10' high (audience seated) approx. 19' from stage, stage centre > Edirol R-09 (16 bit@44.1kHz) Minor edits to both in CoolEdit 2000 > Recordings aligned and mixed 60% SBD:40% AUD in Audacity 2.0.2 Exported to stereo wavs, cut on sector boundaries using CDWav 1 flac  

Infloyd  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/01/17 Unknown - Den Bosch, Holland AA edirol r05 and sony ecm-717 mic-soundforge-flac. upped/balanced the sound. no eq. 1 flac  

Interstellar Echoes  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/25/17 Unknown - Cumming, GA AA Source: AKG C451E w/ CK3 > Sound Devices Mixpre > Tascam DR-680 MKII @ 2496 > SDXC Transfer: SDXC > Samplitude Pro X3 Build 35 > TLH v2.7.0 (flac8, ffp) > Foobar2000 v1.3.10 (Live Show Tagger) Location: FOB, DFC, ORTF clamped to a table 9' Recorded and processed by Jeff Mitchell seeded to etree 2017-03-27 2 flac  
2. 06/20/20 The Earth Brewing Company - Roswell, GA A+ Source: Schoeps CCM4V'S>Lunatec V2>Sound Devices 722 (24/44.1) FOB/DFC/KFC/ZFC/AARP 6' From Stage, 6 1/2' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man A Team Dirty South Recording * First Time Played # Show Notes: The soundboard was sidestage and was not digital, therefore a tablet could not be used to control the sound. Hard to mix without going back and forth from the board to out front. On a few songs, the vocals got a bit saturated and a little distorted as a result. 2 flac  

INXS  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/18/90 The Point Theatre - Dublin, Ireland a- Lineage: FM Broadcast > SoundBlaster > wav > flac Another 'XRT Sunday night show. This is all that circulates as far as I know. Recorded fresh last night. 1 flac  
2. 02/16/91 Madison Square Garden - New York, NY a- Face First Production of an Exploding Commode Video Taped & Provided by ECV Capture, Edit, Author by FFP Audio Mastered by kingrue Audio : NAK 300s Master : NAK 300s > Panasonic AG-7400 > S-VHS Master (Fuji Super VHS Pro ST-120) Transfer : S-VHS Master > Panasonic AG-7150 > Canopus ADVC-300 > Firewire > HD > Sony Vegas 9 (.avi) > Editing : Wave > Sony Sound Forge 9.0 (tracking & volume adjustment) > TLH (SBE aligned) Flac 8 2 flac  

Isao Tomita https://en.wikipedia.org/wiki/Isao_Tomita
  Date Venue - City, State Sound Rating Notes Media  
1. 03/26/76 Hammersmith Odeon - London, England A Performance date: March 26, 1976. A stereo BBC broadcast of this performance occurred on May 1, 1976. Another Goody Speed/Pitch-adjusted Remaster Red Book Audio edition - burnable to Audio CD Received this in a cassette trade around 1978 on a TDK-D C60. Low Generation and still sharp sounding. Lineage: TDK-D C60 tape > Tascam 302 > Sony PCM M-10 at 96/24 Wave files > Audacity for volume adjustment > CD Wave Editor V. 1.98 for tracking > 96/24 and converted to FLAC using Trader's Little Helper V2.8.3.182. Tape and conversion and editing by Michael Cariola. > Goody's additional lineage: TLH (WAV) > Audition (Pitch Bender, various amounts; Tracking updated) > Voxengo r8brain (convert 2496 > 1644.1) TLH (FLAC Level 8; Align sector boundaries; .ffp) > foobar2000 (tags) 1 flac  

It's A Beautiful Day  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/26/69 Avalon Ballroom - San Francisco, CA a- Aud Master > Reel > Reel > M-audio Transit > Cool Edit > Cd Wave Editor > Flac here's another golden oldie from the vaults. this is a double bill of it's a beautiful day and santana recorded from the audience at the avalon ballroom in s.f. in march of 1969. not a lot of avalon audience tapes around and considering the age, this isn't bad and is pretty rare. the original tape had to have been a 90 minute so what we have here is the complete iabd set and a portion of santana's set. that's all there is but it's well worth having. all info is in the file. enjoy, dave, always more to come 1 flac  
2. 02/23/70 Winterland - San Francisco, CA 8.5 HARVEY KASLOW'S UHER REEL AUDIENCE MASTER > REEL > CDR > SONY SCREENBLAST EXTRACTION > COOL EDIT TO EVEN THE LEVELS > CD WAVE EDITOR > FLAC 1 Flac  
3. 03/20/71 Pacific High Recording Studios - San Francisco, CA A Got this one from Lou awhile back. Nice IABD show. Recorded from FM. Enjoy the tunes, twofthrs CDR> EAC> FLAC> Dime 1 flac  

J D Blackfoot  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/20/17 Blanche M. Touhill Performing Arts Center - St. Louis, MO 9.5 Silvers 2 Flac  

Jackshit  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/02/17 McCabes Guitar Shop - Santa Monica, CA A Recorded by ~M~ SP-CMC8 (Audio Technica at-943 microphone pair) > SP-SPSB-11 (battery box) > Sony PCM M-10 @ 24-48 iZotope RX6 advanced & Har-Bal 3.0 (prep) > CD Wave > AudioGate Aqua (16-44) > TLH (flac 8) 2 flac  
2. 12/14/18 McCabe's Guitar Shop - Santa Monica, CA AA Recorded by -M- SP-CMC8 (Audio Technica at-943 microphone pair) > SP-SPSB-11 (battery box) > Sony PCM M-10 @ 24-48 iZotope RX6 advanced & Har-Bal 3.0 > CD Wave > AudioGate Aqua (16-44) > TLH (flac 8) 2 flac  
3. 12/15/18 McCabe's Guitar Shop - Santa Monica, CA AA Recorded by -M- SP-CMC8 (Audio Technica at-943 microphone pair) > SP-SPSB-11 (battery box) > Sony PCM M-10 @ 24-48 iZotope RX6 advanced & Har-Bal 3.0 > CD Wave > AudioGate Aqua (16-44) > TLH (flac 8) 2 flac  
4. 12/16/18 McCabe's Guitar Shop - Santa Monica, CA AA Recorded by -M- SP-CMC8 (Audio Technica at-943 microphone pair) > SP-SPSB-11 (battery box) > Sony PCM M-10 @ 24-48 iZotope RX6 advanced & Har-Bal 3.0 > CD Wave > AudioGate Aqua (16-44) > TLH (flac 8) 2 flac  

James McMurtry  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/03/98 The Bottom Line - New York, NY AA Unknown FOB Digital Audience (Quiet Crowd) Sounds Like A Soundboard Trade CD >FLAC (Level 8) Via xACT 2.47 2 flac  
2. 06/12/13 SLO Brewing Company - San Luis Obispo, CA AA Neumann AK-40s >LC3 >KM-100s >Tascam DR100mkII (24/48) (Recorded/Transferred By OldNeumanntapr, 10 Feet From Stage Center, Leaning Against Right Side Of Front Center Ceiling Post.) Transferred: Tascam DR100mkII >HHb CDR 800 PRO Via Analog i/o. 2 flac  
3. 03/12/19 Backstage at El Mercado - Austin, TX AA Audience->Schoeps MK4-Naiant Tinybox-Sony PCM-M10-cdwav->mp3tag for tagging->Traders Little Helper->recorded by seedy Recorded from right side of stage - 3 rows back 1 flac  
4. 06/12/19 Skully's Music diner - Columbus, OH AA Source: Core Sound HEBs (dpa 4061s) > C.S. Battery Box (Bass Filter Off) > Sony PCM-M10 (@24/48) (@10 feet from stage, DFC) Transfer: PC > Audacity (Edits, Fades, Bass Reduced 4db, Tracking, > 16/44 WAV) > T.L.H. (FLAC 8, FFP) > Torrent 2 flac  

James McMurtry & the Heartless Bastards  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/03/06 The Graduate - San Luis Obispo, CA AA Neumann AK-40s (x/y) >LC3 >Beyer MV-100 >SBM-1 >Sony TCD-D8 Master DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o, CD Masters >Audacity (Minor Edits) >FLAC (Level 8) Via xACT 2.37 >FLAC Tags Via xACT 2.37 Recorded, Transferred & Tagged By OldNeumanntapr 2 flac  

James Taylor  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/25/71 Oakland Coliseum - Oakland, CA 9 Source: Soundboard (Original 'silver' cd) Equipment List: DAE UltraPlex 40max>EAC (secure, offsets) .shn conversion with MKW 2 Flac  
2. 04/28/72 Cleveland Arena - Cleveland, OH a- fundraiser for George McGovern Recording: AKG D1000E Mic > Philips Cassette Recorder Location: 8th row on the main floor, left of center Transfer: Master Cassettes > Nakamichi DR-01 > Sound Devices USBPre2 > Adobe Audition (24/96) > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (post production) > xACT 2.39 > FLAC 1 flac  
3. 05/26/74 Carnegie Hall - New York, NY AA Source: KBFH Master Reels >DAT >CDR >EAC >Sound Forge 6.0 >CD Wave > 1shn/1cdr Remastered by ALS, March 2003 Trade SHNs >WAV (Change File Names To Reflect Etree Standards) >FLAC (Level 8) + Tags Via xACT 2.47 By OldNeumanntapr 2 flac  
4. 07/18/79 Blossom Music Center - Cuyahoga Falls, OH 8   2 Flac  
5. 09/19/79 Madison Square Garden - New York, NY B++ FLAC master, 25 June 2020, by elegymart: Analog audience recording (mono) {recorded by Gene Poole}: unknown mics/recorder > 1977-79 Ampex 371 Plus Series (Type I Normal) 90-minute analog audio master cassettes {from the Gene Poole collection} > 1977-79 Ampex 371 Plus Series (Type I Normal) 90-minute analog audio cassettes > re-shelled to 1985-86 Maxell UR 90 (Type I Normal) and 1985 US TDK D 90 (Type I Normal) analog audio cassettes > Sony TC-WE435 (azimuth adjustment) > Roland R05 (24/96) > Cool Edit Pro 2.0 (audio cleanup, convert to 16/44) > SHNtool (fixed SBEs) > CD Wave (track splits) > TLH (WAV > FLAC8). Created this text file. 1 flac  
6. 09/23/79 Madison Square Garden - New York, NY a- FLAC master, 2 August 2020, by elegymart: Analog audience recording (mono) {recorded by Gene Poole}: unknown mics/recorder > 1977-79 Ampex 371 Plus Series (Type I Normal) 90-minute analog audio master cassettes {from the Gene Poole collection} > two 1979-81 US/European TDK SA C-90 analog audio cassettes > Sony TC-WE435 (azimuth adjustment) > Roland R05 (24/96) > Cool Edit Pro 2.0 (audio cleanup, convert to 16/44) > SHNtool (fixed SBEs) > CD Wave (track splits) > TLH (WAV > FLAC8). Created this text file. 1 flac  
7. 05/03/81 Willshire Theater - Beverly Hills, CA A Mike Millard First Generation Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 81 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard First Generation Cassettes > Nakamichi CR-7A (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX8 > iZotope Ozone 8 > Audacity > TLH > FLAC 2 flac  
8. 03/09/82 Sunrise Musical Theater - Fort Lauderdale, FL A Transfer: .wav file > Peak Pro 6 (pitch adjusted +60 cents) > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (post production) > xACT 2.39 > FLAC 2 flac  
9. 08/15/84 Boston Common - Boston, MA 8.5 Source: Sonics(?) > C (Dolby C) by Barry Savenor Transfer: MC (ZXC-90) > Nak Dragon > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 12 (tracking, fades, EQ, DDI Codec (Dolby C @ -30.6 dBFS), resample, Lin dither) > FLAC 1644 2 Flac  
10. 09/16/85 Verona Tetro - Rome, Italy 8.5 Lineage>Audience Master>Unknown Recorder>Wavs>Trade>Roxio Sound Editor To Split Into Tracks>You This setlist is from 09-18-1985. It is probably pretty close to what James played on the 16th. 2 Flac  
11. 03/24/86 Carre Theatre - Amsterdam, Netherlands 9 REMASTERED, EXPANDED AND NOW (NEARLY) COMPLETE Sources (different downloads, best of each track chosen) Sources 1+1b+2a+2b+2c+3 > EAC >Sound Forge 8.0 > CDWave > 1flac/2cd-da ALS, November 2012 Source 1: FM Broadcast > "Remastered" > unknown > cdr trade > EAC >Sound Forge 6.0 > CDWave > 1flac/1cd-da ALS, September 2005 Source 2: M analoge cassette master and more. Source #3: Soundboard Recording 2 Flac  
12. 03/31/86 Birmingham Odeon - Birmingham, UK 9 Master Cassette >> Roland R-07 24Bit48Khz >> HD >> Audacity >> 16Bit 44Khz >> Dime Checked SBE's with Trader's Little Helper Another great show, not the full performance, but 74 minutes is well worth it. A bit of slight distortion on a few tracks (noted) nothing too distracting. 1 Flac  
13. 04/09/86 Le Grand Rex - Paris, France 8.5 Source: FM braodcast > low generation cassette (courtesy of M.R. archives) Transfer: Zoom H4n (16 bit / 44.1 kHz) (transfer by M.R.) Editing: Soundforge (tracking) > Wav > TLH (sector boundary aligned) Flac level 8 1 Flac  
14. 06/17/86 Waldbuhne - West Berlin, Germany 8 Source: FM > unknown > EAC > Sound Forge 8.0 > CDWave > 1flac/2cdr 2 Flac  
15. 07/04/88 Montreux - Montreux, Switzerland 8.5 A FM recording, generation unknown. Sounds a little thin and dusty, but it's FM Directed the signal from the cassette deck to the Edirol SD card > PC. Edited with Adobe Audition, removed some hiss without compromising the colour of the sound. 2 Flac  
16. 07/08/88 Royal Albert Hall - London, England 8.5 First Generation Master Cassette >>Roland R-07 >> 24Bit 48Khz >> HD >>Audacity >> 16Bit 44Khz >> Dime. New share of this recording,never been posted before. Checked SBE's with Trader's Litle Helper A bit of an echo,but hey.It's The Albert Hall. Raised the volume,hid some tape flips. balanced the two channels, slightly raised the volume on the spoken intro's. Tracked in Audacity,and enjoyed the show 2 Flac  
17. 07/18/88 Great Woods - Mansfield, MA a- A Hezekiahx2 analog master Transferred and Presented By Krw_co LINEAGE AUDIENCE ANALOG MASTER>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV(24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(16/44.1KHZ)>TRADERS LITTLE HELPER FLAC (LEVEL 8) Sony D6 w/Nakamichi mics on cane 2 flac  
18. 11/03/91 Wang Theater - Boston, MA 8.5 Source: Senn ME 80s (from row balcony) > TCD-D3 by Dr. B. Fried Transfer: Fostex D-15 > Tascam DA-3000 > WAV @ 16/48 Master: Wavelab 12 (tracking, levels, crossfades) > FLAC 1648 Thanks to Doc Fried for taping and to Dan Rogosa for facilitating 2 Flac  
19. 05/28/92 Hammersmith Odeon - London, UK 9 Lineage >> Master Cassette >>Roland R-07 >> 24Bit 48KhzHD >> Audacity >> 16Bit 44Khz >> Dime. New share of this recording,never been posted before. Already a great sounding show,cut out some dead air,the odd cough, hid a tape flip or two,a few pops and clicks (not that many) A fade in and out,and we're good to go. Nice moment,there's a girl shouting out for Steamroller Blues a few times. And she does say Please. So James obliges. 2 Flac  
20. 08/25/94 Great Woods Center for the Performing Arts - Mansfield, MA 9 CDR > EAC > Wav > Flac frontend > Flac Soundboard Sound Quality A++ Brilliant soundboard recording from a August 25, 1994 performance at "Great Woods", Mansfield, MA. Originally recorded for FM broadcast. 2 Flac  
21. 10/11/94 Sunrise Theater - Sunrise, FL 8.5 Source: Sonic Studios DSM-3 mics > Sony TC-D5M > Master Cassette - taped by Jim Vita R.I.P. Transfer: Cassette > Nakamichi DR3 > Sound Devices 744T > 24/48 wav - transfer Jon Pasternak Lineage: wav 24/48 > Adobe Audition 3 > iZotope RX 11 Advanced > CD Wave > Flac 24/48 2 Flac  
22. 04/06/95 Maui Arts and Cultural Center - Kahului, HI 8 Sonic-Studios DSM-6 binaural microphones > Sony TCD-D7 DAT (48k) DAT Master > Tascam US-144 mkII > PC WAV > Audacity > TLH > FLAC/1648 2 Flac  
23. 04/25/97 Fair Grounds Race Course - New Orleans, LA 8 Source : Schoeps MK4's / Schoeps VMS / Denon DTR-80P (Recorded by keytohwy) Editing : Sound Forge (tracking, volume, de-clapper) > Wave > TLH (sbe aligned) Flac 8 crowd noise 2 Flac  
24. 02/09/98 Trento, Italy - Hourglass Tour - Trento, Italy 9   2 Flac  
25. 09/02/01 Red Rocks Amphitheatre - Morrison, CO A Source : Sonic Studios DSM-6P > Sony TDC-D8 (Recorded & transferred by Jeff Wilson) Transfer : Sony ZA5ES Home Deck > PC > CD Wave Editor (tracking) > Sound Forge (volume) > Wave > TLH (sbe aligned) Flac 8 2 flac  
26. 07/17/02 Koussevitzky Music Shed, Tanglewood Music Center - Lenox, MA 9 SBD > unknown > EAC > Sound Forge 6.0 > CD Wave > 1FLAC/2CD-DA * Audience > Sony TCM-59V > master > unknown > EAC > Sound Forge 8.0 > CD Wave > 1FLAC/1CD-DA 2 Flac  
27. 07/20/18 Piazza Napoleone - Lucca, Italy AA Recording: Sony ECM717 microphone > Zoom Transfer: .wav file > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (edit) > xACT 2.39 > FLAC 1 flac  
28. 10/19/21 Dickies Arena - Fort Worth, TX A Roland R-09HR > WAV > Sound Forge Pro 12 > Izoptope RX Final Mix > FLAC > you 2 flac  
29. 10/29/21 Chase Center - San Francisco, CA A   2 flac  
30. 10/02/22 Mitsubishi Halle - Duseldorf, Germany A   2 flac  
31. 11/02/22 Palabassano - Bassano del Grappa, Italy A+ (MRDR Master Series Volume 159) Recording: Sony ECM 717 > Zoom Transfer: Master File > iZotope RX 8 / ozone 9 (mastered) > xACT 2.50 > FLAC 2 flac  
32. 11/20/22 Zeltphilharmonie - Hamburg, Germany A SP-CMC-8 > SP-SPSB-11 > Sony PCM-10 > 24bit/48khz > downsampled 16/44.1 Secure Digital SD-card>USB2.0 Interface>soundforge/audioedit>Wav-Splitter>flac.frontend lev.8>flac 2 flac  
33. 05/30/23 Frost Amphitheatre @ Stanford University - Stanford, CA A DPA 4023 (cardioid) > Sound Devices MixPre3ii > flac > transfer (Taylor, James 2023-05-30 Frost Amphitheatre MP3ii-419 MASTER_2) > Sound Studio (convert to wav, convert 48 to 44.1 kHz, tracking and 16 bit save) > xACT (fix SBE and flac conversion) A Jean Lerond recording. 2 flac  
34. 07/03/23 Koussevitzky Music Shed - Lenox, MA A source: Zoom H2n XY mode > 16/44.1 > GoldWave (track splits, minor editing, clap reduction) > Trader's Little Helper (SBE correction, flac level 6) Taped and mastered by DavePas63. Please don't sell. Please do not convert to lossy format and upload anywhere. 2 flac  
35. 04/06/24 Garden Theater - Tokyo, Japan A+ AT943 > Buttery Box > Sony PCM M10 > Sound Engine Free/iZotope RX9 2 flac  
36. 04/23/24 ICC Sydney Theater - Sydney, Australia A   2 flac  
37. 05/05/24 A & B Ampitheater Maui Arts & Cultural Center - Kahului Maui, HI a- Lineage: sp-cmc-4u(c)> bbox> Roland R-07 (24/48) > RX-Ozone > TLH > flac Recording Notes: This is a recording for true die hard James Taylor fans. The wind, especially during the first set, was horrendous! 2 flac  
38. 06/28/24 Bethel Woods Center For The Arts - Bethel, NY A+ Schoeps MK41v's>Schoeps KCY250/5i>Baby NBox>Sony PCM-A10 (Recorded at 24 BIT/48Khz) FOB DFC Wav>Magix Sound Forge Pro 16 (Fades,POW-r Bit depth conversion/sample rate conversion to 16 BIT/44.1Khz)>CDWAV(Tracking)>Trader's Little Helper(FLAC)Foobar2000 (Track Tagging) 2 flac  
39. 07/04/24 Tanglewood Koussevitzky Muisc Shed - Lenox, MA A source: Zoom H1essential (32 bit floating, 48khz sample rate) > GoldWave (convert to 16/44.1, volume adjustments, track splits, editing) > Trader's Little Helper (SBE correction, flac level 6) taper: DavePas63 3 flac  
40. 07/04/25 Tanglewood - Lennox, MA 7.5 source: Zoom H1essential (32 bit floating, 48khz sample rate) > GoldWave (convert to 16/44.1, volume adjustments, track splits, editing) > Trader's Little Helper (SBE correction, flac level 6) audience by the taper its quiet but it ruins a quiet singer like James 2 Flac  

James Taylor & Keb' Mo'  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/28/07 Paramount Theater - Denver, CO 9 Recorded off KGNU FM Boulder CO (1 CDA / 1 Flac) Mcintosh MR74 AM/FM Tuner -> RME DIGI Interface -> Samplitude 6.0 -> Flac MD5's and SBE checked and verified. By Patrick H. 07/26/2007 ** A Lossless Legs GEMS Production ** 1 Flac  

James Taylor & Paul McCartney  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/23/03 Beverly Hilton - Los Angeles, CA A Source: Audience recording > ? > part of the liberated bootleg 'Landmine Benefit Gala 2001-2005 [mistercaudel MCCD 435] box set > EAC > WAV > FLAC. 2 flac  

Jane  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/16/24 Paderhalle - Paderborn, Germany A Rec.Info: Zoom H2n with internal mics (@ WAV 24-48) > Transfer > Audacity (edit, volume boost+balance) > WAV 24-48 > TLH8 > Flac > Your ears and mind... Recorded by dear mrtn from somewhere in the crowd. Only peak smoothing + volume boost+balance + clicks removal were done. 1 flac  

Jason Bonham Band  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/17/11 Murat Theater - Indianapolis, IN A Front-row recording Recorded and uploaded by arcme262. AT933's(Cardioid)>Tascam DR-1> edited(volume, slight EQ) with Sony Vegas 6> tracked with Nero Wave editor> flac(TLH) 2 flac  

Jason Bonham | Led Zeppelin Evening  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/30/25 Backyard Amphitheatre - Henderson, NV 8.5 AT853 to SONY A-10 -> Soundforge -> FLAC Master wav sent to me via anonymous source 2 Flac  
2. 11/15/25 Windcreek Event Center - Bethlehem, PA 8.5 Recorded by bcironmaiden Recorded w/ Schoeps MK4's > Actives > Baby NBox > Sony A-10 > HD > Sony Sound Forge 96khz/24bit > 44khz/16bit > CD Wave Editor Track Split > TLH ( Flac 8 ) > You 2 Flac  

Jason Bonham's Led Zeppelin Experience  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/04/13 Mohegan Sun Arena - Uncasville, CT a- cdr rip 2 flac  
2. 07/04/13 Mohegan Sun Arena - Uncasville, CT a- cdr rip 2 flac  
3. 12/12/16 Uptown Theatre - Kansas City, MI A cdr rip 2 flac  
4. 11/24/17 Sands Event Center - Bethlehem, PA A Recorded by bcironmaiden Recorded w/ SP-CMC-8 Sound Professionals Deluxe Audio Technica Cardioid Stereo Microphones > SP-SPSB-1 Sound Professionals Mini Battery Module >Sony M-10 @ 96khz/24bit > HD > Sony Sound Forge 96khz/24bit > 44khz/16bit > CD Wave Editor Track Split > TLH ( Flac 8 ) > You 2 flac  
5. 10/19/21 Celebrity Theater - Phoenix, AZ A Sony M10 > Audacity > xAct > SBE > FLAC Transfer assisted by: TAKRL 2 flac  
6. 11/16/21 House of Blue - Boston, MA A Taper : Farve4 Lineage: SP-CMC-8c > SP-SPSB-11 > Sony PCM-A10 > 16GB Internal Memory > WAV 48kHz/32-bit Location: Band : Jason Bonham - Drums Jimmy Sakurai - Guitar James Dylan - Vocals/Acoustic Guitar Alex Halle - Keyboards/ Guitar Dorian Heartson - Bass 2 flac  
7. 11/24/21 Walt Disney Theater - Orlando, FL A- Sound Professionals MS-TFB-2 in-ear binaural microphones > Church Audio Ugly Battery Box > Samsung Galaxy A10e > RecForge II Pro > WAV [16/48 kHz] > Audacity [amplification and normalization] > CD Wave Editor > FLAC-8 recorded & transferred by: a wave upon the cosmic dew 2 flac  
8. 04/19/22 the Foundry at the filmore - Philadelphia, PA A Recorded by bcironmaiden Recorded w/ Schoeps MK4's > Actives > Baby NBox > Roland R-07 > HD > Sony Sound Forge 96khz/24bit > 44khz/16bit > CD Wave Editor Track Split > TLH ( Flac 8 ) > You 2 flac  
9. 11/29/22 Murat Theater - Indianapolis, IN a- Source: Sound Professionals CMC-08s (AT943s)->SP-SB10->Roland R05-> Audacity->CDWave->TLH Taper: ironchef 2 flac  
10. 09/22/23 The Venue at Thunder Valley Casino & Resort - Lincoln, CA a- Source : Audio Technica AT831 Cardioid mics > Sony PCM M10 (Recorded by Wes Meyette) Edit : CD Wave Editor (tracking) > Wave > TLH (sbe aligned) Flac 8 2 flac  
11. 04/30/24 Orpheum Theatre - Vancouver, BC A ** 24 BIT ** Source: Schoeps MK4 (cardioids) CMC 1 U > CHL cables > Zoom H4n Pro @ 24 bit/48 kHz Mastering: .WAV > iZotope RX10 Advanced v10.0.0.1705 (De-click) > Sound Forge Pro 14.0 Build 140 [minor edits, normalize, & fades, Boz Digital Labs T-Bone2 plug-in (tilt EQ)] > CDWav (tracking) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.1.16 (tagging) Recorded by: Chris Bold Mastered by: Dennis Orr 2 flac  
12. 11/19/24 Murat Theatre - Indianapolis, IN a- Source: Sound Professionals CMC-08s (AT943s)->SP-SB20->Roland R05-> Audacity->CDWave->TLH Taper: ironchef Black Dog has a cut at the beginning 2 flac  

Jay Ferguson  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/11/77 My Father's Place - Old Roslyn, NY A Source: FM> Cass(?)> CDR> (wav) EAC (secure mode)> FLAC frontend 1.7.1 (level 6; align on sector boundaries) 1 flac  

Jeff Beck Group  
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/39 Various - Unknown, Unknown A Live Soundboard material 1971-08-22;1972-06-29; 1972-07-23 Contrast Clause: The Turku Finland tracks herein are also in this torrent-http://www.dimeadozen.org/torrents-details.php?id=471739, but these tracks are from a different silver boot, from a different boot house. Lineage- Liberated Boot "Jeff Beck Reel Masters-Big Daddy label" purchased several years ago> EAC disc extraction> TLH Wav to flac formatting> TLH torrent creation> DIME This was a boot on the "Big Daddy" label.It's a strange hodge podge of really good quality soundboard live material from this Beck Group and alternate studio versions from the Rough and Ready sessions. To me, that's the real draw of this. The 2 albums that Beck did with this band are my all time favorite material from him, and this is a great chance to hear some different versions of just about all of the songs from the Rough and Ready release, plus 2 versions of an unreleased track called July 13th. Only the album closer, Jody, is not here. Rayne's Park Blues was what Max's Tune was called on the LP version of this I bought when it was first released. Somewhere along the line it was re-named Max's Tune, and that's what it's been labeled as on later LP pressings and all of the cd issues of this material. Some of these songs are fairly similar to what you're familiar with from Rough and Ready, but all have something different, whether it's Cozy Powell's bass drum pattern, Max Middleton's comping, Bob Tench's vocal, Clive Chaman's feel or fills, Beck's Wah Wah rhythm pattern or solo, or an altogether different feel or performance. This studio material apparently came from tape reels of the sessions that Cozy Powell owned. These surfaced as a 5 cd set (one for each reel) on a Japanese bootleg label. That set went for a ridiculous price, and is not widely available. This 2cd set that I'm liberating has one disc containing all or almost all from these Cozy reels, and another disc of really good live material that's probably been up here in one form or another before. All together, it's a great listen and a great snapshot of Beck in one of his more overlooked eras. Please support these artists by paying to see them live and by purchasing their commercially released material. 2 flac  
2. 08/22/71 Ruis Rock Festival - Turku, Finland a- Source: Great Stereo Soundboard Lineage: Empress Valley (EVSD 51) > EAC > FLAC 1 flac  
3. 08/22/71 Ruisrock Festival - Turku, Finland 8 SBD - from Liberated Bootleg "Flying High", Empress Valley Supreme Disc (EVSD) label - 40 Minutes Long 1 Flac  
4. 08/26/71 Saalbau - Aarau, Switzerland B++ AGFA Fe Master cassette>Nakamichi 682 ZX Cassette Tape deck(normal eq/no noise reduction)>Sony CDR-W66 Standalone CD Burner w/"super bitmapping on">CDR CDR>Plexwriter Premium II CD-Transport>iMac 3.06 GHz Intel Core Duo with iTunes 9.2.1 into WAW>DVDR. DVDR>WAV>TLH>FLAC>DIME 1 flac  
5. 03/25/72 Beat Club - Bremen, Germany A Rip from my Mid Valley silvers, High resolution scans of artwork included 0 flac  
6. 06/29/72 Paris Theatre - London, England AA BBC in concert Rip from my silvers, High Res scans of art included 1 flac  
7. 11/23/78 Kurashiki Shiminkaikan - Kurashiki City, Japan a- Source: Audience Recording Lineage: Master tape > Sony PCM-M10 96KHz 24Bit > Sound Engine > 44.1KHz 16Bit WAV > Xrecode II > FLAC * It was reeditted on July 28, 2016. EQ: on Taper: japrainbow 2 flac  
8. 11/28/78 Shin-Nittetsu Otani Taiikukan - Fukuoka, Japan a- Linage: Master cassette > ? > Trade cdr (late 2003) Transfer: EAC > Flac (level 8) > you whotrader-104-JB-1978-11-28 1 flac  
9. 10/08/80 The Spectrum - Philadelphia, PA A- Aud > Cassette > Audacity > WAV > TLH > FLAC 1 flac  
10. 08/27/95 Riverport Amphitheater - Maryland Heights, MO 9.5 Taper, Taping Gear/Equipment, & Transfer: ??unknown?? Trade: Masa (Japan), THX!!! Source: from "Best Shot - Live In St. Louis 1995" Liberated Bootleg, Midas Touch label matrix #83311 Lineage: "SBD" Trade CDR> (wav) 2013 DAE with EAC (secure mode)> (flac) Trader's Little Helper level 6 (align on sector boundaries) Quality: ex-/ex "SBD" Length: 14 tracks = 72:11 minutes Artwork: included. Samples: none. 1 Flac  
11. 11/12/22 GSR's Grand Theater - Reno, Nv A Lineage: Audio Technica AT831 Cardioid microphones > Sony PCM M10 24/96 recording by Wes Meyette and tracking using CD Wave Editor 2 flac  

Jeff Healey Band  
  Date Venue - City, State Sound Rating Notes Media  
1. 01/06/88 Unknown - Thunder Bay, ON A   1 flac  
2. 01/16/88 El McCombo - Toronto, ON a-   1 flac  
3. 02/28/89 Commodore ballroom - Vancouver, BC a-   2 flac  
4. 07/14/90 Piazza Duomo - Pistoia, Italy A   2 flac  
5. 10/22/90 Teatro Tendastrisce - Rome, Italy a-   1 flac  
6. 10/01/06 Cowboys Bar & Grill - Arlington, TX B++   2 flac  

Jeff Lynne  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/14/14 Hyde Park - London, England A FM recorded by hanoi Roberts FM radio > line in Roland R05 (16 bit/44.1 khz ) Master > Adobe Audition (fade in/out, normalise) > CD wave > foobar/FL5 > TLH 2 flac  

Jeff Lynne's ELO  
  Date Venue - City, State Sound Rating Notes Media  
1. 11/20/15 Irving Plaza - New York, NY A Source: master audience recording Taper: larryrulz Location: back 1/3 of the room, in line with the overhead R stacks Lineage: CA-14 (cardioid) > Sony M10 (24/44) > Audacity (amplify, tracking) > TLH > FLAC 2 flac  
2. 11/24/15 Fonda Theatre - Hollywood, CA AA Source info: AT853 sub-cards(3-wire)>Naiant Tinybox>Sony PCM-M10(24/96)>Adobe Audition CS6(normalize, tracking)>Ozone 7(mastering, resample, dither)>TLH>Flac 2 flac  
3. 04/20/16 O2 Arena - London, UK A Conversion = 2nd gen cassette>Pioneer Stand Alone Burner PDR-609>EAC> Soundforge 9.0>CD Architect 5.2>Wav>Flac 2 flac  
4. 05/03/16 Hallenstadion - Zurich, Switzerland a- lineage: uni-directional (cardioid) stereo microphones MM-MCSM-5 + MM-CBM- Battery ---> Edirol R-09 16 bit/48 kHz ---> WaveBurner (Eq, etc) ---> 16 bit/44.1 kHz ---> Amadeus II (track split) ---> xAct Flac level 8 taper: wwrywwry 2 flac  
5. 05/05/16 Koenig Pilsener Arena - Oberhausen, Germany A LINEAGE: SP-CMC-8 (Croakie Mount) > CHURCH AUDIO CA UGLY 2 STEREO PREAMP > NAGRA PICO > WAV to FLAC conversion with Traders Little Helper - ffp with Traders Little Helper -Torrent file with Maketorrent; equalized with Har-Bal; tweaked with Adobe Audition 2.0 and BBE Harmonic Maximizer; cleaned and enhanced with iZotope RX5 2 flac  
6. 09/18/16 Radio City Music Hall - New York, NY AA Lineage:CD > EAC > FLAC Audience 2 flac  
7. 08/02/18 Oracle Arena - Oakland, CA AA Schoeps CCM4s->Tinybox->M10 Taper: calrust 2 flac  
8. 08/04/18 The forum - Inglewood, CA AA source : AT853 (UL Shotgun) [Darktrain Mod] > CA Ugly2 > Sony PCM-M10 taper : markp 2 flac  
9. 08/10/18 Toyota Center - Houston, TX AA Lineage: Sony ECM-717 (mic) / Sony PCM-M10 (recorder) > 16/44 (cuts & fades and normalization + limiter on some loud claps and nearby yelling using Audacity) > CD wav (track splitting) > MP3Tag (for file tagging) > FLAC (using Traders Little Helper) Level 8 2 flac  
10. 08/14/18 American Airline Center - Dallas, TX AA Source: AT943 HyperCard elements->Ugly Box-> Roland R-05 24bit 48htz >HDD>Goldwave to split the file> Audacity to resample to 16 Bit /441> trader’s little helper flac level 8 2 flac  
11. 08/18/18 Scotiabank Arena - Toronto, ON A Lineage: Sound Professionals SP-CMC-8 (Cards) -> Sony PCM-M10 -> Soundforge -> CDWave -> FLAC + add tags Recorded and edited by BurnBoy 2 flac  
12. 08/22/18 Madison Square Garden - New York, NY AA Source: AT943 > SP-SPSB-10 > Tascam DR2d (24/48) Transfer: wav file > Sound Studio (16/44.1) > xACT > FLAC (level 8) 2 flac  
13. 08/24/18 Wells Fargo Center - Philadelphia, PA AA Source: Shure MV88 > iPod Touch 6g (Shure Motiv app) Transfer: wav file (via iTunes file sharing) > Sound Studio (16/44.1) > xACT > FLAC (level 8) Recording location: Section 124 Recorded by: Tapehead2 2 flac  
14. 09/16/18 Royal Arenacity - Copenhagen, Denmark A Source : SP-CMC-8 > SP-SPSB-11 > R-05(96khz/24bit) Edit : R-05(96khz/24bit) > Audacity(tracking, conversion, fade in/out) > flac(96khz/24bit, Level 8) > xact > flac No bass roll off, No EQ 2 flac  
15. 10/21/18 The O2 - London, England AA Olympus LS-10 - PC - FLAC 2 flac  
16. 06/29/19 Moda Center - Portland, OR AA lineage: CA-14 cards>R-05 2 flac  
17. 08/01/19 PPG Paints Arena - Pittsburgh, PA A 16 bit version Taper: Poignant Pros (Binko) Gear: CA14s > Tascam DR-08 Mastered by }{eywood Lineage: DR-08 (recording to 24/96 .wav) > USB > Adobe Audition 1.5 (EQ. clap reduction, preak limiting, splits & fades) > Xrecode III (conversion to 16/44.1) > TLH (sector alignment, flac 8) 2 flac  
18. 09/01/24 Chase Center - San Francisco, CA A Recorded by Daspyknows Section 5 Row 5 dead center DFC Schoeps MK41 Babynbox Tascam DR-2D 24 48 Processed using Soundforge 13, resample, to 16bit 44.1K TLH to convert to Flac 2 flac  
19. 09/06/24 Enterprise Center - St. Louis, MO a- Sony PCM-A10 Portable Recorder > Built-in mics (24/48) > R8Brain > (16/44.1) > Sound Forge 9.0 > CDWav > TLH > .flac files 2 flac  
20. 09/09/24 Scotiabank Arena - Toronto, ON A Conversion = Iphone>Dolby On> Soundforge 9.0>CD Architect 5.2>Wav>Flac Sound Quality about 8 out of 10 sorry no artwork samples to be provided An Audio Archives Production 2 flac  
21. 09/23/24 TD Garden - Boston, MA A SP-CMC-8c===SP-SPSB-11 to Sony A-10===Internal Memory Card @ 48/24(Downsampled to 44.1/16) 2 flac  
22. 10/15/24 Moody Theater - Austin, TX A+ SP-CMC-2 mics > Zoom H1 Essential (32-bit Float) Master .WAV file > Audacity > FLAC (16-bit/44.1 kHz) Taper: sbalde 2 flac  

Jefferson Airmachine  
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/39 unknown - Unknown, Unknown A   2 wav  

Jefferson Airplane http://www.jeffersonairplane.com/
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/39 Share A Little Joke With The World - Compilation, Compilation A   4 flac  
2. 05/19/67 Men's Gym - Cal. Polytechnic State U. - San Luis Obispo, CA AA Soundboard Reel ( Monaural 3 & 3/4 ips quarter-track ) >Liberated Boot CD >CDR >FLAC Trade CDs >FLAC (Level 8) Via xACT 2.48 2 flac  
3. 08/10/69 Central Park, Sheep Meadow - New York, NY a-   2 flac  
4. 04/15/70 Winterland Ballroom - San Francisco, CA AA SOURCE-LINEAGE: SBD > MASTER-REELS > ?DIGITAL-TRANSFER? > CDA > WAV > @ SOUNDFORGE @ > WAV > FLAC-8 (ALIGNED ON S/B) SOURCE-REELS SUFFERED FROM LOW, VOLUME & A FEW VOLUME SPIKES. EVIDENTLY TOOK A WHILE TO GET THE MIX TOGETHER DURING "WE CAN BE TOGETHER" @REMASTER-NOTES: 1) RAISED VOLUME + 1.25 DB/ 2) EQ'D MAIN-FOCUS MIDS & HIGHS (AS REC. WAS TOO HEAVY ON BASS) MAIN HI'S RAISED BETWEEN: 7.2K & 15K DB, MAIN VOCAL DISTORTION WAS @ 1.8K RANGE WHICH WAS SET @ 4.9 DB. BASS WAS ROUNDED OUT A LITTLE SO IT DIDN'T OVERPOWER RECORDING./ 3) CORRECTED DC OFF-SETS 4) NORMALIZED @ .84 DB/ NOTE: "COME BACK BABY" (R) CHANNEL WAS TOO HOT SO, CHANNELS WERE MIXED. COMMENTS: GOOD REPRESENTATION OF A 1970' JEFFERSON AIRPLANE SHOW. JORMA & JACK DOMINATE THE SOUND, AS USUAL. (VER.2) QUALITY: 9 OF 10 / A 2 flac  
5. 09/14/70 Fillmore West - San Francisco, CA AA   2 flac  
6. 08/18/89 Riverside Theater - Milwaukee, WI A Lineage: Unknown audience recording > cassette Transfer: Cassette > Harmon Kardon TD 302, heads aligned to tape > M-Audio Audiophile 2496 PCI soundcard > Audacity @ 24/48 for edits and tracking > Flac level 8 and checksums with traderslittlehelper > tagged with tag&rename > 24/48 conversion to 16/44.1 with dBpoweramp. March 2020 - arfarf 2 flac  
7. 01/??/05 Hal's Death by Jefferson Airplane Bootlegs Comp. - Various, Various A   5 flac  

Jefferson Starship http://www.jeffersonstarship.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 04/05/74 The Spectrum - Philadelphia, PA a- cdr > eac (secure mode) > flac(level 6) > dime 2 flac  
2. 10/19/74 Radio City Music Hall - New York, NY AA source: aud cassette master akg d1000e's>sony tc-152 taped by Jerry Moore lineage: nak dragon>tascam hd-p2 24/48>cd wave>adobe audition 2.0>flac transferred & seeded to Lossless Legs by Rob Berger 2 flac  
3. 05/25/75 Long Beach Arena - Long Beach, CA A+ This rating is what it is excellent Jefferson Starship Long Beach Arena Long Beach, CA May 25, 1975 Mike Millard Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 75 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Master Cassettes > Yamaha KX-W592 Cassette Deck > Sony R-500 DAT > Analog Master DAT Clone > Focusrite Scarlett 6i6 > Sound Forge Audio Studio 13.0 capture > Adobe Audition > iZotope RX8 > iZotope Ozone 8 > Audacity > TLH > FLAC 2 flac  
4. 08/22/75 Capital Center - Landover, MD a- source: AUD 2nd gen 7" reel @ 3.75 ips, mono Don Grossinger's copy lineage: sony tc-850>sbm1>cdr,>cd wave>flac reel transfer & seed by Rob Berger 2 flac  
5. 08/27/75 Springfield Civic Center - Springfield, MA A   2 flac  
6. 10/13/75 William & Mary College - Williamsburg, VA A- source: aud 1st gen reel (Don Grossinger's 7" reel @ 3.75 ips, no nr) lineage: reel playback on Sony TC-850>sbm1>cdr>eac>cd wave>flac transfer by Rob Berger 2 flac  
7. 07/07/76 Central Park - New York, NY A WNEW-FM BROADCAST > TEAC A-2300 > AMPEX 407 REEL MASTER AT 3-3/4 IPS > BAKED TO RESTORE > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC Has some issues but its really good 2 flac  
8. 07/14/76 Colt Park - Hartford, CT AA   2 flac  
9. 08/22/76 Capital Center - Largo, MD A- Recording Information ::: unknown stereo recording equipment -> master stereo tapes -> unknown analog generations -> unknown generation Maxell XLII-S 90 cassettes, Dolby B on. Playback 2017-03-xx ::: unknown generation Maxell XLII-S 90 cassettes on Nakamichi 680ZX cassette deck, Dolby B on, azimuth adjusted for individual tape, heads cleaned & demagnetized -> Sony Linear PCM Recorder PCM-M10 (LPCM 44.10kHz/16bit WAV files) -> computer -> Audacity [normalisation to remove DC offset, channel/phase alignment, fades, some volume adjustments, #01-21 averaged -1% pitch (speed) fix with single pass after frequency analysis & with pitchpipe verification (#22-25 was OK), NO equalisation or noise reduction] -> CD Wave (track splits) -> flacs (Trader's Little Helper) -> yr ears. Freed 2020-12-xx. 2 Flac  
10. 06/09/78 Nassau Coliseum - Uniondale, NY A Recording Information ::: unknown stereo recording equipment -> master tapes (cassettes?) -> 1st generation cassettes -> 2nd generation Maxell XLII-90 cassettes, Dolby B on. Playback 2017-03-26 ::: 2nd generation Maxell XLII-90 cassettes on Nakamichi 680ZX cassette deck, Dolby B on, azimuth adjusted for individual tape, heads cleaned & demagnetized -> Sony Linear PCM Recorder PCM-M10 (LPCM 44.10kHz/16bit WAV files) -> computer -> Audacity [normalisation to remove DC offset, channel/phase alignment, fades, manual one-at-a-time glitch, bump, pop, click, dropout & dullspot repairs, volume adjustments, -1% averaged pitch (speed) fix with single pass after frequency analysis & with pitchpipe verification, NO equalisation *except notches for consistent hum spikes at 50,61 KHz. NO noise reduction] -> CD Wave (track splits) -> flacs (Trader's Little Helper). 2 flac  
11. 05/22/79 Old Waldorf - San Francisco, CA 8 Recording Info: SBD > Cassette Master (Nakamichi 350-D/Dolby B) > Cassette (Maxell UDXL-II/Dolby B) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2025 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24 (1 DVD FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net May 13, 2025 Notes: -- Recorded by Betty Cantor-Jackson -- Have You Seen The Saucers? contains a Pete Sears Bass solo -- Thanks to Joe B. Jones for the pitch correction settings 2 Flac  
12. 05/22/79 Old Waldorf - San Francisco, CA 8.5 This was the 2nd show or Late show 1 Flac  
13. 05/31/79 Warfield Theatre - San Francisco, CA A Recording Info: SBD > Cassette Master > Cassette (Nakamichi 350/Maxell UDXL-II) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 (1 DVD FLAC) All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net December 1, 2024 Notes: -- Tape was labeled "Betty Dub Nak 350" -- Thanks to Digam11 for the setlist help -- This is 2496 > 1648 2 flac  
14. 06/01/79 Justin Herman Plaza - San Francisco, CA a- thanks to Jon Pasternak and Danscomcis for the show and permission to upload here source: sbd recording gen: most likely from 1st gen (seen notes) taper: Betty Cantor-Jackson 4 long files provided by: Jon Pasternak via danscomics (24-96) digital transfer/edit by mossa: Adobe Audition -> CDWave -> TLH (flac) 2023-05 1 flac  
15. 11/15/79 The Main Act - Lynn, MA A There are so few of these recordings from this era and this is a good one most rockers know that Rush gave us Grace under Pressure, but it was Jefferson Airplane and later the Jefferson Starship who gave us Grace (Slick) under pressure. And it would be Jefferson Starship who gave us Graceless (and Martyless) Under Pressure. At the time this seemed to me like going to see Jeff Beck- without Jeff. I couldn't imagine how anyone would consider doing it. But in hindsight, I wish I'd seen this show, and recorded it all. instead I have to hear it recorded on a cheap deck with edits between every song (like a whole Starship show's gonna fit on one 90 min. cassette? even with almost ALL the applause cut out and without Grace, I don't think so...) the recording isn't great, but enjoyable. It's most of a small club show. West coast meets east coast. 2 flac  
16. 12/04/79 MECCA Auditorium - Milwaukee, WI A Lineage: Unknown audience recording > cassette Transfer: Cassette > Harmon Kardon TD 302, heads aligned to tape > M-Audio Audiophile 2496 PCI soundcard > Audacity @ 24/48 for edits and tracking > Flac level 8 and checksums with traderslittlehelper > tagged with tag&rename > 24/48 conversion to 16/44.1 with dBpoweramp. March 2020 - arfarf 2 flac  
17. 12/30/79 X'S - San Francisco, CA A   1 flac  
18. 01/13/80 Oakland Coliseum - Oakland, CA A Source: KMEL 106.1 FM > 1st Generation Cassette (Maxell XL-II) Transfer: Sony TC-WE 475 > gold tipped cables > JVC XL-R2010 CD-RW (44.1 Hz) Editing: Soundforge (editing & tracking) > Wav > TLH [SB's aligned] Flac Level 8 0  
19. 03/04/80 Paramount Northwest Theater - Seattle, WA A Source: Nakamichi 700's > Sony TC-D5M > Cassette Masters - From Mark Severson Collection Transfer: Master Cassette > Nakamichi CR-7A > Tascam DA-3000 > DSF 1-bit/5.6 MHz - transferred by Charlie Miller Lineage:DSF 1-bit/5.6 MHz >dBpoweramp > wav 24/96 > Adobe Audition 3 > iZotope RX 7 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 1 flac  
20. 03/14/80 Unknown - Unknown, Unknown A source: sbd recording gen: most likely from master taper: ? 4 long files provided by: Jon Pasternak via danscomics (24-96) digital transfer/edit by mossa: Adobe Audition -> CDWave -> TLH (flac) 2023-05 1 flac  
21. 06/24/81 Saratoga Performing Arts Center - Saratoga Springs, NY A Lineage: ABC Networks KBFH disks -> Sound Forge ->Track Splitup ->Flac Frontend Level 8, Sectors aligned and verified 2 flac  
22. 07/01/81 Mellow Yellow oncert Broadcast - Columbia, MD A LP - Cassette tape - CD-recorder - Magix(wave,edit Commercials,track,de-click,de-hiss,increase volume) - CD-r EAC 2 flac  
23. 07/25/81 Tingley Coliseum - Albuquerque, NM a- Source: Master / Aiwa HS-J1 Cassette recorder w/external Aiwa stereo cardioid mic > TDK AD-C60 > Denon DRM-500 > Denon DRA-635R > Technics SH-GE50 > M-Audio Audiophile 2496 > Audition 1.5 > WAV > Edits (normalization, tapeflip matchup, fade-outs at ends) > CD-WAV > FLAC 2 flac  
24. 08/14/81 Greek Theatre - Berkeley, CA A Lineage: Audience > Unknown recording device > n generation tape > TEAC Tape Deck AD-RW900 > Creative Sound Blaster Recon 3D > HD > SoundForge Pro 10.0 > CD Wave > FLAC Frontend (level 6) 2 flac  
25. 09/26/81 Fairmont Hotel - San Francisco, CA A Save the cable cars benefit. Guess they were saved road one in 2019 2 flac  
26. 10/09/81 Unknown - Unknown, Unknown A   2 flac  
27. 05/28/82 Moscone Center - San Francisco, CA A   2 flac  
28. 11/24/82 Tingley Coliseum - Albuquerque, NM B++ great setlist but has echo sound 2 flac  
29. 01/13/83 Queen Elizabeth Theater - Vancouver, BC A   2 flac  
30. 02/15/83 Paramount Theater - Seattle, WA A LINEAGE WLS FM BROADCAST TO REEL TO REEL @ 7.5 IPS TEAC A-7300 REEL TO REEL>W/MANUAL AZIMUTH ADJUSTMENT> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(24/96KHZ)TRADERS LITTLE HELPER FLAC LEVEL 8 1 flac  
31. 06/30/84 King Biscuit Flower Hour Broadcast - Costa Mesa, CA A lineage: WHJY 94.1 FM Providence live FM broadcast (not pre-recorded) > Sansui 8 reciever with wire antenna > unknown average quality cassette recorder (dolby off) > almost never played Maxell XLII 90 min. master tapes > played on tascam 112 into soundforge (wav) > flac (sb's aligned) > torrentially yours. 2 flac  
32. 01/12/85 Ceasars Tahoe - Stateline, NV A Grace Slick - vocals Mickey Thomas - vocals Craig Chaquiço - guitar Pete Sears - bass Donny Baldwin - drums Peter Wolf - keyboards 2 flac  
33. 07/09/88 Volkspark Dutzendteich - Nurnberg, Germany A   1 flac  
34. 03/28/92 The Catalyst Club - Santa Cruz, CA a- soundboard>dat>cdr 2 flac  
35. 07/05/92 Carefree Theatre - West Palm Beach, FL 8 SBD ~> Casio DA-7 (K. Preuss) master > wavelab > cd wave/flac (48 kHz) 2 Flac  
36. 02/13/93 Bogart's - Cincinnati, OH A Source: SBD > ? > CDR > xACT 2.50 extract > wav > Adobe Audition CC v22 (tracking) > xACT 2.50 flac Transferred, tagged and flac’d Jan 2023 2 flac  
37. 04/14/93 Fox Theatre - Boulder, CO A CO Digital Soundboard Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o. Taiyo-Uden CD Masters >FLAC (Level 8) Via xACT 2.37 By OldNeumanntapr 2 flac  
38. 05/06/93 Drake Stadium UCLA - Los Angeles, CA A SBD > DAT > CD > WAV From the Jerry Moore Collection 1 flac  
39. 10/01/93 Paramount Theater - Middletown, NY A Source- Jerry Moore's Soundboard DAT Master 16/48 Transfer- Sony R500 DAT deck> spdif out> M-Audio Microtrack II Assembly- AA3 for 16/44 at 999 (highest quality setting), CDWav for tracking, TLH for flac7 2 flac  
40. 10/06/93 The Marquee - Norwalk, CT a-   2 flac  
41. 10/12/93 Mississippi Nights - St. Louis, MO AA Taper : Joe Grasso Editing : Joe D'amico ''AKA'' Joebeacon Soundboard > Panasonic Sv-3800 Dat Recorder Tascam Da-p1 > Korg Mr 1000 @ 1 Bit Dsd 5/6 MHz > Audio Gate > Cool Edit Pro > Traders Little Helper A Big Thank You To Joe Grasso For Lending Me His Dat Masters (2/2016 - Changed File Names To Reflect Etree Standards) 2 flac  
42. 03/11/94 IMAC - Huntington, NY A Source: Panasonic 3700 DAT soundboard master at 16/48 Transfer: Sony R500> coax out> Tascam Dr-100 mkIII. AACC for fades, cdwav for tracks, tlh for flac8, mp3tag for tagging 2 flac  
43. 02/26/95 Toad's Place - New Haven, CT A   4 flac  
44. 04/03/99 Sweet Basil's - Tokyo, Japan A+ DSBD > ? > CDR > ? [FLAC] 3 flac  
45. 02/13/00 Christopher Cohan Performing Arts Center - San Luis Obispo, CA A+ SBD> DAT> CD> CD> EAC>SHN (using mkwACT) 2 flac  
46. 02/18/00 Palace Theater-Claridge Casino Hotel - Atlantic City, NJ AA Source: SDB> Sony PCM R300 DAT deck with SBM on> 16/48 DAT Master Transfer: Sony PCM R500 DAT deck> Spdif out> Microtrack II> 16/48 Wav Assembly: 16/48 wav> r8brain pro for 16/44, AA3 for fades, cdwav for tracks,TLH for flac7 2 flac  
47. 04/28/00 Lahaina Tennis Stadium - Maui, HI A+ SBD > ? > CDR > WAV From the Jerry Moore collection. Thanks Michael H. 2 flac  
48. 07/15/00 Atlantis Casino Resort - Reno, NV A Source : Sony ECM MS-907 mic > Sony MZ R-55 Minidisc (in stereo) Transfer : Sony MZ R700 Minidisc > Tascam SD-20M (rack mount) wave recorder (16/44) Editing : Sound Forge (volume & tracking) > Wave > TLH (sbe aligned) Flac 8 Traders Den - April 16, 2021 2 flac  
49. 11/04/00 Inter Media Arts Center - Long Island, NY A+ SBD Master > DAT (Apogee Analog To Digital Converter) > CDR > WAV From the Jerry Moore collection. Thanks to Michael H. 2 flac  
50. 03/06/01 The Bottom Line - New York, NY A+ SBD > DAT Master > CDR > ? [WAV] > ? [FLAC] > MP3Tag [Tag & Title] Early and Late shows 4 flac  
51. 08/12/01 Gathering On The Mountain Festival - Holiday Poconos (Blakesle, PA A+ (Jerry Moore's) CDR > WAV Produced, Engineered & Recorded by Michael Gaiman. From the Jerry Moore collection. Thanks Michael H. 2 flac  
52. 06/30/02 Hidden Valley Ski Resort - Vernon, NJ A Source: SBD > CD > EAC [WAV] > TLH [FLAC] Sector Boundaries Aligned 2 flac  
53. 07/09/02 Westchester Dinner Theatre - Westchester, NY A Source SBD -> Marantz CDR -> D8 -> CDR Taped by Dave Lerner Transferred by Robbie Frazelle 2 flac  
54. 08/01/02 South Dakota State Fair - Huron, SD A AUD > ? > CDR 1 flac  
55. 06/06/03 Seneca Niagara Casino - Niagara Falls, NY A+   2 flac  
56. 06/07/03 IMAC - Huntington LI, NY A+ DiscLive Network – Faio Thorn Inc. - Avenue K Management - CIA XM 2 x CDR Numbered Limited Edition US 2003 2 flac  
57. 07/13/03 Jenner Playhouse - Jenner, CA AA CD copied from wAV discs and transcribed > flac halbroome@yahoo.com Seed kindly provided by Stephen M. Cogswell 2 flac  
58. ??/??/03 Vinoy Park - St. Petersburg, FL A+ Made By – Sonopress – 50656187 CD Italy 2003 2 wav  
59. 05/26/05 Patti Pavilion - Swansea, Wales A   2 flac  
60. 06/17/05 Music Hall - Worpswede, Germany a- AUD > ? > CDR > FLAC 3 flac  
61. 07/14/05 Castello Folkfest - Udine, Italy A+   2 flac  
62. 08/12/05 The Van Dyke - Schenectady, NY A+ AUD > DAT > CDR > FLAC Both Early and Late shows 3 flac  
63. 10/14/05 The Colonial Theater - Keene, NH a- AUD Sony minidisc > CDR > FLAC Source: Scott Davis & Graham Shanks 2 flac  
64. 02/09/06 State Theatre - Falls Church, VA A AUD > ? > CDR > FLAC 4 flac  
65. 02/17/06 BB King's - New York, NY A Source: Audience Master DAT - Nakamichi CM300's (XY config @ approx. 8 ft up at back rail) > Sony SBM-1 @ 48k > Sony M1 Playback/Transfer: Fostex D5 > Tascam CD-RW5000 ( coax out > coax in, on fly downsample to 44.1k) > CD > Peak 4.0 ( extract, normalize ,tracking ) > xACT V1.4b24 ( fix SBE, generate aif .md5, verify, compress flac level 7, generate .ffp, verify, and seeded via Azureus 2.3.0.6 by BoldCaptain 2-06 Line up includes Slick Aquilar, Prairie Prince, Diana Mangano, Linda Imperial, David Freiberg, Tom Constanten, David Cohen, Country Joe McDonald with Jeff Matson, and Klyph Black. 1 flac  
66. 11/23/06 The Point - Cardiff, Wales A Recording details: Audio-Technica AT822 stereo mic->Edirol R-09 solid state recorder (16 bit@44.1kHz sampling) Mic at about 15' high circa 40' from stage, slightly house left of stage centre, from rear balcony. Recording tidied up in CoolEdit2000. 2 flac  
67. 07/07/07 Charlottsville Pavillion - Charlottesville, VA A Audience Recording Minidisc Master > ? > CDR > ? [WAV] > Mp3tag [title & tag] 2 flac  
68. 08/06/08 Fontana Monumentale Delle 99 Cannelle - L'Aquila, Italy A+   2 flac  
69. 07/03/09 Pearson Auditorium - Roswell, NM A+ CD > EAC [WAV] > Mp3tag (Tag & Title) 4 wav  
70. 02/18/12 Secada's - Magic City Casino - Miami, FL A PAUL KANTNER stayed home with back spasms (don't worry - he's OK!) É É so the band broke out some "Fab Four" with guests! 44.1 STEREO RECORDING from YAMAHA DIGITAL CONSOLE > OLYMPUS LS-11 Linear PCM Recorder MASTERED in CUBASE for OFFICIAL JEFFERSON HISTORICAL ARCHIVE Produced & Recorded by Mission Control 2 flac  
71. 03/08/12 Reggies - Chicago, IL 8 44.1 STEREO SOUNDBOARD OFFICIAL ARTIST RECORDING FOR JEFFERSON HISTORICAL ARCHIVE É Produced & Recorded by Mission Control 2 Flac  
72. 03/22/12 Oneonta Theatre - Oneonta, NY a- Source: Sony Stereo Mic > Sony D-3 Cassette Deck > Master Cassette > CD > EAC [WAV] > TLH [FLAC8] Sector Boundaries Aligned 2 flac  
73. 09/04/12 Reading 3 - Tel Aviv, Israel a- Source: Radio Broadcast Lineage: FM > Zoom H1 (16/44) > WAV > PC > Audacity > TLH > FLAC > DIME Rating: Very Good --> Some static noise and radio host commentaries Catalog: ANDY-012 2 flac  
74. 10/11/12 The Ferry - Glasgow, Scotland A Recording: SBD - stereo soundboard feed->Olympus LS11->Edirol R-09 16bit@44.1 kHz Minor edits to in CoolEdit 2000, cut on sector boundaries using CDWav 2 flac  
75. 10/22/12 Le Bataclan - Paris, France A+ Recordings: SBD - stereo soundboard feed->Olympus LS11->Edirol R-09 16bit@44.1 kHz AUD - Audio Technica AT822 stereo mic at soundboard approx. 25' from stage > Edirol R-09 (16 bit@44.1kHz) Minor edits to both in CoolEdit 2000 > Recordings aligned and mixed 75% SBD:25% AUD in Audacity 2.0.2 Exported to stereo wavs, cut on sector boundaries using CDWav 2 flac  
76. 01/20/13 Razz Room - San Francisco, CA A+ Recordings 1. Mono soundboard > Olympus LS11 16bit@44.1 kHz 2. Audio Technica AT822 stereo mic 10' high (audience seated) approx. 19' from stage, stage centre > Edirol R-09 (16 bit@44.1kHz) Minor edits to both in CoolEdit 2000 > Recordings aligned and mixed 60% SBD:40% AUD in Audacity 2.0.2 Exported to stereo wavs, cut on sector boundaries using CDWav 2 flac  
77. 10/10/13 Bucks County Playhouse - New Hope, PA A Source: CMXY4V-X4-FRE2-LE Loc: FOB DFC Recorded by Robert Krall Lineage: Wavelab - CDWAVE - TLH 2 flac  
78. 07/27/18 South Park Amphitheater - Allegheny Cty.,, PA A 24 bit 48 kHz recording by Hybrid196 SP-CMC-2 (AT831 cardioids) > SP-SPSB-10 > Tascam-DR05 > Audacity > TLH > foobar2000 > DIME > YOU 2 flac  
79. 11/09/19 Grand Praire Theater - Grand Praire, TX A Source: CA 14 Cards > Church Audio Ugly Box /Roland R 05 >24bit 48htz > HDD>Goldwave to split the file> Izotope Ozone 8 to master and dither to 16 Bit /44.1> traders little helper flac level 8 Taper: Whotapes Section: 103 Row C 1 flac  
80. 07/30/22 Prairie Fest - Wood Dale, IL A Source: Matrix; SBD > MixPre-10T + Franken Nak 701 > MixPre-10T Lineage: SD> WaveLab 11> .wav @24/48> xAct> flac24 Recorded by sos Mixed and mastered by Alex Ford 2 flac  
81. 03/08/24 Nugget Casino's Grand Ballroom - Sparks, NV 8.5 Source : Audio Technica AT831 Cardioid microphones > Sony PCM M10 (24/48) (recording by Wes Meyette) Editing : CD Wave Editor (tracking) > Sound Forge (volume) > Wav > TLH (sector aligned) Flac 8 Traders Den - March 9, 2024 posted by kingrue upload #3921 1 Flac  

Jerry Douglas  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/03/16 Lobero Theater - Santa Barbra, CA A+ Recorded Third Row, Slightly LOC. Microphone Pads Set At 0db (Flat). Recorded, Audacity, FLAC, & Tags By OldNeumanntapr iZotope RX4 Advanced & Har-Bal 3.0 Remastered Post Production By Flying M 2 flac  
2. 12/12/18 Cascade Theater - Redding, CA A Source: Audience Recording Lineage: XAVEL-322 Boot 2CD-R > WAV > COPY > EAC > FLAC 1 flac  

Jesse Colin Young  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/19/74 Owl Mountain Studios - Inverness, CA A Recording Information ::: KSAN-FM radio broadcast -> off-air FM stereo master tape -> 1st generation Maxell XLII-90 cassette, Dolby B on. Playback 2011-07-11 ::: 1st generation Maxell XLII-90 cassette on Nakamichi BX-300 cassette deck, Dolby B on, azimuth & pitch adjusted, heads cleaned & demagnatized -> Tascam CD-RW900SL professional CD recorder -> CD-RW, no track splits -> computer -> EAC secure mode (logs made) -> wav file(s) -> Audacity (for fades or tragic error repair, volume adjustments, no EQ) -> CD Wave for track splits -> Flac Frontend. First uploaded week of 2012-01-18 1 flac  
2. 05/17/75 Allen Theatre - Cleveland, OH 7.5 (JoeRay Master Series Volume 42) 16/44 Edition Recording: AKG D1000E microphone > Sony cassette recorder Transfer: Master Tape > Nakamichi DR-1 > Sound Device USB Pre2c> Adobe Audition CS6 > iZotope RX / ozone 9 (mastered) > xACT 2.50 > FLAC 1 Flac  
3. 09/23/79 Madison Square Garden - New York, NY B++ FLAC master, 2 August 2020, by elegymart: Analog audience recording (mono) {recorded by Gene Poole}: unknown mics/recorder > 1977-79 Ampex 371 Plus Series (Type I Normal) 90-minute analog audio master cassettes {from the Gene Poole collection} > two 1979-81 US/European TDK SA C-90 analog audio cassettes > Sony TC-WE435 (azimuth adjustment) > Roland R05 (24/96) > Cool Edit Pro 2.0 (audio cleanup, convert to 16/44) > SHNtool (fixed SBEs) > CD Wave (track splits) > TLH (WAV > FLAC8). Created this text file. 1 flac  
4. 09/04/82 Hilton Hotel Ballroom - Portland, OR 8.5 2nd gen analog sbd digital transfer 2021-11 1 Flac  
5. 05/05/12 The Center For Arts In Natick - Natick, Ma A Digital Audience Stereo Master Sound Pro SP-CMC-8 (AT943) Cards > SP-SPSB-8 > Sony PCM-M10 > 16/44.1 WAV > Adobe Audition (edits, levels, normalize) > CD Wave (tracks) > FLAC No noise reduction or EQ Total Time - 113:03 Recorded and Mastered (Dec 2015) by Steve Hopkins 2 flac  

Jethro Tull http://www.j-tull.com
  Date Venue - City, State Sound Rating Notes Media  
1. 01/09/69 Konserthaus - Stockholm, Sweden A- Source: Ex Soundboard Recording Lineage: MQ-021/022 Boot 2CD-R > WAV > FLAC 1 flac  
2. 05/04/71 Fillmore East - New York, NY B++ This recording has Hymn 43 which is quite rare 2 flac  
3. 11/15/71 Boston Garden - Boston, MA A- . It is neat for the rare songs. If you were going to concerts at that time you know that the sound in a basketball arena was terrible. A good sounding show from this time is almost impossible to imagine. So we can only hope for a low gen source: Where are these original tapes? Somewhere out there, in some box, somebody has the master, or knows the person who has it. Anybody......? ------------------------------------------ LINEAGE audience > unknown generations > to me on cassette > digitized with Audacity > Flac via xAct > you A raw transfer. No noise reduction or eq was applied. Tape player (Nakamichi BX-2) azimuth adjustment was done. 2 flac  
4. 01/17/72 Unknown - Munster, Germany A-   2 flac  
5. 01/21/72 Essen Grugahalle - Essen, Germany B++   2 flac  
6. 01/22/72 Stadthalle - Offenbach, Germany a- Lineage: ? > cdr trade 2001 Transfer: EAC > Flac (level 8) > you ! 2 flac  
7. 02/01/72 Palasport - Rome, Italy B++ Lineage: my silver CDs > EAC > WAV > TLH > FLAC (L8) 2 flac  
8. 06/23/72 LA Forum - Los Angeles, CA A Lineage: MR reel to reel -> Akai GX-400D SS deck -> Sound Forge 6.0 ->FLAC via Flac Frontend ->CDr ->snail mail ->WAV->TheTooleMan's mystical processes->FLAC->2 cdrs. The original torrent length was 698mb. The final length is 818mb. due to speed corrections. 2 flac  
9. 07/07/72 Festival Hall - Melbourne, Australia AA   2 flac  
10. 05/17/73 Hampton Roads Coliseum - Hampton, VA A   2 flac  
11. 08/15/76 L.A. Coliseum - Los Angeles, CA A PIED PIPER REMASTERED SERIES (PPRS 19760815) 2 flac  
12. 01/14/77 Pasadena Civic Auditorium - Pasadena, CA AA 1. The right and left channel throughout the entire gig was not in balance, and at times by 2 dbs or more so I went track by track to fix that as best I could. I actually errored on the low side and didn't bump it quite as much as the program noted. 2. I also then tried to balance the overall volume of the entire show, which varied at times between songs and in a couple of the songs. Seems like the levels where adjusted mid gig a couple times, I tried to keep this to a minimum and really only tried to balance the overall volume to make it consistent. Some tracks got no adjustment other than the channel balance. I left a good bit of headroom even with these bumps. 3. There were a couple drops/hard clicks that I removed. 4. I re-tracked the entire show. This is by far, one of the best audience recordings of its time, and yes, its an audience recording. I know some have this noted as a soundboard but its not. There are folks talking, there is that slight boominess - its so good it could ALMOST be a board but its not. For those of you who don't have it, enjoy!!! Spread the love if you like - please just keep info and file set intact. Upped by ninjadave - Sept 2017 2 flac  
13. 02/05/77 Apollo Theatre - Manchester, England a- PRRP054  
14. 04/06/77 Anaheim Convention Center - Anaheim, CA A Mike Millard Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 85 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Master Cassettes > Yamaha KX-W592 Cassette Deck > Sony R-500 DAT > Analog Master DAT Clone > Focusrite Scarlett 6i6 > Sound Forge Audio Studio 13.0 capture > Adobe Audition > iZotope RX8 > iZotope Ozone 8 > Audacity > TLH > FLAC 2 flac  
15. 04/07/77 Anaheim Convention Center - Anaheim, CA A Mike Millard Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 136 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Master Cassettes > Yamaha KX-W592 Cassette Deck > Sony R-500 DAT > Analog Master DAT Clone > Sound Devices USBPre2 > Audacity 3.1 capture > iZotope RX > iZotope RX9 Advanced and Ozone 9 > Audacity > xACT 2.50 > FLAC 2 flac  
16. 05/27/77 Tivoli - Copenhagen, Denmark a- The tape I have of this lists the date as May 22 and the venue in Copenhagen as the "Falkonerteatret" The Ministry-of-Information lists the Copenhagen show as occuring on May 27 at the "Tivoli". There is no known performance on the 22nd, so I'm guessing that the 27 became a 22 (a typo - or write-o) during the cassette trading process many, many years ago. We'll assume that the MOI is correct and that the date and venue on my tape are wrong. There is no set list given for this show at the MOI. Maybe it's a rare recording. Maybe it isn't. I don't know. 2 flac  
17. 10/26/80 Checkerdome - St. Louis, MO A Lets start that it was recorded at the St. Louis Checkerdome where they did play hockey. Its a very good recording. Been there at the Checkerdome and was not expecting such a great recording. you be the judge Lineage: Original bootleg CD ripped with Exact Audio Copy 1 flac  
18. 06/22/91 Molleparken open air - Aalborg, Denmark A Source: Sony ECM-150 -> Sony TCD-D5 Transfer: Master Casette -> B&O Beocord 9000 -> Sony pcm-a1 (96/24) -> audition -> cdwav -> flac Taper: G. [2021-12-15 transfer by Willer [light EQ + levels + normalizing - Downsampled to 44,1/16] 2 flac  
19. 10/13/91 Palatrussardi - Milan, Italy A+ "ITALIAN CATFISH" Notes from the Re-Master This show came to us as a CD version of the original digital mini-discs used to record the event. The equipment used that night was a Sony DAT with external Aiwa microphones. Three discs were used to capture the show so 3 tracks were provided; Two on one disc and one on the other. As a result, tracking each song separately needed to be done. Fortunately, changes in recorder disc were made during audience applause so the complete show exists here. The quality is outstanding. Modern equipment and a quiet section of the audience led to good acoustics and very good clarity of the music. Music signal was present all the way up to 16,000 Hz. The left channel was about 15% lower than the right and lacked sufficient bass. Boosting the bass and amplifying corrected this problem. Hiss was light to moderate so it was reduced throughout. Audience applause was quite loud in some segments and was therefore reduced as well. One 90 second section during disc 2 had very harsh crackle. This was smoothed multiple times to minimize it without causing any damage to the music itself. Shortly after the beginning of the show, the band has some technical problems which last over three and a half minutes. We decided to keep this segment to maintain completeness of the show but tracked it separately so it can easily be skipped by the listener. At the end of the show there is a 90 second applause and band introduction section that is also tracked separately for similar reasons. 2 flac  
20. 11/12/91 War Memorial - Syracuse, NY A Beyer M-201's >Marantz PMD-430 Cass Master >Cass 3 >WAV >FLAC Maxell XLII Cass 3 Transferred: Sony TC-D5M >Tascam DR-100mkII (16bit/44.1kHz) WAV >Audacity (Track Splits, Level Balancing, Minor Edits [Tape Flips, Mic Bumps]) >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr 3rd Gen Cassette From The Collection Of OldNeumanntapr Recorded By: Unknown Transferred, FLAC'd And Tagged By OldNeumanntapr 2 flac  
21. 10/04/99 Cal Poly Univ. Performing Arts Center - San Luis Obispo, CA A 7th Row Center: Neumann AK-40's (x/y) >LC3 >KM-100's >Beyer MV-100 >Sony TCD-D7 DAT Master transferred: Tascam DA-P1 >S/PDIF coax >HHb CDR 800 PRO CD Master Extracted With xACT 2.24 >WAV >FLAC (Level 8), FLAC Tags Via xACT 2.53 Recorded, Transferred, FLAC, Tags, & Front-Cover Artwork By OldNeumanntapr 2 flac  
22. 06/24/01 Phillipshalle - Dusseldorf, Germany A LINEAGE: Unknown recording equipment (most likely Sony Mini-Disc-Recorder)- CD-R (received in trade)> CD-R to WAV and to harddisc via EAC >WAV to FLAC conversion with Traders Little Helper (sector boundaries aligned)- ffp with Traders Little Helper-Torrent file with Maketorrent; equalized with Har-Bal; cleaned and tweaked with Adobe Audition 3.0 and iZotope RX-5. 2 flac  
23. 05/03/05 Enmore Theatre - Sydney, Australia AA Lineage: AIWA AM-F70 MD > hypercardioids > BBE Sonic Maximizer > FLAC Quality: 9 (9.5) 2 flac  
24. 07/09/05 27th Annual Estival Jazz, Piazza Della Riforma - Lugano, Switzerland A Lineage: ? > DAT > FLAC 2 flac  
25. 07/09/05 27th Annual Estival Jazz, Piazza Della Riforma - Lugano, Switzerland A Soundboard > DAT > WAV > FLAC (level 8, align on sector boundaries) A Swissbird, SimplexSimplicissimus & superMAX release : 2 flac  
26. 09/24/21 Shepherd's Bush Empire - London, England A Sonic Studios DSM-6>PA6-XP>Tascam DR100 MkIII> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording 2 flac  
27. 09/29/21 Victoria Hall - Hanley, UK A Source : Master audience recording Lineage : Tascam DR-05 (Internal mics 24/48) > Audacity (fade in/out,edits, track splits, Amplify +8dB) > WAV (16/44.1) > TLH(FLAC level 8) ** PLEASE READ BEFORE DOWNLOADING ** Due to an unforeseen wardrobe malfunction (a broken strap on the bag which I normally wear around my neck to hold the recorder), I had to improvise and ended up recording the whole gig with the recorder on my knee, pointing up towards the PA, hidden under a plastic bag "acquired" from the merch stand. In retrospect, using a plastic bag wasn't the greatest choice - there are occasional rustling and popping noises when I moved my hand slightly, most notably at the start of each set as I'm getting myself sorted. On the whole though, if you can ignore the occasional pesky "sound effects" (mostly no worse than pops on a vinyl album, really), this came out better than I expected and sounds pretty good, even if I do say so myself. 2 flac  
28. 08/19/22 Mount Ephraim Gardens - Faversham, Kent, England A Sonic Studios DSM-6>PA6-XP>Tascam DR100 MkIII> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording 2 flac  
29. 04/30/24 Royal Concert Hall - Glasgow, Ireland A linage ZOOMH2 vol 77/100 cdwav tlh 8 2 flac  
30. 04/19/26 Perth Concert Hall - Perth, Scotland 9 Linage ZOOMH2 Volume setting 80/100 cdwav>tlh>flac8 2 Flac  
31. 04/20/26 Royal Concert Hall - Glasgow, Scotland 9 Linage ZOOMH2 Volume setting 80/100 cdwav>tlh>flac8 2 Flac  

Jim Croce  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/01/72 Mill Run Theater - Chicago, IL A- From The Howard Silver Archive Transferred and Presented By Krw_co LINEAGE AUDIENCE ANALOG MASTER>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X FI HD MODEL #SB1240 WAV (24/96KHZ)>AUDACITY FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 16/44.1>TLH FLAC (LEVEL 8) 1 flac  

Jim Messina  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/28/19 Troy Savings Bank Music Hall - Troy, NY AA Lineage: SP-CMC-8 mics > SP-SBSP-1 battery box > Edirol R05 (24/48) > Adobe Audition CC2017 (level boost) > Sound Forge Pro 11 for tracking > flac level 8 via TLH 2 flac  
2. 04/16/23 Levoy Theater - Millville, NJ A source : schoeps mk41 > actives > babynbox > r-07 > 24/44.1 adobe audition > ozone 8 > xact 2.52 > flac 16/44.1 taper : "The Dude" uploaded by : edtyre 1 flac  
3. 07/19/24 Sellersville Theater - Sellersville, PA A+ source : schoeps mk41v > nbob actives > babynbox > a-10 > 24/44.1 wav adobe audition > ozone 8 > xact 2.55 > flac 16/44.1 taper : edtyre 2 flac  
4. 06/13/25 The Bend Theater - West Bend, WI 8.5 CA-14 (Cardioid) > CA-9100 > Sony M10 (line-in 24/44) > USB > Cool Edit Pro (slight EQ, fades, gain boost) > iZotope RX Advanced (dither) > CDWAV > FLAC 2 Flac  
5. 11/16/25 Cohoes Music Hall - Cohoes, NY 9 Lineage: SP-CMC-8 mics > SP-SPSB-1-PC @ 16Hz > Edirol R05 (24/48) (mic in) > Adobe Audition CC2025 (level boost) > CD Wave Editor (track) > flac8 2 Flac  

Jimi Hendrix http://www.jimihendrix.com/us/home
  Date Venue - City, State Sound Rating Notes Media  
1. 02/04/68 Fillmore Auditorium - San Francisco, CA A Jimi Hendrix Experience Feb 2, 1968 Fillmore Auditorium San Francisco, CA Trade FLACs >WAV >Audacity (Combine Tracks To A One-Track File, Amplify Low-Level Tracks To Match 'Catfish Blues', Which Had Strong Levels, Remove And Repair Minor Gaps Between Tracks, Remove And Repair Tape Flip Pause In 'Dear Mr. Fantasy', Remove And Repair Several Small Static Blips, Re-Track Along Similar Index Points) >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr 1 flac  
2. 10/11/68 Winterland Arena (Early and Late Show) - San Francisco, CA A FLAC Tags Via xACT 2.50 By OldNeumanntapr (MY COPY IS MISSING 10/10/68 BUT I HAVE AN ALTERNATE SOURCE) ******************************************************************* Stereo Soundboard Digitally Restored (except October 11, tracks 5-7, 1st gen audience recording). Lineage: 1st Generation Stereo Soundboard Recording (RAW unedited version) Silver CD > EAC > FLAC FrontEnd (L-8) rburly 11-06-2004 Artwork included 2 flac  
3. 10/12/68 Winterland Arena (Early and Late Show) - San Francisco, CA A Stereo Soundboard Digitally Restored (except October 11, tracks 5-7, 1st gen audience recording). Lineage: 1st Generation Stereo Soundboard Recording (RAW unedited version) Silver CD > EAC > FLAC FrontEnd (L-8) rburly 11-06-2004 Artwork included This is an upgrade of ATM 011-016 "Three Nights of Winter", which was used for the "official" release "3 Nights At Winterland". The sound of this compared to the 2nd Gen used for ATM 011-016 is somewhat different. This version has more bass and it's also "dryer" in sound (less reverb) than the 2nd Gen version. An earlier flawed version of this Set is also in circulation. That Set, sometimes also known as "Winterland Raw Source" and "A Raw Winter", suffers from index clicks, DAT clicks and buzzes all throughout, and was "leaked" to the general public by a mistake. The Clean version (this) has 9 tracks on Disc 4 (11.10.68/2nd Show), while the flawed version only has 8 (same amount of music, just one less index mark). The more than six hours of live music assembled here gives Hendrix fans the first opportunity to compare The Experience’s live performances. 2-performances per night for 3-days recorded during the band’s temporary residence at San Francisco’s Winter- land arena. Given that these recordings have been assembled from a variety of different sources, the sound quality, with exception of the last 3 tracks on Disc 3, which, as the soundboard tape had mysteriously stopped running, have been taken from a less-than perfect audience recording is excellent, and as usual, Jimi’s virtuoso delivery is as varied and unpredictable as ever, as are the technical problems which were invariably the sub-text of the majority of Hendrix concerts. Extraordinary Archives Traded Material series of the highest quality Hendrix recordings available in traders' circuits. All recordings in the ATM series are taken from the lowest generation masters available, and they have all been digitally restored unless otherwise indicated. All relevant informations on ATM series and Hendrix bootlegs, including detailed tracklists, on Hans-Peter Johnsen's In From The Storm site: http://home.online.no/~hpjohnse/hendrix.html 2 flac  
4. 11/01/93 51st Anniversary (The Story Of Life....) - Various, Various A LINEAGE: MY SILVERS CD-EAC-FLAC LEVELL 8 8 flac  

Jimmy Barnes  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/10/94 Alter Wartesaal - Köln, Germany A LINEAGE: TV>?>CD(x)>EAC>FLAC "Rockpalast" Broadcast 2 flac  
2. 06/13/25 The Palais - Melbourne, Australia 8.5 STEREO SBD 10/10 Lineage: AIFF 32bit float> Sound Forge 44.1k 24 Bit WAV >Little Helper FLAC 2 Flac  
3. 06/14/25 The Palais - Melbourne, Australia 8.5 STEREO SBD 10/10 Lineage: AIFF 32bit float> Sound Forge 44.1k 24 Bit WAV >Little Helper FLAC 2 Flac  

Jimmy Buffett http://www.margaritaville.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 01/02/74 The Main Point - Philadelphia, PA 8 CDR>EAC>Trader's Little Helper (FLAC) One of the hardest shows I have ever sought and very happy to have it. Does 3 songs of of the album A1A. Didn't get the exposure due to it 1 Flac  
2. 02/19/74 The Record Plant - Sausalito, CA A- cdr rip 1 Flac  
3. 10/18/74 The Record Plant - Sausalito, CA A PFMReel>?>DAT>optical>MacPro 1 flac  
4. 10/24/74 The Record Plant - Sausolito, CA A+ KSAN-FM Broadcast A Goody Speed/Pitch-adjusted Remaster Lineage: ?? > CDR (in a trade) > EAC (secure/offset) > WAV > FLAC > Goody's additional lineage: foobar2000 (WAV) > Audition (Pitch Bender, various amounts; Align and center channels; noises repaired; tracking updated) > Capstan > TLH (FLAC Level 8; Align sector boundaries; .ffp) > foobar2000 (tags) Additional cleanup on Aisle 10 by Flying -M- (Thanks!) Excellent, fun set. No anomalies anymore, now in even more pristine sound! 1 flac  
5. 09/10/75 The Boarding House - San Francisco, CA AA Source: SBD(FM)> ? > CD > SHN > Wavelab Remaster by JimmyPhan 2 flac  
6. 06/04/77 Paramount Theatre - Portland, OR a- Source: SBD > ? > CDR > EAC > SHN > Wavelab Remaster by JimmyPhan 2 flac  
7. 03/09/78 Orpheum Theatre - Boston, MA A Audience Stereo Master FOB (Probably Sony ECM-99A > Sony TC-153SD) Master Cassette > CDR > EAC secure > Audacity (edits) > CD Wave (tracks) > FLAC Nakamichi MR-1 > Tascam CD-RW900 Azimuth Aligned; Dolby B decoded, no processing or EQ Total Time - 123:01 Thanks to FF for the cassettes Transfer and encoding by Steve Hopkins "Cheeseburger in Paradise" Tour 2 flac  
8. 06/03/78 Universal Amphitheatre - Los Angeles, CA A Source: Soundboard > MC > DAT > CDR* > EAC > SHN > WAV > SHN HP HDD > TLH 2 flac  
9. 03/14/80 Palladium - New York, NY 9 Source: SBD > WNEW FM 102.7 > ? > CDR > EAC > SHN > 02-27-2009 mkw WAV > THL FLAC (Level 8 2 Flac  
10. 07/04/80 Williams Arena - Minneapolis, MN A lineage: live broadcast on FM radio (KQRS Minneapolis was the host station) > Sansui 8 reciever with wire antenna > unknown average quality cassette deck (dolby off) > TDK-SA 90 min. master cassettes > played on tascam 112 into soundforge (wav) > flac (sb's aligned) > torrentially yours. A this and that, master national cheeseburger broadcast production. Do not sell this recording. Share freely, and losslessly. 2 flac  
11. 03/14/81 The Paladium - New York, NY a- low generation 1 flac  
12. 03/12/83 Circle Star Theater - San Carlos, CA 8.5 SonyD6MasterTape>WAV,Stereo,44.100kHz,16bit>flac Using Creative Sound Card Audio Recorder Taped and upped by Greeney55 "Not Circulated" 2 Flac  
13. 09/04/99 Tweeter Center for the Performing Arts - Mansfield, MA A Soundboard > ??? > CD > EAC >FLAC 2 flac  
14. 11/20/99 Sag Harbour - Sag Harbour, NY A cdr rip 2 flac  
15. 06/13/05 Molson Center - Toronto, ON A Sony Minidisc > core sound cardiod mics > soundblaster live > pc Cdwave to split soundforge 7 to master convert with Flacfrontend to FLAC. Taped by:Burnboy Transferred by:Burnboy Mastered by:BurnBoy Artwork by:BurnBoy 2 flac  
16. 04/29/10 Verizon Wireless Center - St. Louis, MO A GENERATION ----------------- Online radio > WAV (16/44.1) > CD Wav Editor > Flac Frontend > FLAC [Level 8] SOURCE (SBD) ----------------- Soundboard broadcasted on the Radio NOTES ----------------------- The 10 minute Intermission Between tracks 15 and 16 was cut. There was also a weird cut inbetween the end of the band intro and Fins I don't know what that's about. 2 flac  
17. 07/16/11 Molson Ampitheater - Toronto, ON a- Core Sound Cardiods > Iriver H120 (Rockboxed) Recorded and edited by BurnBoy 2 flac  
18. 07/17/14 Bethel Woods Center For The Performing Arts - Bethel, NY A Schoeps MK41V's>KCY 250/05I>VST62iu>Sound Devices MP-2>Sony PCM-M10 (@24BIT/96KHZ) PCM-M10>Sound Forge Pro 10 (Fades, iZotope 64 Bit Sample Rate Conversion,Bit Sample Rate Conversion/iZotope MBIT+ Bit depth conversion to 16 Bit/44.1khz)>CDWAV(Tracking)>Trader's Little Helper (FLAC) 2 flac  
19. 04/16/15 Amway Center - Orlando, FL a- Lineage: Church Audio CA-14 Omni Mics (red band) > Church Audio 9200 Preamp (gain +15, 100%; Hi-Pass Filter off) > Tascam DR-08 , PCM24/96/ST, Low Cut 40Hz, no EQ > 24-bit/96KHz WAV files > USB > PC > Cool Edit 2000 (fades beginning and end) > Trader's Little Helper 2.7.0 > FLAC (level 6) files > Released to the Yeeshkul! community on April 17 2015. Additional lineage for CD mastering: TLH (wav) > Adobe Audition 3.0 and iZotope RX4A (prep) > AudioGate Aqua (16-44) > TLH Songs tagged with Stamp ID3 tag editor 2 flac  
20. 03/11/23 MGM Grand Garden Arena - Las Vegas, NV A+ This is the CD compatible 16/44 version. Source: "Audience recording > AT853 > SONY A10 > usb > WAV > Soundforge > FLAC. Master WAV sent to me via anonymous source." 2 flac  

Jimmy D. Lane  
  Date Venue - City, State Sound Rating Notes Media  
1. 01/11/03 Famous Dave's - Minneapolis, MN A Lineage: Source: Allen&Heath GL3300 + FOH mic's > Mackie VLZ-1202 (main outs) > ua5@24/48k > r505j > wavelab Transfer: wavelab4 SRC->44.1 & L1 Ultramaximizer+ > cdwav > shn > flac Taper: Recorded and transferred by homey_roadtrip@yahoo.com 3 flac  

Jimmy LaFave  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/17/94 Cactus Cafe - Austin, TX A Source: cassette master > low gen copy > DAT > ? clone > my clone (DAT: 16bit/44.1khz) Transferred by stevemtl: DAT > Sony PCM-R500 > Roland R44 > SD chip > my fingers > slot on computer > HD Mastered by stevemtl: HD > Sound Forge (L2 dither > 24/44.1: L2 overall level adjust, edit, final fade); L2 dither > 16/44.1) > CDwave (track cut) > TLH (flac level 6, ffp, md5) > TLH (torrent marker) Circulated by stevemtl: Torrent marker uploaded to DIME on 2021-01-26. Jimmy Lafave, RIP. Honour his memory purchasing official releases and other merchandise. Please pass on in a lossless format only; reserve mp3 and other degrades for your own use exclusively. Do not profit in any material way from this recording. 2 flac  

Jimmy Page  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/07/88 The Forum - Inglewood, CA a- Mike Millard First Generation Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 47 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard First Generation Cassettes > Nakamichi RX-505 (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX7 > iZotope Ozone 8 > Audacity > Peak Pro 6 > xACT 2.39 > FLAC 2 flac  

Joan Baez  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/04/17 Castle Theater - Kahului, HI 9   1 Flac  

Joan Jett & the Blackhearts  
  Date Venue - City, State Sound Rating Notes Media  
1. 01/11/00 GM Place - Vancouver, BC A- Source: Marcsounds Binaural Mics > Marcsounds battery box > Aiwa HD-S200 DAT Transfer: DAT master > Tascam DA-30 > Edirol R-44 > .WAV @ 16 bit/48 kHz Mastering: .WAV > iZotope RX7 Advanced v7.01.315 (De-click) > Sound Forge Pro 14.0 Build 130 [minor edits, normalize, & fades, Boz Digital Labs T-Bone plug-in (slant EQ)] > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.35 (tagging) Location: Section 312, Row 6, Seat 1 Recorded & transferred by: Chris Bold Mastered by: Dennis Orr 2 flac  

Joe Bonamassa  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/21/01 Piere's Entertainment Center - Fort Wayne, IN A+ CD > EAC'd > Adobe Audition > Ozone > Traders Little Helper Fixed Some Track Markers. Fixed Some Glitches Flac'd And Tagged . Some Cuts Inbetween Tracks While Joe Is Talking No Music Missing. 1 flac  
2. 07/28/07 Piazza Blues - Bellinzona, Switzerland A Soundboard > DAT > 1st copy > eac > wave > flac frontend (align on sector boundaries Level 8) > 1 flac  
3. 08/14/09 WXPN Live At The World Cafe - Philadelphia, PA A+ Computer > Creative Extigy Soundcard > Cool Edit > Master Files > Adobe Audition > Ozone > Traders Little Helper 1 flac  
4. 11/12/10 Palace Theatre - Stamford, CT A+ Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Neumann Km 184 Mics > Lunatec V2 > Korg Mr-1000 @ 1 Bit Dsd Korg Mr-1000 > Audio Gate > Cool Edit > Master Files > Adobe Audition > Ozone > Traders Little Helper Cleaned This Up By Rasing The Gain In The Highs And Mids Tightened Up The Bass Cleaned Up Some Clapping And Other Glitches .Flac'd And Tagged . 1 flac  
5. 11/14/12 Edward W. Powers Auditorium - Youngstown, OH a- Zoom H2 Compact Flash Mobile Recorder (built in microphone) WAV > USB Dell Computer > Cool Edit (for tracking) > FLAC > YOU My Sony ECM-DS70P appears to have died, so I used the built in mics on the Zoom and was pleasantly surprised. The sound in the theater was a little bassy and very low on high end. I eq'd a little high end into the mix and it sounds very nice. The seat next to me was empty, so I stuck my coat on the chair and the zoom on top of the coat. Crowd was nice and quiet during the music. Recorded in the 7th row about 15 feet house left of center. Powers Auditorium is an old majestic theater that appears to have been restored fairly recently and is the home to the Youngstown Symphony. 2 flac  
6. 04/17/14 Orpheum Theatre - Sioux City, IA 8 Source: Iphone > Tascam IM2 microphone > FiRe2 > Audacity > Exact Audio Copy > Trader's Little Helper Recorded and transferred by Toddjun 2 Flac  
7. 11/20/14 Palace Theatre - Columbus, OH A cdr>flac>you 2 flac  
8. 07/14/16 Piazza sul - Brenta, Italy A+ Lineage: Trade CD-Rs > XLD (secure ripper) > FLAC 2 flac  
9. 04/20/17 Royal Albert Hall - London, England AA Source: Zoom H5 > Audacity > Trader's Little Helper Recorded and transferred by Toddjun 0  
10. 04/20/17 Royal Albert Hall - London, England A Source: Zoom H5 > Audacity > Trader's Little Helper Recorded and transferred by Toddjun 2 flac  
11. 03/16/18 Genting Arena - Birmingham, UK A Olympus LS-14 Linear PCM Recorder with external microphones Olympus LS-14 > Audacity 2.2.2 – file splitting > Traders Little Helper conversion to FLAC level 8 > DaD 2 flac  
12. 11/30/18 Queen Elizabeth Theater - Vancouver, BC A Source: Zoom H5 > Audacity > Trader's Little Helper Recorded and transferred by Toddjun 2 flac  
13. 05/03/22 Mitsubishi Electric Halle - Dusseldorf, Germany A Lineage: SP-CMC-25 with SP-EMC-1 Croakie Mount Option > SP-PREAMP - Sound Professionals - Low Noise Gain-Selectable Portable Stereo Preamp (0db gain) > Edirol R-09HR (16 bit, 44.1 kHz) > WAV to FLAC conversion with Foobar2000 - md5 checksum with Traders Little Helper - Torrent file with µTorrent MD5 Checksum included Audience Recording on SDHC Card NOTES: Special thanks to metamarc for remastering my original file: equalized with Har-Bal; tweaked with Adobe Audition 3.0; cleaned and enhanced with iZotope RX3 If you find this recording enjoyable please buy the artist's stuff. 2 flac  
14. 11/26/22 GSR Grand Theater - Reno, NV A Lineage: Audio Technica AT831 Cardioid microphones > Sony PCM M10 24/96 recording by Wes Meyette and tracking using CD Wave Editor 2 flac  
15. 05/28/23 Chateau Ste. Michelle Winery Amphitheatre - Woodinville, WA A+ Source: SP-CMC-8 (hyper-cardioids) > SP-SPSB-7 battery box > Roland R-05 @ 24 bit/48 kHz Mastering: .WAV > iZotope RX11 Advanced v11.0.1.3871 (De-click) > Sound Forge Pro 14.0 Build 140 [minor edits, normalize, & fades, Boz Digital Labs T-Bone2 plug-in (tilt EQ)] > CDWav (tracking) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.1.17 (tagging) Recorded by: Chris Bold Mastered by: Dennis Orr 1 flac  
16. 07/16/23 Arena Santa Giuliana - Perugia, Italy A+ Umbria Jazz Festival 2023 Taper: Andrea82 Source: Audio Technica AT943 cardioid mics > SP-SPSB-10 battery box > Tascam DR-2d [24/48] Editing: tracking, fade in/out > Izotope RX + Ozone mastering > Ozone resampling-dithering > WAV [16/44.1] > xACT > FLAC 2 flac  
17. 07/18/23 Théâtre Jean-Deschamps Ville - Carcassonne, France A Lineage: SP-CMC-8 > Roland R-05 WAV44.1kHz/16bit > Audacity (fade in/out) > CD Wave (Track-Splitting) > Flac Level 8 (44.1kHz/16bit) > Foobar2000 (tagging) Taper : PH Master n°620 Location : Côté droit, 10m de la scène environ 2 flac  
18. 05/05/24 Gentilly Stage - New Orleans, LA A Recorded by Daspyknows Back of pit, dead center Schoeps MK41 NBox Platinum Zoom F-3 32Bit 48K Processed using Soundforge 13, resample, to 16bit 44.1K TLH to convert to Flac Master 2024.044 1 wav  

Joe Louis Walker  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/13/12 Brian's Backyard BBQ & Blues - Middletown, NY A Recorded & transferred by Bob Pitlak Source: Zoom-H4>sdhc>wav>pc>cd wav>traders little helper>flac 16 Bit 2 flac  

Joe Walsh http://www.joewalsh.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 07/14/81 Compton Terrace - Phoenix, AZ a- Trade>wav>flac8 1 flac  
2. 07/18/81 The Forum - Inglewood, CA A Mike Millard First-Generation Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 132 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard First-Generation Cassettes > Nakamichi RX-505 azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 2.1 capture > iZotope RX > iZotope RX8 Advanced and Ozone 8 > MBIT+ resample to 16/44.1 > Audacity > TLH > FLAC 1 flac  
3. 08/29/85 Saratoga Springs Performing Arts Center - Saratoga Springs, NY A-   1 wav  
4. 07/31/07 Mountain Winery - Saratoga, CA 9 Neumann KM140s > Sound Devices MP2 > Sony SBM1 > Sony D7 master > hhb CDR830 > EAC/wavlab > FLAC 2 Flac  
5. 03/27/13 Rogers Arena - Vancouver, BC A Source: SP-CMC-8 cardioids > SP battery box > Edirol R-09 @ 24 bit/48 kHz Mastering: .WAV > iZotope RX7 Advanced v7.01.315 (De-click) > Sound Forge Pro 14.0 Build 130 [minor edits, normalize, & fades, Boz Digital Labs T-Bone plug-in (slant EQ)] > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.35 (tagging) Recorded by: Chris Bold Mastered by: Dennis Orr 1 flac  
6. 05/20/16 The Forum - Inglewood, CA 8 Recorded & Transfered By: Robert Mullen (lvrwm) Equipment/Lineage: Audience/SP-CMC-25 mics (Croakies)>SP-SPSB-11(Battery Boost Box, with bass-roll-off at 69Hz)>Sony PCM-M10>CD Wave Editor(tracking)> Traders Little Helper flac level 8. Recorder Settings: PCM-M10 at 44.1 kHz/16 bit, low mic sensitivity, manual record, limiter on, mic power off, low cut filter off, speed control off. 2 Flac  

John Cafferty & Beaver Brown Band  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/12/84 Bottom Line - New York, NY AA The Ken G. Collection [Vol 165] WNEW 102.7 FM Broadcast > Cassette Master [Broadcast date: Oct 31, 1984] Transfer Lineage: Maxell > Sony Deck TC-WE 475 > JVC XL-R2010 CD-RW (standalone) > Soundforge 9.0 > Wav >TLH [sector boundary aligned] Flac Level 8 Trader's Den 10/8/14 Transferred, Balanced and Tracked by George [Upload 308] 2 flac  
2. 11/07/84 Metro Club - New Brunswick, NJ A Source : Sony ECM-929LT mics > Sony WM-D6 (Maxell MX Metal) (recorded by "Tape Man Joe" Vol. 105 ) Transfer : Tascam 202 mk VII cassette deck > TDK-DA3826 standalone cd burner Editing : CD Wave Editor (tracking) > Sound Forge (volume) > Wave > TLH (sbe aligned) Flac level 8 Traders Den - July 31, 2020 transfer & tracking by george14k posted by kingrue upload #2630 2 flac  
3. 02/06/87 The Tralfamadore Cafe - Buffalo, NY B++ Lineage: Unknown lineage traded cassette tape > Aiwa Tape Deck > Tascam DA-20 Mk 2 DAT machine > Tascam CD-RW700 CDr recorder...no EQ CDr > EAC > Audacity (processing/ tracking) > Traders Little Helper > Flac8 sector aligned 1 flac  
4. 11/15/25 Family Arena - St. Charles, MO 9 CA14 Cardiods > SPSB-10 > Sony PCM-A10 Portable Recorder (24/48) Sound Forge 9.0 > CDWav > TLH > .flac files 1 Flac  

John Cipollina http://www.johncipollina.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 04/02/88 Chi Chi Club - San Francisco, CA A+ Source: Soundboard > D5 > Master Cassette Taper: Roger Miller Digitized by: Roger Miller Lineage: Master Cassette > D5 > Creative SB (PCM/16/44.1) > Roxio 7.5 > WAV > Edits > FLAC Front End (Verify; Sector Align; Level 6) > FLAC16 2 flac  
2. 04/23/88 Fabulous 50's - Hayward, CA A Source: Master Cassette, Audience Equipment: Sony D5, Sony ECM23F Mics, 10' Mic Stand Taper: Roger Miller Digitized by: Roger Miller 2 flac  

John Cipollina Memorial  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/26/89 Fillmore - San Francisco, CA A SB MASTER > 5TH GEN CASSETTE > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > TRADERS LITTLE HELPER > FLAC 3 flac  

John Cougar Mellencamp  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/18/79 Paradise - Boston, MA A GEAR USED: trade CDR > EAC > TLH > .flac files 1 flac  
2. 08/23/82 Popular Creek - Hoffman Estates, IL 8.5 1st generation cassette (nack) > behringer ultra curve pro deq 2496 audio equalizer > amplifiers > tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac. Transfered, remastered & uploaded by 38f on Dime 2006. 1 Flac  
3. 04/03/84 Orpheum Theater - Boston, MA a- Sony D6 w/Nakamichi mics. Recorded from the front row of the Mezzanine. LINEAGE AUDIENCE ANALOG MASTER>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 24/96>TRADERS LITTLE HELPER FLAC (LEVEL 8) 2 flac  
4. 04/03/84 Orpheum Theater - Boston, MA A+ A Hezekiahx2 Analog Master Transferred and Presented By Krw_co Sony D6 w/Nakamichi mics. Recorded from the front row of the Mezzanine. LINEAGE AUDIENCE ANALOG MASTER>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8) 2 flac  
5. 04/10/84 Indiana University Auditorium - Bloomington, IN A FM/SBD Recording For some correction, restoring and sound improvement: some Wavelab tools. CDR Trade > EAC (WAVs) > TLH (FLACs) 2 flac  
6. 04/10/84 Indiana University Auditorium - Bloomington, IN A Westwood One Superstars In Concert PAN84-3 For airing the Weekend of 11/10/84 Lineage: Pre-FM vinyls > ? > HDD > WAV > Audacity > TLH > FLAC (L8) 2 flac  
7. 04/18/84 Universal Ampitheater - Los Angeles, CA A Source: Nakamichi CM300 (CP1) > Sony TCD-5M Transfer from master cassette Taper: markp 2 flac  
8. 12/01/85 The Spectrum - Philadelphia, PA A Source: Nakamichi CM-100 mics with CP-1 cardioid capsules > Sony WM-D6 (TDK-MA Metal) (recorded by "Tape Man Joe" vol. 30) Transfer: Kenwood KX-4070 cassette deck > TDK-DA3826 standalone cd burner (44.1 kHz) (transfer by george14k) Editing: Soundforge (tracking) > Wav > TLH (Eac tested) > TLH (sector boundary aligned) Flac level 8 Traders Den 12/3/17 - Tracked by kingrue upload 1330 2 flac  
9. 04/04/86 Sports Arena - San Diego, CA 9 ource : Sony ECM-939LT mic > Sony WM-D6C (Maxell XLII) Marco Moir Master Series Vol.87 Transfer : Nak BX-300 > Sony PCM M10 (24/48) > CD Wave Editor > Transferred & tracked by Wes Meyette Editing : Sound Forge (volume) > Wave > dBpoweramp Flac 8 by kingrue Uploaded By; "Lucifer Burns" 2 Flac  
10. 01/20/88 Congresgebouw - Den Haag, Netherlands a- Source: 1st gen analog tape (unknown recording equipment) Lineage:1st gen analog tape -> Harman Kardon TD420 -> Tascam CD-RW 900 MK II -> editing in Audio logic -> xact -> Flac 2 flac  

John Fogerty  
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/76 HooDoo - Unreleased, Album A+ Silver "The Lost Album"> EAC > WAV > FLAC 1 flac  
2. 09/09/86 Orange County Fairgrounds - Middletown, NY A Sony D3 Cassette Master (unknown mics) The Ken G. Masters Series #4 Transferred by kingrue Transfer Lineage: Maxell XL-II 90 (2) > Sony Deck TC-WE 475 > JVC XL-R2010 CD-RW > Soundforge 9.0 > HD > TLH level 8 Flac > Dime 6/14/13 2 flac  
3. 07/04/87 Capital Centre - Landover, MD A SOURCE: Silver CD (On The Road GZCD 1103) > EAC > FLAC Level 8 Align on Sector Boundaries 1 flac  
4. 06/03/97 Hammerstein Ballroom - New York, NY A SB DAT MASTER > CD > SOUNDFORGE EXTRACTION > CD WAVE EDITOR > FLAC 2 flac  
5. 09/11/98 Globe Arena - Stockholm, Sweden A+ Crystal Cat Records 469-470 2 flac  
6. 11/21/98 Entertainment Centre - Adelaide, Australia a- Analogue MASTER > CDR1 > Adobe Audition > dBpoweramp > FLAC 2 flac  
7. 06/29/06 Hammersmith Apollo - London, England A+ Recorded by Soledriver Lineage Sonic Studios DSM mics > Sony D8 DAT machine... Tascam DA-20 Mk 2 DAT machine > HHb burnit CDr recorder...no EQ CDr > EAC > Traders Little Helper > Flac8 sector aligned 2 flac  
8. 05/28/13 El Rey - Los Angeles, CA A+ 2 Source Mix: (60% AUD, 40% TV broadcast) Source 1: Audio ripped from TV Broadcast: Source: AXS HD TV channel > TiVo MPEG2 1080i > iTivo (strip DRM) > MPEG2 > TMPGEnc V4 > VIDEO_TS Video: 4700 kbs 29.97 fps Audio: AC3 0xbd[0x80]:48000Hz 384 kb/s tot , 6 chnls (3/2 .1) Source 2: Source: CA-14(cards) > CA-Ugly > Sony PCM-M10 @24/44.1 Transfer: M10 > usb > MacBook Pro > Adobe Audition > WavePad > xACT > FLAC Taper: BLG 2 flac  
9. 05/25/23 AO Arena - Manchester, England A This is part of Zander's comment on that other tracker: "Recorded from the Left Hand side of the arena, 10 yards away from the stage. Zoom H1 Recorder - Audacity - WAV. The quality is so good on this recording it could be a soundboard, one of the best I've ever done!" And he is right: it really sounds almost like a soundboard! 2 flac  
10. 08/19/23 Filene Center At Wolf Trap - Vienna, VA A Taper: Ultramega Location: Just right of soundboard, @50m back in line with stage right stacks Source: CA11 Cardioids->Church Audio Battery Box->Tascam DR-07x 24bit/48k WAV->Audacity (split tracks, adjustments, fades, FLAC)->TLH 2 flac  

John Hall  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/19/79 Madison Square Garden - New York, NY B++ FLAC master, 25 June 2020, by elegymart: Analog audience recording (mono) {recorded by Gene Poole}: unknown mics/recorder > 1977-79 Ampex 371 Plus Series (Type I Normal) 90-minute analog audio master cassettes {from the Gene Poole collection} > 1977-79 Ampex 371 Plus Series (Type I Normal) 90-minute analog audio cassettes > re-shelled to 1985-86 Maxell UR 90 (Type I Normal) and 1985 US TDK D 90 (Type I Normal) analog audio cassettes > Sony TC-WE435 (azimuth adjustment) > Roland R05 (24/96) > Cool Edit Pro 2.0 (audio cleanup, convert to 16/44) > SHNtool (fixed SBEs) > CD Wave (track splits) > TLH (WAV > FLAC8). Created this text file. 1 flac  
2. 09/20/79 Madison Square Garden - New York, NY B++ FLAC master, 2 August 2020, by elegymart: Analog audience recording (mono) {recorded by Gene Poole}: unknown mics/recorder > 1977-79 Ampex 371 Plus Series (Type I Normal) 90-minute analog audio master cassettes {from the Gene Poole collection} > two 1979-81 US/European TDK SA C-90 analog audio cassettes > Sony TC-WE435 (azimuth adjustment) > Roland R05 (24/96) > Cool Edit Pro 2.0 (audio cleanup, convert to 16/44) > SHNtool (fixed SBEs) > CD Wave (track splits) > TLH (WAV > FLAC8). Created this text file. 1 flac  

John Hiatt  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/26/19 Fremont Theater - San Luis Obispo, CA AA 12th Row, Slightly Left Of Center: Neumann AK-40s >LC3 >KM-100s >Tascam DR-100mkII (24bit/48khz) w/Internal Preamp And Phantom Power. iZotope RX6 advanced & Har-Bal 3.7 (prep by Flying -M-) WAV >Audacity (Track Splits, Down Sample To 16 bit / 44.1khz) >FLAC (Level 8) + Tags Via xACT 2.47 Recording, Audacity, FLAC, And Tags By OldNeumanntapr Post Production Wizardry By Flying M 2 flac  
2. 10/08/21 Luther Burbank Center for Performing Arts - Santa Rosa, CA A+ Recording: Schoeps ccm4 > Naiant Tinybox > Sony PCM-M10 Recording made by a Friend Edited & Mastered (Adobe Audition) by Joe Noel October 26, 2021 2 flac  

John Hiatt & the Goners  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/08/00 Humphries By The Bay - San Diego, CA A FM >HiFi VHS >Teac RW-CD22 >CD-R >EAC >WAV >FLAC 2 flac  

John Kay and Steppenwolf https://www.steppenwolf.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 08/27/17 CNE Stadium Bandshell - Toronto, ON A Core Sound High End Binaurals -> Roland R-05 -> Soundforge -> CDWave -> FLAC + add tags Recorded and edited by BurnBoy 2 flac  

John Lee Hooker and Ry Cooder  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/10/92 Shoreline Amphitheatre - Mountain View, CA A CA Nakamichi CM-300s w/CP-2 Omnis >Sony WM-D6C Cassette Master XLIIS Master Transferred: Sony TC-D5M >Tascam DR100mkII (24bit/48khz) (Recorded From Lawn Repeater Stacks, Left) 1 flac  

John Lees Barclay James Harvest  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/13/13 Colos Saal - Aschaffenburg, Germany A Source: Audience Zoom H2 Recording Taped by: SF Transferred by: SF Zoom H2 > 24/48 > Internal Mics Rear 120 > CD Wave > dbpoweramp > 16/44 > Flac Level 8 2 flac  

John Lennon  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/30/72 Madison Square Garden - New York, NY A   1 flac  

John Lodge https://johnlodge.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 10/23/18 Regent Theatre - Arlington, MA AA Lineage: SP-CMC-8c > SP-SPSB-4 > Roland R-07 > SanDisk 16GB Micro Memory Card > WAV 48kHz/32-bit 2 flac  
2. 06/25/19 Artpark - Lewiston, NY A 16 bit version Taper: Poignant Pros (Binko) Gear: CA14s > Tascam DR-08 Mastered by }{eywood Lineage: DR-08 (recording to 24/96 .wav) > USB > Adobe Audition 1.5 (EQ, peak limiting, splits & fades) > Xrecode II (conversion to 16/44.1) > TLH (sector alignment, flac 8) 1 flac  
3. 07/20/19 The Pavillion Toyota Music Factory - Irving, TX A Roland R-09HR internal mics > WAV > Sound Forge Pro 12 > iZotope Ozone 8 Pro > iZotope Rx Rinal Mix > FLAC 1 flac  
4. 11/12/19 City Winery - Chicago, IL A Mics: DPA 4022 Recorder: Sound Devices 722 HDD drive Recorded @: 24 bit 192kz frequency Location: In the Sweet Spot! Sony Sound Forge just to track. 2 flac  
5. 03/04/23 Keswick theater - Glenside, PA A source : schoeps mk41v > nbob actives > babynbox > a-10 > 24/44.1 wav adobe audition > ozone 8 > xact 2.52 > flac 16/44.1 taper : edtyre 2 flac  
6. 07/21/24 Plymouth Memorial Hall - Ply, MA A SP-CMC-8c===SP-SPSB-11 to Sony A-10===Internal Memory Card @ 48/24(Downsampled to 44.1/16) 2 flac  

John Mayall  
  Date Venue - City, State Sound Rating Notes Media  
1. 02/01/20 Rialto Theatre - Tuscon, AZ A+ Schoeps MK4v >Nbob KCY Actives >Baby Nbox >Oade Warm-Mod Marantz 620 mics run din in hat. FOB/3' loc/30' Seat I-20 1 flac  
2. 12/15/21 Freight & Salvage - Berkeley, CA A+ Recorded by Daspyknows Recorded 5th row dead center Schoeps MK4/BabyNBox Tascam DR-2D 24 Bit 48K Processed using Soundforge 13, resample, to 16bit 44.1K TLH to convert to Flac Master 2021.025 1 flac  

John Mellencamp  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/25/79 Four Acres Club - Marcy, NY A Source : FM Recording > low gen cassette (courtesy of M.R. archive) Transfer : Zoom H4n (16/44) > Sound Forge (tracking) > Wave > TLH (sbe aligned) Flac level 8 Traders Den - July 19, 2020 Tracked by kingrue upload #2615 1 flac  
2. 10/11/80 The Bottom Line - New York, NY A Source: cassette master > ? > my low gen cassette copy Transferred by stevemtl: cassette > Nakamichi Dragon > lucid AD9624 (mod) (>.wav: 16bit, 48khz) > Roland R44 > SD chip > my fingers > HD Mastered by stevemtl: HD > Sound Forge (L2 dither > 24/48: L2 overall level adjust, edit, final fade) > r8brain (vhq downsample > 24/44.1) > Sound Forge (L2 dither > 16/44.1) > CDwave (track cut) > TLH (flac level 6, ffp, md5) > TLH (torrent marker) Circulated by stevemtl: Torrent marker uploaded to DIME on 2021-01-10. 1 flac  
3. 08/16/82 Rainbow Theatre - Denver, CO AA FM -> ? -> CDR -> EAC: WAV -> TLH: FLAC 8 -> You 2 flac  
4. 10/14/83 University of Nebraska - Lincoln, NE A lineage: King Biscuit flower Hour FM broadcast > Sansui 8 reciever with wire antenna > unknown cassette deck (dolby off) > full side of Maxell XLII 100 min. master cassette > played on tascam 112 into soundforge (wav) > flac (sb's aligned) > torrentially yours. notes: this was John's 1st tour after dropping "Cougar" from his name, a name that was given to him by a record company executive who didn't think the name "Mellencamp" would sell enough records. he already had recorded and released several albums previously as John Cougar. 1 flac  
5. 04/21/84 Universal Amphitheatre - Los Angeles, CA A- source: nakamichi cm300 (cp1) > sony tcd-5m transfer from master cassette taper: markp solid recording but there were some screamers 2 Flac  
6. ??/??/84 Unknown - Bloomington, IN A Lineage: silver cd's > EAC > Flac frontend level 6 2 flac  
7. 11/08/85 Dane County Coliseum - Madison, WI A analog cassette in trade (2nd/3rd gen?) Nakamichi Cassette Deck 1 > Edirol R-09 (24/44.1) Track splits, edits, level balancing, amplify, dithering, etc in Audacity No normalization or eq'g on the file. 0  
8. 02/24/86 Lakeland Civic Center - Lakeland, FL A 1st generation cassette > Nakamichi > amplifiers > tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac. Transfered, & uploaded by 38f on Dime, February 2007. 2 flac  
9. 04/09/86 Coliseum Arena - Oakland, CA AA   2 flac  
10. 04/28/86 MECCA Arena - Milwaukee, WI A Source: Audience capture / rig unknown Transfer: cassette >SONY TC-WE835S >analog out > to SONY- ICD-SX750 PCM / wav recorder 16/44 > USB to desktop > CDWAV (track split) > FLAC level 8 > Advanced Renamer > TLH checksums & torrent. 2 flac  
11. 11/13/87 Copps Coliseum - Hamilton, ON 8.5 Recorded By Bobby Plant with Panasonic Walkman and Aiwa mic Master>CDR>EAC>Flac 2 Flac  
12. 11/23/87 The Spectrum - Philadelphia, PA A Source: Nakamichi CM-100 mics with CP-1 cardioid capsules > Sony WM-D6 (TDK-MA Metal) (recorded by "Tape Man Joe" vol. 42) Transfer: Kenwood KX-4070 cassette deck > TDK-DA3826 standalone cd burner (44.1 kHz) (transfer & tracking by george14k) Editing: Soundforge (CD extract) > Wav > TLH (sector boundary aligned) Flac level 8 Traders Den 6/15/18 -posted by kingrue upload 1510 2 flac  
13. 12/07/87 Rosemont Horizon - Rosemont, IL B+ AUD -> ? -> CDR -> EAC: WAV -> TLH: FLAC 6 -> You 2 flac  
14. 01/15/88 Isstadion - Stockholm, Sweden B++ AUD -> low Gen Cass. -> Philips CDR775 CD Recorder -> CDR -> EAC: WAV -> TLH: FLAC 8 -> You 2 Flac  
15. 01/22/88 Halle Des Fêtes - Lausanne, Switzerland A Source : audience recording > low gen cassette (courtesy of M.R. archive) Transfer : Zoom H4n (16/44) > Sound Forge (tracking & volume) > TLH (sbe aligned) Flac 8 Traders Den - January 22, 2021 tracked & posted by kingrue upload #2936 2 flac  
16. 02/23/88 Coliseum Arena - Oakland, CA a- source: nakamichi cm300 (cp1) > sony tcd-5m transfer from master cassettes taper: markp 2 flac  
17. 05/29/88 Shoreline Amphitheatre - Mountain View, CA a-   2 flac  
18. 03/12/92 The Forum - Montréal, QC a- Source: recorded by stevemtl - supplied mic > WM-D3 (2xTDK SA 100) Transferred by stevemtl: cassette > Nakamichi Dragon > Lucid AD9624 (24/48) > SD chip > HD Mastered and posted to DIME 2019-09-15 by stevemtl: HD > Soundforge (@24/48: trim, edit, fades, L2 level adjust, downsample with anti-alias filter > 24/44.1, L2 dither > 16/44.1) > CDwave (track cut) > TLH (flac level 8, ffp, md5) > TLH (torrent) -> DIME 2 flac  
19. 07/04/92 Deer Creek Music Center - Noblesville, IN A Lineage:FM Broadcast> Lafayetta LR-5555 Receiver> JVC TD-W801 Cassette Deck> Maxell XLIIS-90 (2)> NAK BX-125> M-Audio 24/96> Adobe Audition> WAV> Flacfrontend> Flac 6> YOU 2 flac  
20. 03/15/99 The Incognito - Munich, Germany a-   1 flac  
21. 04/19/16 The Bushnell - Hartford, CT A LINEAGE: CA14(OM)/M-10(48/24)/CD/CYPERLINK RIP/TLH(FLAC8) very good recording but needs a volume boost 2 flac  

John Nemeth  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/26/12 Brian's Backyard BBQ & Blues - Middletown, NY A Recorded & transferred by Bob PitlaK Source: Zoom H-4>wav>sdhc>pc>cd wav>traders little helper>flac 16 Bit 2 flac  

John Prine https://www.johnprine.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 01/13/79 Municipal Auditorium - Nashville, TN A   1 flac  
2. 06/14/84 Civic Auditorium - Portland, OR AA Recording: Sbd > Nakamichi 480 > Maxell UDXLII cassettes. Recorded by B.M. & R.L. Transfer: Nakamichi Dragon > Olympus LS-10 @ 24/48 > SoundForge 9.0 > 16/44.1. Mastered by Rabork. 2 flac  
3. 10/16/86 Thomas Wolfe Auditorium - Asheville, NC AA Very good soundboard recording, 85:07, A- Lineage: sbd > cassette (x6) > DAT Transfer: DAT > TASCAM DA20-MKII > M-Audio Transit Editing & Tracking: Soundforge, CDWave 2 flac  
4. 03/15/88 Rockefellers - Houston, TX AA Master cassette Played back with Dolby B on a Nak Dragon through an Avid MBox Mini III into a PC running Audacity 2.3.3 software > Audition (Levels adjusted; Track splits, fades) > TLH (FLAC Level 8; Align sector boundaries; .ffp) > foobar2000 (tags) 2 flac  
5. 03/16/88 Rockefellers - Houston, TX AA Master cassette Played back with Dolby B on a Nak Dragon through an Avid MBox Mini III into a PC running Audacity 2.3.3 software > Audition (Levels adjusted; Track splits, fades) > TLH (FLAC Level 8; Align sector boundaries; .ffp) > foobar2000 (tags) 2 flac  
6. 10/20/91 Irvine Meadows - Irvine, CA AA Mike Millard Original Master Tapes via JEMS 1644 Edition The Lost and Found Mike the MICrophone Tapes Volume 27 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder JEMS 2020 Transfer: Mike Millard Master Cassettes > Nakamichi DR-1 (azimuth adjustment; Dolby On) > Focusrite 6i6 > Audacity 2.0 capture > iZotope RX6 > iZotope Ozone 6 > MBIT+ resample to 1644 > Audacity > TLH > FLAC 1 flac  
7. 10/20/91 Irvine Meadows - Irvine, CA A+ Mike Millard Original Master Tapes via JEMS 1644 Edition The Lost and Found Mike the MICrophone Tapes Volume 27 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder JEMS 2020 Transfer: Mike Millard Master Cassettes > Nakamichi DR-1 (azimuth adjustment; Dolby On) > Focusrite 6i6 > Audacity 2.0 capture > iZotope RX6 > iZotope Ozone 6 > MBIT+ resample to 1644 > Audacity > TLH > FLAC 1 flac  
8. 04/02/92 Beacon Theater - New York, NY AA Original recording: Sony ECM-959 stereo mic worn in painter’s cap > Sony D6 cassette (FOB center, on TDK MA-X110 110 minute metal formula tape, Dolby C on) Cassette Transfer: My master cassette > Nakamichi Dragon (Dolby C decode, auto azimuth adjust) > Sound Devices 722 (@24/96) Mastering: Soundforge Pro 13.0 - *All file manipulation in Soundforge done at 24 bits*. File processed in Soundforge for clap/whistle/yell/seat squeak scrubbing; volume normalization; resample to 44.1 interpolation accuracy 4 w/anti-alias filter; 24 -> 16 bit dither using POW-r Dither with POW-r #3 noise shaping. Tracked in CDWav. Tagged in Tag&Rename 3.9.15 1 flac  
9. 05/13/96 Singer Songwriter Festival - Frutigen, Switzerland 8   1 Flac  
10. 09/15/96 Cuesta College Auditorium - San Luis Obispo, CA A John Prine 9/15/96 Cuesta College Auditorium San Luis Obispo, CA 4th Row Center: Nakamichi CM-300 CP-1's (On T-Bar) >Sony TCD-D7 DAT Master Transferred: Tascam DA-30 >HHb CDR 800 Via Analog i/o Master CDs >FLAC (Level 8) Via xACT 2.37. FLAC Tags Via xACT 2.37 Recorded / Transferred & Tagged By OldNeumanntapr Disc I: 01. //Spanish Pipedream 02. Six O'Clock News 03. Fish And Whistle 04. Picture Show 05. You Got Gold 06. The Late John Garfield Blues 07. New Train 08. Ain't Hurtin' Nobody 09. Angel From Montgomery 10. Let's Talk Dirty In Hawaiian 11. The Bottomless Lake 12. One Red Rose 13. All The Best 14. Grandpa Was A Carpenter Disc II: 01. It's A Big Old Goofy World 02. Donald And Lydia 03. Space Monkey 04. Sam Stone 05. Please Don't Bury Me 06. That's The Way The World Goes 'Round 07. Quit Hollerin' At Me 08. Band Intros 09. The Sins Of Memphisto 10. Humidity Built The Snowman 11. Lake Marie 12. Hello In There Encore: 13. Sabu Visits The Twin Cities Alone 14. Storm Windows 15. Daddy's Little Pumpkin 16. Paradise 17. Taper Outro OldNeumanntapr Notes: This was the second time that I had the pleasure of recording John Prine in concert, after catching his show at the Catalyst in Santa Cruz six months previously. That show had some problems, as we got there late and had to stand on the floor among the loud rowdy crowd. The Cuesta College show was nice because it was in the old Cuesta Auditorium and we had reserved seats. The theater, built back during WWII, is located on the old Cuesta campus and was previously part of the Camp San Luis National Guard army base. The theater, now condemned and slowly falling into ruin, had great acoustics though it looked like hell with pealing paint and a leaky roof. It was deemed not worthy to be retrofitted for earthquake safety. It’s been vacant since the mid 2000s, but I was fortunate to have seen and recorded many great shows there over the years. I always seem to miss the opening of ‘Spanish Pipedream’, as Prine runs on stage and starts the song when the lights drop. It took a minute to load the DAT in the machine and start recording. (The Sony D7 and D8 recorders did not have a power switch, but would go into a sleep mode after a period of inactivity once the tape was loaded. I had problems on more than one occasion of the recorder mis-loading a tape when I tried to start recording from sleep mode, so I always started the recording directly after loading. Knowing when to start was always the biggest question.) This show had a great set list. I really enjoyed hearing ‘The Late John Garfield Blues’, ‘Let’s Talk Dirty In Hawaiian’, ‘The Bottomless Lake’, and ‘Sabu Visits The Twin Cities Alone’. I don’t know if I’ve heard ‘Sabu’ since. It’s a great song. I like the story that John tells on the ‘John Prine Live’ CD from the mid 80s. John still had his voice back in the 90s. It would get worse as time went on, a victim of cigarettes I imagine, until he would have to have throat surgery. I wish I would have been able to record him earlier, back in the 80s. The last track is a taper outro. I liked to let the recorder run when I left the venue. Sometimes the stories from friends were funny. There is a one or two second break between the last encore song and the outro. Feel free to omit the last track if you so desire. Do NOT encode to MP3! Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. ;) 2 flac  
11. 05/28/00 Strand Theatre - Shreveport, LA 8   1 Flac  
12. 09/25/04 Christopher Cohan Center - San Luis Obispo, CA A John Prine 9/25/04 Christopher Cohan Center Cal Poly State University San Luis Obispo, CA 3rd Row Center: Neumann AK-40s (x/y) >LC3 >KM-100s >Beyer MV-100 >SBM-1 >TCD-D8 DAT Master Transferred: Tascam DA-P1 >HHb CDR 800 PRO Via Analog i/o. CD Masters >FLAC (Level 8) Via xACT 2.37 (Recorded / Transferred By OldNeumanntapr) OldNeumanntapr Notes: This was the last time that I have recorded John Prine, and the show took place not long after Prine’s throat surgery so his voice sounds a little raspy. It was a good show however. This was the first time that I saw him do the Flag Decal song. He also had a song about George Bush that was funny. The Cal Poly Performing Arts Center is always a good place to see / record a show because it’s a small venue with excellent acoustics. Do NOT Convert To MP3!!! Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. ;) 2 flac  

John Prine & Steve Goodman  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/08/76 BBC Radio - London, UK AA SOURCE: FM radio broadcast (BBC) LINEAGE: ?? > CD-R > ?? > CD-R (2014 trade) > EAC (wav) > Trader’s Little Helper (flac level 8 aligned on sector boundaries) > Dime Received via snail mail trade. 1 flac  

John Trudell  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/10/92 Shoreline Amphitheater - Mountain View, CA A CA Nakamichi CM-300s w/CP-2 Omnis >Sony WM-D6C Cassette Master XLIIS Master Transferred: Sony TC-D5M >Tascam DR100mkII (24bit/48khz) (Recorded From Lawn Repeater Stacks, Left) 1 flac  

John Waite  
  Date Venue - City, State Sound Rating Notes Media  
1. 11/07/84 Hollywood Palladium - Hollywood, CA A Vinyl Transfer Ion ITTUSB Turntable > Audacity > Magic Audio Cleaning Lab > Flac (TLH Level 8) 1 flac  
2. 02/08/03 Freedom Hall - Louisville, KY A Recording info: SONY WM-D6C>SONY ECM-MS908C Mic>MAXELL XL II 90 Minute Cassettes. Transfer info: Analog Master MAXELL XL II 90 Minute Chrome Bias (Type II) Cassette > SONY TC-WE635 Cassette Deck (w/Manual Azmuith Adjust) > TASCAM CD-RW900mkII Professional CD Recorder > CDR CDR>EAC>WAV>TLH>FLAC>TTD 1 flac  
3. 05/26/07 Rib America, Soldier's Memorial - St. Louis, MO a- GEAR USED: Edirol R-09 Portable recorder > Built-in mics > Sound Forge 4.0 > CDWav > .shn files 1 flac  
4. 09/25/09 Music Room, Argosy Casino - Alton, IL a- GEAR USED: Edirol R-09 Portable recorder > Built-in mics > Sound Forge 4.0 > CDWav > .shn files 1 flac  
5. 03/29/13 The Canyon Club - Agoura Hills, CA AA Source info: CA-14 cards>Sony PCM-M10(24/96)>Adobe Audition(normalize, resample/dither to 16/44.1)>CDWaveEditor 1.96>TLH>Flac 2 flac  
6. 10/13/19 City Winery - Philadelphia, PA A Source: AT943 > SP-SPSB-10 > Sony A10 (24/48) Transfer: wav file > Sound Studio (16/44.1) > xACT > FLAC (level 8) Recording location: Front table, center Recorded by: Tapehead2 1 flac  
7. 08/24/23 Wagner Noel Performing Arts Center - Midland, TX a- Lineage: Edirol R09 w/internal mics (16/44) > Adobe Audition CC2020 (level boost/some EQ to lower bass and raise high end) > CD Wave Editor (track) > flac8 Recorded by: Toe-knee Tracked by: smores 2 flac  
8. 03/07/24 RialtoTheater - Tucson, AZ A Lineage: Tascam DR-05 w/internal mics (24/96) > Audacity (16x44.1 level boost/some EQ to lower bass and raise high end) > [EAC] CD Wave Editor (track) > flac8 1 flac  

Johnny Cash  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/11/83 Pacific Amphitheatre - Costa Mesa, CA A Source: 2 Sennheiser MKH406tu > Sony D5M with Dolby using 1 BASF metal cassette Copy: Sony D5 w/ Dolby > Onkyo 2060 w/ Dolby C using 1 TDK SA-90 Transfer: Nakamichi CR7A w/ Dolby C > Korg MR2000-s @ 1 bit 5.6 MHz DSDIFF Mastering: AudioGate (24-96) > Har-Bal 3.7 & iZotope RX6 advanced > CD Wave > AudioGate Aqua (16-44) > TLH (flac 8) 2 flac  

Johnny Winter http://www.johnnywinter.net/
  Date Venue - City, State Sound Rating Notes Media  
1. 06/06/84 The Metron - Harrisburg, PA AA aud FLAC >WAV >xACT (Change File Names To Reflect Etree Standards) >FLAC (Level 8) + Tags By OldNeumanntapr 1 flac  
2. 02/23/88 Chestnut Cabaret - Philadelphia, PA AA Lineage: Received on CDr (Jeff James) -> EAC085b -> Trader's Little Helper -> Flac lev.8 2 flac  
3. 09/22/88 Entex - Mississauga, ON A Lineage: Received on audio tape (Terry D. (Canada)) -> Pioneer PDR-05 HiFi audio CD recorder -> Audio CDRs -> EAC085b -> Trader's Little Helper -> Flac lev.8 2 flac  
4. 10/22/88 Back Room - Austin, TX A Lineage: Received on audio tape (Terry D.?) -> Pioneer PDR-05 HiFi audio CD recorder -> Audio CDRs -> EAC085b -> Trader's Little Helper -> Flac lev.8 2 flac  
5. 10/20/89 The Col Ballroom - Davenport, IA A Lineage: Received on audio tape (Terry D.?) -> Pioneer PDR-05 HiFi audio CD recorder -> Audio CDRs -> EAC085b -> Trader's Little Helper -> Flac lev.8 2 flac  
6. 09/26/91 Circus Krone - Munich, Germany A Lineage: Received on audio tape (Jeff James?) -> Pioneer PDR-05 HiFi audio CD recorder -> Audio CDRs -> EAC085b -> Trader's Little Helper -> Flac lev.8 2 flac  
7. 11/01/91 Boulder Theater - Boulder, CO AA Lineage: Received on audio tape (Jeff James?) -> Pioneer PDR-05 HiFi audio CD recorder -> Audio CDRs -> EAC085b -> Trader's Little Helper -> Flac lev.8 1 flac  

Jon Butcher Axis  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/03/83 Uncle Sam's - Washington, DC a- lineage: WBCN Boston 104.1 FM radio > Yamaha 500 reciever with digital tuner and wire antenna > Nak. bx-100 cassette deck (dolby off) > maxell XLII 90 min. master cassette > played on nak. 300 cassette deck into soundforge (wav) > flac (sb's aligned) > torrentially yours. a this and that, axis, bold as rock and roll production. do not sell this recording. share freely, losslessly and gaplessly. announced as Wash. D.C. but I think it's actually in Nantasket, Mass. since there was a club type venue there called "Uncle Sam's". just before track 11, Jon sounds like he's talking to a crowd in Massachusetts, and this all seems to be from the same performance and recording. the first track is not music, not sure where it's from (not Rockline, but maybe something else like it, or possibly just a telephone conversation with a radio DJ.) 1 flac  
2. 02/25/84 The Channel - Boston, MA A February 25, 1984 (and 3 songs from Houston, Texas 84) performance quality: B+ recording quality: A- source: FM broadcast master cassette tapes runtime: entire torrent: 83:23 Boston set: 71:23 Soon after about half of Massachusetts had to deal with one of the hardest hangovers in U.S. history (Ray Gun's re-election), we got a little bit of relief in the form of a live Jon Butcher Axis broadcast, one of just a few from the historic Channel club on Boston's waterfront. This is a full show, just prior to a national tour for JBA, and the year after his 1st big hit (that I know of), "life takes a life". This one is a promo for his 2nd album, Staring at the Sun, and includes several songs from that album. I don't recall hearing the word "CD" once in this broadcast, and this comes from a tape source- my FM master cassette. The sound is pretty good on this, although it is from before I got my Naka. cassette deck. Although the Houston filler (from the K.B.F.H.) overfills an 80 min. disc for this, I included it because it includes 3 of their most popular hits, I thought the version of life takes a life was a little better in Houston, and there isn't alot of live JBA out there, and these are my only 2 recordings of them. (both on same 90 min. tape). I don't listen to them very often, but they are fairly popular and if anyone out there wants to hear a good pop/rock band that has probably been forgotten by many and is not heard much anymore, here's your chance. I guess the Ocean in Motion song was big at this time in Boston, big enough to play it twice (this is NOT a tracking error.) If you like Jon Butcher, I have another broadcast of Jon Butcher from Boston in 1989 (after he had dropped his "axis") which is a little better sound than this is (from reel master). I will post that if there's interest. Both this and that are complete and inspired shows. This one has 1 tape flip about 45 min. in between songs so no music is missing from this at all. The show actually started after midnight into Feb. 26th but billed as 2/25/84 concert. I think there were some openers (not broadcasted) and just 1 set for JBA but I'm not certain of that. The Channel was a cool place, like so many in Boston, long gone now to make room for insanely overpriced condos and garishly pricey stores most of us can't afford to walk into. (or wouldn't have any reason to). Do not sell this recording. Trade freely and losslessly. 1 flac  
3. 10/02/21 Bull Run - Shirley, MA A- a little muffled My Notes unfourtunantly i had to record this with my iPhone because i put the wrong SD card on my zoom recorder so my wife said record it with your phone how bad could it come out, well it came out fairly decent even though it isn't a stereo recording. edited, tracked and normalized in Audacity saved as WAV Jimgasm of S.W.B.H. Productions 2 flac  

Jonathan Edwards  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/20/74 Performance Center - Cambridge, MA a- Audience Mono FOB Sony TC-55 with built in condenser mic and auto level control Nakamichi MR-1 > Tascam DA-20 > Tascam CD-RW900 Master Cassette > DAT > CD > EAC > FLAC Azimuth aligned; no noise reduction, processing or EQ Total Time - 58:31 Recorded and transferred by Steve Hopkins 1 flac  

Joni Mitchell http://jonimitchell.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 04/28/72 Cleveland Arena - Cleveland, OH a- fundraiser for George McGovern Recording: AKG D1000E Mic > Philips Cassette Recorder Location: 8th row on the main floor, left of center Transfer: Master Cassettes > Nakamichi DR-01 > Sound Devices USBPre2 > Adobe Audition (24/96) > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (post production) > xACT 2.39 > FLAC 1 flac  
2. 05/06/79 Anti-Nuclear Power Rally @ U.S. Capitol Steps - Washington, DC a- Transfer: .wav file > Peak Pro 6 (pitch adjusted) > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (post production) > xACT 2.39 > FLAC 1 flac  
3. 09/14/79 Greek Theatre - Los Angeles, CA A+ Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard First Generation Cassettes made for Jim R > Nakamichi CR-7A (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX7 > iZotope Ozone 8 > Audacity > TLH > FLAC 2 flac  

Jonny Lang  
  Date Venue - City, State Sound Rating Notes Media  
1. 01/08/99 Bass Performance Hall - Fort Worth, TX A Trade>CDR>EAC>Flac lvl6 2 flac  

Jorma Kaukonen http://www.jormakaukonen.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 04/10/82 New England College - Henniker, NH AA Soundboard FLAC >WAV >Audacity (Remove Three Gaps In Disc 1 Track 12, Minor De-Amplification Of Loud Transient Spikes, Patch Left-Channel Blank Space At Start Of Disc 3, Track #7, By Copying Four Seconds From Right Channel And Converting Those Seconds To Mono) >FLAC (Level 8) + Tags Via xACT 2.47 By OldNeumanntapr 2 flac  
2. 11/29/84 Toad's Place - New Haven, CT AA Soundboard; Cassette Master >? >CDR >FLAC Trade CDs >FLAC (Level 8) + Tags Via xACT 2.39 By OldNeumanntapr 2 flac  
3. 07/05/00 Great American Music Hall - San Francisco, CA AA SBD; received in a trade as FLAC files ripped to a DVD FLAC >WAV >Audacity (Split Track One, Disc Two Into 'Hesitation Blues' & 'Been So Long, Previously Had Been One Long Track. Minor Edits) Correct Text File. Previously 'Candy Man' Was Listed As First Track Of Disc II. >Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.47 By OldNeumanntapr. 2 flac  

Journey http://www.journeymusic.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 03/30/74 Winterland - San Francisco, CA A-   1 flac  
2. 05/12/74 Record Plant - Sausalito, CA A+ Lineage: ? > Maxell XLII-S > Nak BX300 > Sony RCD-W1 > Roxio Creator Classic PCM 44.100 kHz 16 Bit Stereo > Wave Corrector 8dB Hiss Reduction, -1 dB Normalization, Channel Balance & Track Splitting > dBpowerAMP Music Converter FLAC Compression Level 5 1 flac  
3. 05/27/75 Record Plant - Sausalito, CA A+ KSAN FM Broadcast > Teac 7" Reel to Reel 3/34 IPS > Macbook Pro > Audicity > Parallels running CD Wav > Xact > flac16 1 flac  
4. 03/19/76 Orpheum Theatre - Boston, MA A Mastered and FLAC'ed by Carl Morstadt (dantalion8@yahoo.com) Master Cassette -> Nakamichi CR-3A cassette deck with azimuth correction -> M-Audio Firewire Audiophile 2496 -> CDWAV 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to 16-bit/44.1 KHz wav files) -> FLAC Front End (FLAC 8 with sector boundary alignment) FLAC files tagged with Foobar2000 Live Show Tagger No EQ'ing. A 24-bit/96-KHz flac24 version of this recording is also available. 1 flac  
5. 05/01/76 Riviera Theater - Chicago, IL A Source: WXRT-FM broadcast Lineage: FM > ? > Trade CDR > EAC (secure) > FLAC (L6) 1 flac  
6. 06/08/76 Paramount Theater - Seattle, WA a- Lineage: Data CDR containing FLAC & md5 files Quality: (IMHO) Sound: Ex- Performance: Ex- There is some tape hiss, but it is not bad at all for a '76 show. You can hear the crowd, especially between songs and during quiet parts, but during the songs mostly you can't hear them. Someone in the band says "Hello Seattle" after LITF and "Thank You Seattle" after Topaz. It is amazing that these pre-perry shows are showing up, and with such good quality too! Thanks to D.B for getting me a copy of the show to post. He's firewalled and can't post himself. 1 flac  
7. 08/13/77 Swing Auditorium - San Bernardino, CA B++ Lineage: Sony ECM-280 > Teac PC-10 > cass(1) > CD > CDWave > FLAC > Audition > TagScanner > dBpoweramp > FLAC 1 flac  
8. 08/14/77 Long Beach Arena - Long Beach, CA A Mike Millard Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 57 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Master Cassettes > Yamaha KX-W592 Cassette Deck > Sony R-500 DAT > Analog Master DAT Clone > Focusrite Scarlett 6i6 > Sound Forge Audio Studio 13.0 capture > Adobe Audition > iZotope RX6 > iZotope Ozone 6 > Audacity > TLH > FLAC 1 flac  
9. 12/31/77 Cow Palace - Daly City, CA A Lineage: Silver CD > EAC > WAV > Flac Frontend > FLAC Excellent sound. 2 flac  
10. 03/05/78 Mantra Studios - Chicago, IL A WKQX Chicago FM Broadcast Mantra Studio Jams R.J.P. Reel to Reel Master Transferred and Presented By Krw_co LINEAGE WKQX FM BROADCAST>MASTER 10.5" REEL @ 7.5 ips>TEAC A-7300 REEL TO REEL> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV (16/44.1KHZ>TRADERS LITTLE HELPER FLAC (LEVEL 8) 1 flac  
11. 04/15/79 Shibuya - Tokyo, Japan A Here is an excellent soundboard of Journey's third from last concert in Tokyo in 1979. They did three shows in Tokyo in 1979 (I've got them all). They played 1979-04-15, 04-16, and 04-18; so obviously this was the first night's show. I've already uploaded the last night's show (04-18) here in the past. I did fix both CD 1 & CD 2 sector boundary errors (SBE's) that existed in the original, Japanese FLAC download I got. I also renamed the tracks, originally in Japanese characters, because the audio program I was using to go ahead and rename tracks (anyhow) would lock up (presumably the program couldn't read Japanese text). So it's good to go now! LINEAGE: Silver CD's > unknown details on speed/pitch correction > Easy Media Creator 2010 Pro (to rename tracks) > TLH (fixed SBE's, checked with no errors, and created ffp & md5 files)) > you 2 flac  
12. 08/23/80 Capital Center - Largo, MD A- .cda>dbPowerAmp Coverter>FLAC level 8>you 2 flac  
13. 10/10/80 International Exposition Hall - Osaka, Japan a- Transfer: Low gen tape > 32kHz DAT > FLAC 2 flac  
14. 10/13/80 Nakano Sun Plaza - Tokyo, Japan 8 LINEAGE: Calm & Storm silver CD's > EAC (Secure Mode, Offset Correction) > WAV > TLH  (to test for lossiness and other issues) > Audacity (to view waveform, embed metadata/track titles & info, and then to encode) > FLAC 8 > TLH (to check for SBE's and create and verify new ffp & md5 files) > you 2 Flac  
15. 07/29/81 Koseinenkin Hall - Tokyo, Japan A Silver CDS>TLH>FLAC 1 flac  
16. 07/31/81 Koseinenkin Hall - Tokyo, Japan A Lineage: DVD(AC3)>WAV>MediaJoin>CoolEdit>fadein/out>-3dbGain>Track cues>WAV>FLAC>DIME>YOU I had several versions of this. I decided the best version was on the DVD (most complete). I pulled the audio (no reencoding) to WAV's, joined them, reduced the gain by 3db, trimmed some silence off the beginning and end, added smooth fade in on first track and smooth fade out on last track, added corrected cue/track breaks and then spit out the individual waves and encoded them to FLAC6. This show was recorded right after Escape was released. Valory still sings on one or two tracks but you can here the supergroup coming in to their own. A year later they would be at the top of the heap as Escape would go on to become number 1 on the charts. Show runs 1 hr 37 minutes. I didnt split the show up cause I like shows that run start to finish when possible. So you can break the set anywhere u want.The best place is probably at Lights. There were a couple of bonus tracks from a different show. I prefer to keep shows individualized, no fillers needed here. If someone wants those tracks I will upload them separately. 2 flac  
17. 02/23/19 Fox Theater - Oakland, CA a- LINEAGE AUDIENCE HARD DRIVE RECORDER MASTER>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8) Edirol R-09 HR w/Church Audio CA-14 cards & 9200 preamp recorded 50 feet from stage, dead center on rail of the first raise section. 2 flac  

Judas Priest http://judaspriest.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 08/22/75 Reading Festival - Berkshire, UK A- This one got the best grade because there is just nothing out there for this time period 1 flac  
2. 06/21/77 Freeman Coliseum - San Antonio, TX a-   1 flac  
3. 07/16/77 Palladium - New York, NY B+ Lineage: low-gen cassette tape -> Denon DRM44HX dual capstan tape deck -> Audacity 2.1.1 for recording -> FLAC -> Sent to me via WeTransfer -> Audacity 2.1.1 for track splitting and speed correction -> WAV -> Trader's Little Helper -> FLAC level 8 (align on sector boundaries with fix) -> DimeADozen 1 flac  
4. 01/20/78 Corn Exchange - Cambridge, United Kingdom a-   1 flac  
5. 02/06/78 Apollo Theatre - Manchester, UK B++ Unknown Low Gen Cassette>CDR>EAC>WAV>TLH>FLAC>DIME From the collection of; Per-Erik "my swedish connection" Uploaded by; "Lucifer Burns" 1 flac  
6. 03/23/78 Coliseum - San Antonio, TX B++   1 flac  
7. 03/25/78 Crazy Horse Saloon - Kileen, TX a-   1 flac  
8. 03/28/78 Crazy Horse Saloon - Killeen, TX B++ Lineage: "AUD" ??unknown generations?? analog cassette tapes> ??unknown transfer equipment??> Trade CD-R> (wav) EAC (secure mode)> (flac) Trader's Little Helper level 6 (align on sector boundaries) Quality: vg-/vg 1 flac  
9. 05/09/78 Agora Ballroom - Cleveland, OH A- Incomplete FM Broadcast Unknown "low Gen" Analog Cassette>CDR>EAC>WAV>TLH>FLAC>DIME From the collection of;"Electric" Uploaded by;"Lucifer Burns" 1 flac  
10. 07/25/78 Nakano Sun Plaza Hall - Tokyo, Japan B++ Lineage: unknown gen cassette tape -> Denon DRM44HX dual capstan tape deck -> Audacity 2.1.1 for recording -> FLAC -> Sent to me via WeTransfer -> Audacity 2.1.1 for track splitting and channel balancing -> WAV -> Trader's Little Helper -> FLAC level 8 (align on sector boundaries with fix) -> DimeADozen From the collection of Ericfg; track splitting and other edits by Nuppiz (aka The Finnish Ripper/The Priest's Boot). 1 flac  
11. 07/29/78 Yuubin Chokin Hall - Tokyo, Japan A   1 flac  
12. 07/31/78 Kosei-Nenkin Hall - Tokyo, Japan A+ There few that sound this good for the date that it is a must 1 flac  
13. 08/03/78 Nagoya-shi Kokaido - Nagoya, Japan A Great for its age 2 flac  
14. 08/05/78 Festival Hall - Osaka, Japan 8 silver cds 2 Flac  
15. 10/23/78 BBC In Concert - London, England A Audio: EX Unknown lineage / Soundboard / Trade / CD-R / EAC (Secure mode) / Wav / Flac (Level 8) This is a Vinyl trasfer, maybe not the best. Trade this on CD-R format back in '91-'93. Hope you like it. 1 flac  
16. 12/15/78 Stage One - Buffalo, NY B++ Lineage: unknown gen cassette tape -> Denon DRM44HX dual capstan tape deck -> Audacity 2.1.1 for recording -> FLAC -> Sent to me via WeTransfer -> Audacity 2.1.1 for track splitting and channel balancing -> WAV -> Trader's Little Helper -> FLAC level 8 (align on sector boundaries with fix) -> DimeADozen From the collection of Ericfg; track splitting and other edits by Nuppiz (aka The Finnish Ripper/The Priest's Boot). 2 flac  
17. 02/09/79 Shinjuku Koseinenkin Hall - Tokyo, Japan A- Title: "Killer Employee’s Pension" (Tarantura TCDJUDAS-2) Source: Very good audience recording (master) Taper: Mr. Peach Lineage: Tarantura silver cd > Flac 8 (Foobar 2000) a very good Judas Priest not many from this time period 2 flac  
18. 02/10/79 Kosei Nenkin Kaikan - Tokyo, Japan B++ Late show 1 flac  
19. 02/10/79 Kosei Nenkin Kaikan - Tokyo, Japan A Early show There were 2 shows that day 2 flac  
20. 02/14/79 Festival Hall - Osaka, Japan A CDR>EAC>WAV>TLH>FLAC>DIME 2 flac  
21. 02/28/79 Louie's Rock City - Falls Church, VA B++   1 flac  
22. 03/11/79 Mudd Club - New York, NY A+ This is another one thats great. Not very many of these Lineag: 24-bit-48kHz FLAC files > xAct (convert to .wav) > iZotope RX Advanced 1.30.768 (dither to 16-bit, resample to 44.1 kHz) > xAct (convert to .flac level 8, ffp) * * * * * 1 flac  
23. 03/15/79 Music Hall - Houston, TX B++   1 flac  
24. 03/29/79 Starwood Club - Los Angeles, CA a- Mikesline's notes: "This is my master recording that my brother recorded this night. I attended but he held mic and brought cassette player. Very low TEAC, but came out to be a decent audience rcording that drops a little after tape flip. Maxell UDLL 90 transfer to digital WAV-FLAC7" 1 flac  
25. 03/30/79 Starwood Club - Los Angeles, CA B++   1 flac  
26. 04/03/79 Civic Auditorium - Bakersfield, CA A- Taper: Robert Gear: unknown Transferred & mastered by }{eywood Lineage: cassette (M) > DAT > Sony UX90 cassette (1) > Optimus SCT-57 playback deck > Adobe Audition 1.5 (recording to .wav @ 24/96, normalization, splits & fades) > Xrecode II (conversion to 16/44.1) > TLH (sector alignment, flac 8) 1 flac  
27. 10/02/79 Kosei Nenkin Hall - Tokyo, Japan a- Title Tyranny Unleashed In The East 4CD BOX Limited 150 Copies Only Catalog Number Judas-3,4 Released Year/Country Tarantura Released More Information 150 Copies Only Limited Numbered Edition Judas Priest "Tyranny Unleashed In The East" -4 CD BOX, 150 Limit numbered. Recording by Mr. Peach. Definitive Edition!!! Afternoon show & Evening show, full complete!!! Saturday 10th February 1979 Tokyo Kosei Nenkin Kaikan, Japan 2 flac  
28. 10/17/79 Coliseum Arena - Seattle, WA A+ another great one 1 flac  
29. 11/04/79 The Palladium - New York, NY a- Source: Soundboard (FM) Lineage: Quality: 7 1 flac  
30. 11/23/79 Messenhalle - Hamburg, Germany a- Source: Audience Lineage: Quality: 7 Comments: not the best quality but it's a don't-miss performance 1 flac  
31. 06/25/80 Rainbow Music Hall - Denver, CO A Lineage Soundboard/FM Broadcast Traded as a First Generation to Untracked CDR to EAC Secure mode to Audio Cleaning Lab for Krw Track Marks and Edits to TLH Flac Level 8 2 flac  
32. 07/02/80 auditorium Theater - Rochester, NY A Audience Recording Recorded by; "BFOQ" Recording Equipment; Sony TCD5m Portable Cassette Recorder w/Sony ECM 990F Microphone > Master Analog TDK SA Chrome Bias (Type II) 90 Minute Cassette. This is a fresh (08/2024) tape transfer Transfer info: Master Analog TDK SA Chrome Bias (Type II) 90 Minute Cassette > JVC KD-V6 Cassette Deck (w/ manual azimuth adjustment) > BSR 3000 EQ > TASCAM CD-RW900mkII Professional CD Recorder > CDR CDR>EAC>WAV>TLH>FLAC>DIME ALL Editing & Track Marking (CD Wav Editor) by; "tonsofsobs" Transferred & Uploaded by; "Lucifer Burns" 1 Flac  
33. 07/05/80 Calderone Concert Hall - Hempstead, NY A Lineage: FM (WLIR) > Maxell Master Reel to Reel > Maxell XL I cassette > CDR > EAC > WAV > FLAC 1 flac  
34. 07/31/80 Civic Arena - Pittsburgh, PA a- Source: Audience Lineage: cass(x) > Denon DRM44HX dual capstan tape deck > Audacity > FLAC Quality: 8 1 flac  
35. 08/03/80 War Memorial - Syracuse, NY B++ Source: Soundboard Lineage: Quality: 8 1 flac  
36. 08/16/80 Donington Park - Castle Donington, UK A Monsters of Rock 1 flac  
37. 02/14/81 Jaap Edenhal - Amsterdam, Holland a- Diamonds and Rust was on this boot 2x 1 flac  
38. 02/27/81 Rhein Mainhalle - Wiesbaden, Germany a- soundboard 1 flac  
39. 05/08/81 International Amphitheatre - Chicago, IL A- LINEAGE CHICAGO FM MASTER>FIRST GEN ANALOG>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8) 1 Flac  
40. 05/09/81 Chicago International Amphitheatre - Chicago, IL A CDR>EAC>WAV>TLH>FLAC Lv8 1 flac  
41. 07/22/81 Palladium - New York, NY A ANOTR-182 A Night on the Road with: Judas Priest Full Concert Recorded at the Palladium in New York, NY July 22, 1981 - For Radio Broadcast ONLY - GK Productions (c) 1982 - Side 4 Removed (tracks from Unleashed in the East) - Moved 'Breaking the Law' beetween 'HBFL' & 'Sinner' (to restore original play order) - Removed Commercials + Cue Sheets Scan Included Runtime: 80 mins 1 flac  
42. 07/22/81 Palladium - New York, NY 8.5 Pre-FM Vinyl 1 Flac  
43. 07/23/81 Palladium - New York, NY A   1 flac  
44. 12/05/81 Palais de Beaulien - Lausanne, Switzerland 8 "World Wide Blitz Tour" unknown --> Maxell UL 90 --> Yamaha KX-670 (Dolby Off, Play Trim +0) --> ESI U24 XL --> Adobe Audition 2020 (ASIO 2.0) --> WAV (44100 Hz, 2 Channels, 32-bit) --> Amplitude +10/11 db --> Splitting Tracks (Audacity WAV) --> FLAC (Level 8, 44100 Hz, 2 Channels, 16-bit) 1 Flac  
45. 05/23/86 Kiel Auditorium - St. Louis, MO A Pre-FM Master / Trade / Dime 2 flac  
46. 08/10/88 Hershey Stadium - Hershey, PA a- LINEAGE AUDIENCE ANALOG MASTER>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 24/96>TRADERS LITTLE HELPER FLAC (LEVEL 8) 2 flac  
47. 06/22/19 Moda Center - Portland, OR A Church Audio CA-14 cards> R-05 2 flac  
48. 09/08/21 Santander Arena - Reading, PA A- Recorded by bcironmaiden Recorded w/ Schoeps MK4's > Actives > NBox > Sony M-10 > HD > Sony Sound Forge 96khz/24bit > 44khz/16bit > CD Wave Editor Track Split > TLH ( Flac 8 ) > You 2 flac  
49. 03/15/22 Shrine Auditorium - Los Angeles, CA A SP-CMC-4U -> A10 -> Soundforge -> FLAC 2 flac  

Justin Hayward  
  Date Venue - City, State Sound Rating Notes Media  
1. 02/06/97 Border's Books - Springfield, PA A Schoeps MK41's>Schoeps VMS02IB>Sony SBM-1>Sony TCD-D8 Recorded By Keith Litzenberger (Flying_Gonz) 1 flac  
2. 08/06/13 Empire State Plaza - The Egg - Hart Theater - Albany, NY A   2 flac  
3. 08/07/13 Somerville Theatre - Somerville, MA A Digital Audience Stereo Master Front Row Balcony, Right Center Sound Pro SP-CMC-8 (AT943) Cards > SP-SPSB-10 > Sony PCM-M10 > 16/44.1 WAV > Adobe Audition (edits, levels, normalize) > CD Wave (tracks) > FLAC No noise reduction or EQ; Fileset is seamless 2 flac  
4. 05/19/14 Osterhout Concert Theater,Anderson Center - Binghamton, NY A My Master Recording-Sony Stereo Mic>Edirol R-09 HR 2 flac  
5. 10/28/14 Pullo Center - York, PA 8 trade CDR > EAC > TLH > .flac files 2 Flac  
6. 11/13/14 River City Casino Event Center - St. Louis, MO A GEAR USED: Tascam DR-07 Portable Recorder > Built-in mics > Sound Forge 9.0 > CDWav > TLH > .flac files 2 flac  
7. 11/17/14 City Winery - Chicago, IL 8.5 Mics: DPA 4022 Recorder: Sound Devices 722 Location: Center by mixing board. Recorded @: 24 bit 192kz frequency recorded 2 Flac  
8. 08/25/15 Sunnoco Performance Theater - Harrisburg, PA AA schoeps mk-6 (c) > actives > nbox platinum > sony pcm-d100 > dsf 2.8mhz/1bit > audiogate > 24/44.1 wav > adobe audition > sample manager > xACT 2.34 > flac 16 taper : nicky c location : 12th row dfc mk6 caps courtesy of dubbledee processed & uploaded by : edtyre big thanks to Jimmy V for the ticket 2 flac  
9. 03/02/17 The Granada Theater - Dallas, TX A+ The Wind of Heaven Tour Source info: AT853 sub-cards(3-wire)>Naiant Tinybox>Sony PCM-M10(24/96)>Adobe Audition CS6(normalize, resample/dither to 16/44.1)>CDWaveEditor 1.96>TLH>Flac Taper: David Sell Location: Floor, row 10 DFC, FOB Sound Quality: Excellent+ 2 flac  
10. 01/06/18 Moody Blues Cruise - Sky Lounge - Celebrity Eclipse, Ocean 8.5 source : schoeps mk6(c) > actives > baby nbox > r-05 > 24/44.1 wav adobe audition > ozone 6 > xact 2.41 > flac 16/44.1 taper : edtyre 2 Flac  
11. 07/07/18 Narrows Center for the arts - Fall River, MA AA SP-CMC-8c===SP-SPSB-11 (12v) Bass Roll Off set @ 69hz to Roland R-07 (Mic In)===SDHC SanDisk 16GB Memory Card @ 48/24(Downsampled to 44.1/16) 2 flac  
12. 08/14/18 Sellersville Theater - Sellersville, PA 8.5 source : schoeps mk6(c) > actives > nbox platinum > r-07 > 24/48 wav adobe audition cc > ozone 6 > xact 2.45 > flac 16/44.1 taper : edtyre 2 Flac  
13. 08/26/18 City Winery - Chicago, IL 8.5 Mics: DPA 4022 Recorder: Sound Devices 722 HDD drive Recorded @: 24 bit 192kz frequency recorded Location: Only the best! Recorded by analog4011 RB 2 Flac  
14. 02/12/19 Royal Caribbean Mariner - Unknown, Unknown A+ source : schoeps mk6(c) > nbob actives > babynbox > r-09hr > 24/44.1 wav adobe audition > ozone 8 > xact 2.45 > flac 16/44.1 taper : edtyre 2 flac  
15. 02/14/19 Royal Caribbean Mariner Of The Seas - Labadee, Haiti A Lostbrook 2.0 Volume 300 Source: CA11(cards)>SPSB-12>Sony M10(24/48) Location: center balcony Transfer: Sony M10>Micro SDHC>PC>iZotope RX Advanced 6 plus iZotope Ozone 7>Sound Forge 10>WAV 16/44.1>Trader's Little Helper>FLAC(level 8) Taper/Transfer: Lostbrook Mastering: luladsilva Covers: ethiessen1 2 flac  
16. 08/11/19 River City Casino Event Center - St. Louis, MO AA TAPER: SHANE E. CALHOON (tapersec1968(at)gmail(dot)com) GEAR USED: SP-CMC-1 Audio Technica Stereo Cardioid > Tascam DR-07 Portable Recorder > Sound Forge 9.0 > CDWav > TLH > .flac files 2 flac  
17. 08/27/19 Harris Center For the Arts, Folsom Lake College - Folsom, CA A Taper: The Jackal Tascam DR-05 (internal mics) WAV > Dell Inspiron 13 > Audacity (mitigate some close crowd noise, fades & tracking) FLAC 2 Flac  
18. 10/06/19 Sunnoco Performance Theater - Harrisburg, PA AA ter at the Whitaker Center for Science and the Arts, Harrisburg, PA, USA source : mbho ka 500 > nbob active cables > nbox platinum > roland r-07 > 24/48 wav adobe audition > xact 2.45 > flac 16.44.1 taper : nicky c ticket: jimmy v 2 flac  
19. 10/13/19 Paramount Theater - Rutland, VT AA Recording Info: Sennheiser MKE2-RD -> M10 (24/96) Transfer Info: Audacity (Tracking, Normalize, Dither) -> TLH (flac8) 2 flac  
20. 10/03/21 Sellersville Theater - Sellersville, PA A+ source : schoeps mk41 > actives > nbox > r-07 > 24/44.1 adobe audition > ozone 8 > xact 2.50 > flac 16/44.1 taper : "The Dude" mastered and uploaded by : edtyre small theater and great sound 1 flac  
21. 10/12/23 Hart Theater - Albany, NY A Lineage: Tascam DR-07 w/internal mics (24/44) > wav file > Adobe Audition CC2020 (level boost) > CD Wave Editor (track) > flac8 Recorded by: BillCo Tracked by: smores 2 flac  
22. 10/20/23 Southern Theater - Columbus, OH A Taper: Charles Dewey Cole, IV Location: Section HUNT-R, Row E - Seat 8 (see chart here: http://www.ticketmaster.com/seatingchart/41425/14612) Source: SP-CMC-8 Cardioids (4.7k mod) > SP-SPSB-11 (@16Hz) > Sony PCM-A10 (24 bit @48kHz) > Adobe Audition 3.0 (dithered to 16 bit @44.1kHz) > Cd Wave > FLAC Conversion: Charles Dewey Cole, IV Equipment: Sony PCM-A10 > (USB) @ 48kHz > 44.1kHz > Cd Wave 1 flac  
23. 06/26/24 RialtoTheater - Tucson, AZ A Blue World tour Tascam DR-05(int. mic) SP 32GB Memory Card @ 96/24(Downsampled to 16 x 44.1 EQed) [Audacity] (tracked on sectors) EAC (flac level 8) - YOU!! 2 flac  
24. 05/02/25 Sharon Lynne Wilson Center - Brookfield, WI 9 Mics: DPA 4022’s Recorder: Nagra 7 (with time code) 2 channel recorder Location: About 25th row dead center Sony Sound Forge just to track. NO OTHER BULLSHIT! My last recording of Justin. What a fantastic room at the Wilson Performing Arts Center. Went with my buddy Rusty to this. All around a great recording. Sample included for the skeptics! :) EXC+, Enjoy, RB 2 Flac  

Nancy Wilson  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/12/18 Xcite Center @ Parx Casino - Bensalm, PA 8.5 Recorded by bcironmaiden Recorded w/ SP-CMC-8 Sound Professionals Deluxe Audio Technica Cardioid Stereo Microphones > SP-SPSB-1 Sound Professionals Mini Battery Module >Sony M-10 > HD > Sony Sound Forge 96khz/24bit > 44khz/16bit > CD Wave Editor Track Split > TLH ( Flac 8 ) > You 1 Flac  

Starship  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/14/86 unknown - Austin, TX A lineage: cassette tape> cdr harman kardon track marks> falc level 8 thl > checksum encode files tlh > torrent tlh >you 1 flac  

|Interstellar Overdrive  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/31/18 The Cat's Cradle - Carrboro, NC AA Tascam DP-004 digital recorder using built-in condenser microphones -> WAV -> Cool Edit '96 (filtering & track split) -> FLAC Frontend -> flac files 2 flac  

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